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Electro-house
Electro house is a genre of electronic dance music characterized by heavy bass and a tempo around 130 beats per minute. The term has been used to describe the music of many ''DJ Mag'' Top 100 DJs, including Benny Benassi, Skrillex, Steve Aoki & Deadmau5. Characteristics Simon Reynolds described electro house, as a style attributed to artists like Zedd, Erol Alkan and Bloody Beetroots. Electro-house is typified by its heavy bass. This is often in the form of buzzing basslines, such as those created with sawtooth waves and distortion. It is also often in the form of large bass drum sounds in a four-on-the-floor pattern. The tempo of electro house is usually between 125 and 135 beats per minute, usually 130. Electro house sometimes resembles tech house, but it can contain melodic elements and electro-influenced samples and synths. In contrast, Reynolds stated the genre had "little relationship with either house or electro". History Reynolds described the sound as being influenc ...
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Big Room House
Big room house or simply big room is a fusion subgenre of house music (notably progressive house and electro house) that gained popularity in the early 2010s. Characterized by its simple instrumentation yet complex structure, big room house soon evolutionized the EDM scene into multiple subgenres that we know today. Although the term "big room" started appearing in news articles circa 2007, the current state of this subgenre emerged around 2010—12 and was popularized by songs such as " Epic" and "Cannonball". From 2013 on, artists like Martin Garrix, KSHMR, Dimitri Vegas & Like Mike, Hardwell, Nicky Romero, Afrojack, and R3HAB began experimenting with this sound in their compositions. The genre is generally set at a tempo that falls between 126 and 132 bpm. Songs typically include long buildups followed by an electro-style drop accompanied by the four on the floor kick drums typical of house music. Melodies are often simple and minimal, though a trance-inspired supersaw is ...
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Brostep
Dubstep is a genre of electronic dance music that originated in South London in the early 2000s. The style emerged as a UK garage offshoot that blended 2-step garage, 2-step rhythms and sparse dub reggae, dub production, as well as incorporating elements of broken beat, grime (music genre), grime, and drum and bass.Reynolds, S.(2012),''Energy Flash: A Journey Through Rave Music and Dance Culture,'' Perseus Books; Reprint edition (5 January 2012), pages 511–516, (). In the United Kingdom, the origins of the genre can be traced back to the growth of the Jamaican Sound system (Jamaican), sound system party scene in the early 1980s. Dubstep is generally characterised by the use of syncopation, syncopated rhythmic Drum pattern, patterns, prominent Bass (sound), basslines, and a dark tone. In 2001, this underground sound and other strains of garage music began to be showcased and promoted at London's night club Plastic People, at the "Forward" night (sometimes stylised as FWD> ...
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Skrillex
Sonny John Moore (born January 15, 1988), known professionally as Skrillex, is an American DJ and music producer. Growing up in Northeast Los Angeles and Northern California, he joined the post-hardcore band From First to Last as the lead singer in 2004, and recorded two studio albums with the band (''Dear Diary, My Teen Angst Has a Bodycount'' [2004] and ''Heroine (From First to Last album), Heroine'' [2006]) before leaving to pursue a solo career in 2007. He began his first tour as a solo artist in late 2007. After recruiting a new band lineup, Moore joined the Alternative Press Tour to support bands such as All Time Low and the Rocket Summer, and appeared on the cover of ''Alternative Press (music magazine), Alternative Press''' annual "100 Bands You Need to Know" issue. After releasing the ''Gypsyhook'' Extended play, EP in 2009, Moore was scheduled to record his debut studio album, ''Bells'', with producer Noah Shain. He ceased production of the album, however, and began p ...
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Benny Benassi
Marco "Benny" Benassi (; born 13 July 1967) is an Italian DJ, record producer and remixer. He is widely seen as a pioneer of electro house, a genre brought into the mainstream by his 2002 summer club hit " Satisfaction". He started his career as DJ along with his cousin Alessandro "Alle" Benassi, forming the electronica duo Benassi Bros. Although he began to gain popularity with his pseudonym in 1997 by releasing the song "Electric Flying", his first international hit was "I Feel So Fine", launched in 2001 under the nickname KMC. In 2003, Benassi released his first solo debut album, '' Hypnotica'', to positive reviews. Known as a pioneer album for electro-house, it incorporates electroclash sounds, many elements of house music and MacInTalk voices, and won the European Border Breakers Award. The following year, the debut album of the Benassi Bros., '' Pumphonia'', was released. Their track "Illusion" became very popular in the American club scene, finally peaking at number 4 ...
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Four-to-the-floor
Four-on-the-floor (or four-to-the-floor) is a rhythm pattern used primarily in dance genres such as disco and electronic dance music. It is a steady, uniformly accented beat in time in which the bass drum is hit on every beat (1, 2, 3, 4)."The Dance Music Manual: Tools, Toys and Techniques," Rick Snoman (2004) This was popularized in the disco music of the 1970s and the term ''four-on-the-floor'' was widely used in that era, since the beat was played with the pedal-operated, drum-kit bass drum. Four on the floor was common in jazz drumming until bebop styles expanded rhythmic roles beyond the basics in the 1940s. Garage rock bands of the 1960s such as the Troggs and the Seeds used four-on-the-floor on some of their hits. Earl Young is seen as the inventor of the disco style of rock drumming (in Harold Melvin & the Blue Notes's "The Love I Lost" from 1973), as he was the first to make extensive and distinctive use of the hi-hat cymbal throughout the playing time of an R&B ...
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Tech House
Tech house is a subgenre of house music that combines stylistic features of techno with house. The term ''tech house'' developed as a shorthand record store name for a category of electronic dance music that combined musical aspects of techno, such as "rugged basslines" and "steely beats," with the harmonies and grooves of progressive house.Aaron, Charles (2000), "Whose House? Tech-house and the quest for dance music's post-rave soul, ''Spin,'' October 2000.Bogdanov, Vladimir (2001), ''All Music Guide to Electronica: The Definitive Guide to Electronic Music,'' Backbeat Books, UK; 4th Revised edition, (page xiv). The music originally had a clean and minimal production style that was associated with techno from Detroit and the UK. In the mid to late 1990s, a scene developed in England around club nights such as The Drop run by the former Shamen rapper Mr C (Richard West) & Paul "Rip" Stone (co-founder with West of Plink Plonk), Heart & Soul and Wiggle run by Terry Francis and ...
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Bass Drum
The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter much greater than the drum's depth, with a struck head at both ends of the cylinder. The heads may be made of calfskin or plastic and there is normally a means of adjusting the tension either by threaded taps or by strings. Bass drums are built in a variety of sizes, but size does not dictate the volume produced by the drum. The pitch and the sound can vary much with different sizes, Del Mar, Norman (1981). ''Anatomy of the Orchestra''. . but the size is also chosen based on convenience and aesthetics. Bass drums are percussion instruments and vary in size and are used in several musical genres. Three major types of bass drums can be distinguished. * The type usually seen or heard in orchestral, ensemble or concert band music is the orchestral, or concert bass drum (in Italian: gran cassa, gran tamburo). It is the largest dr ...
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Distortion (music)
Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, a ...
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Electro (music)
Electro (or electro- funk)Rap meets Techno, with a short history of Electro
Globaldarkness.com. Retrieved on July 18, 2011.
is a of and early hip hop directly influenced by the use of the Roland TR-808 drum machines, ...
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Sawtooth Wave
The sawtooth wave (or saw wave) is a kind of non-sinusoidal waveform. It is so named based on its resemblance to the teeth of a plain-toothed saw with a zero rake angle. A single sawtooth, or an intermittently triggered sawtooth, is called a ramp waveform. The convention is that a sawtooth wave ramps upward and then sharply drops. In a reverse (or inverse) sawtooth wave, the wave ramps downward and then sharply rises. It can also be considered the extreme case of an asymmetric triangle wave. The equivalent piecewise linear functions x(t) = t - \lfloor t \rfloor x(t) = t \bmod 1 based on the floor function of time ''t'' is an example of a sawtooth wave with period 1. A more general form, in the range −1 to 1, and with period ''p'', is 2\left( - \left\lfloor + \right\rfloor\right) This sawtooth function has the same phase as the sine function. While a square wave is constructed from only odd harmonics, a sawtooth wave's sound is harsh and clear and its spectrum contai ...
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Bassline
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, Dub music, dub and electronic music, electronic, traditional music, traditional, or classical music for the low-pitched Part (music), instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the bass guitar, electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric organ, or synthesizer). In unaccompanied solo performance, basslines may simply be played in the lower register (music), register of any instrument while melody and/or further accompaniment is provided in the middle or upper register. In solo music for piano and pipe organ, these instruments have an excellent lower register that can be used to play a deep bassline. On organs, the bass line is typically played using the pedal keyboard and massive 16' and 32' bass pipes. Riffs and grooves Basslines in Pop music, popular m ...
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Bloody Beetroots
The Bloody Beetroots is an Italian electronic music project of musician and producer Bob Rifo (also Sir Bob Cornelius Rifo and SBCR, born Simone Cogo). Established in late 2006, the Bloody Beetroots were initially a duo consisting of Bob Rifo and Tommy Tea, who later left in 2012. Career The leader of the band, Sir Bob Cornelius Rifo, was born in 1977 in Bassano del Grappa, Italy. He lives in Venice Beach, California. He is a classically trained musician, but gained reputation for producing music with styles ranging from punk rock to the new wave of the 1980s. His identity remains largely anonymous. In fact, the only identifying public feature he has is the year "1977" tattooed across his chest, which is the year of his birth, that coincided with the year punk-rock was born. Rifo, a music producer, DJ and photographer uses the pseudonym the Bloody Beetroots himself. 2006–2009: Early production and ''Romborama'' Sir Bob Cornelius Rifo gained the support of Etienne De Crecy, ...
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