Electro-Industrial
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Electro-Industrial
Electro-industrial is a music genre that emerged from industrial music in the early 1980s. While EBM (electronic body music) has a minimal structure and clean production, electro-industrial tends to have a grittier, complex and layered sound with a more experimentalExplore MusicPop/Rock » Alternative/Indie Rock » Electro-Industrial@ AllMusic. ''RhythmOne Group''. Retrieved 8 February 2021. approach. The style was pioneered by Skinny Puppy, Front Line Assembly, Numb, and other groups, either from Canada or the Benelux. In the early 1990s, the style spawned the ''dark electro'' genre, and in the mid-/late-1990s, the ''aggrotech'' offshoot.Interview with Axel Machens, Vendetta Music, 23 April 2007Access date: 23 December 2008. The fan base for the style is linked to the rivethead subculture. Characteristics After the EBM movement faded in the early 1990s, electro-industrial increasingly attained popularity in the international club scene. In contrast to the straight EBM style, ...
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Dark Electro
Electro-industrial is a music genre that emerged from industrial music in the early 1980s. While EBM (electronic body music) has a minimal structure and clean production, electro-industrial tends to have a grittier, complex and layered sound with a more experimentalExplore MusicPop/Rock » Alternative/Indie Rock » Electro-Industrial@ AllMusic. ''RhythmOne Group''. Retrieved 8 February 2021. approach. The style was pioneered by Skinny Puppy, Front Line Assembly, Numb, and other groups, either from Canada or the Benelux. In the early 1990s, the style spawned the ''dark electro'' genre, and in the mid-/late-1990s, the ''aggrotech'' offshoot.Interview with Axel Machens, Vendetta Music, 23 April 2007Access date: 23 December 2008. The fan base for the style is linked to the rivethead subculture. Characteristics After the EBM movement faded in the early 1990s, electro-industrial increasingly attained popularity in the international club scene. In contrast to the straight EBM style, ...
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Aggrotech
Electro-industrial is a music genre that emerged from industrial music in the early 1980s. While EBM (electronic body music) has a minimal structure and clean production, electro-industrial tends to have a grittier, complex and layered sound with a more experimentalExplore MusicPop/Rock » Alternative/Indie Rock » Electro-Industrial@ AllMusic. ''RhythmOne Group''. Retrieved 8 February 2021. approach. The style was pioneered by Skinny Puppy, Front Line Assembly, Numb, and other groups, either from Canada or the Benelux. In the early 1990s, the style spawned the ''dark electro'' genre, and in the mid-/late-1990s, the ''aggrotech'' offshoot.Interview with Axel Machens, Vendetta Music, 23 April 2007Access date: 23 December 2008. The fan base for the style is linked to the rivethead subculture. Characteristics After the EBM movement faded in the early 1990s, electro-industrial increasingly attained popularity in the international club scene. In contrast to the straight EBM style, ...
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Electronic Body Music
Electronic body music (acronymized to EBM) is a genre of electronic music that combines elements of industrial music and synth-punk with elements of disco and dance music. It developed in the early 1980s in Western Europe as an outgrowth of both punk and industrial music cultures. It combines sequenced repetitive basslines, programmed dance music rhythms, and mostly undistorted vocals and commandlike shouts with confrontational or provocative themes. The evolution of the genre reflected "a general shift towards more song-oriented structures in industrial as to a general turn towards the dancefloor by many musicians and genres in the era of post-punk."Timor Kaul: ''Electronic Body Music''. In: Thomas Hecken, Marcus S. Kleiner: ''Handbook Popculture.'' J.B. Metzler Verlag 2017, , p. 102–104. It was considered a part of the European new wave and post-punk movement and the first style that blended synthesized sounds with an ecstatic style of dancing (e.g. pogo). EBM gai ...
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Electronic Body Music
Electronic body music (acronymized to EBM) is a genre of electronic music that combines elements of industrial music and synth-punk with elements of disco and dance music. It developed in the early 1980s in Western Europe as an outgrowth of both punk and industrial music cultures. It combines sequenced repetitive basslines, programmed dance music rhythms, and mostly undistorted vocals and commandlike shouts with confrontational or provocative themes. The evolution of the genre reflected "a general shift towards more song-oriented structures in industrial as to a general turn towards the dancefloor by many musicians and genres in the era of post-punk."Timor Kaul: ''Electronic Body Music''. In: Thomas Hecken, Marcus S. Kleiner: ''Handbook Popculture.'' J.B. Metzler Verlag 2017, , p. 102–104. It was considered a part of the European new wave and post-punk movement and the first style that blended synthesized sounds with an ecstatic style of dancing (e.g. pogo). EBM gai ...
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Industrial Music
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries. The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, sexual perversion, and the occult. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, and Z'E ...
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Wumpscut
Wumpscut (stylised as :wumpscut:) is a gothic influenced electro-industrial music project from Germany. It was founded in May 1991 by Bavarian disc jockey Rudolf "Rudy" Ratzinger (born 3 June 1966). History Rudy Ratzinger is the creative force behind Wumpscut, occasionally employing the help of guest artists (such as Aleta Welling, P·A·L, Selene etc.), although such collaborations were minimal in scope. Ratzinger cites the influence of such bands as Leæther Strip as his reason for making the transfer from DJing to recording music: "I was a DJ for several years and was tired of offering the audience only alien stuff. The first Leæther Strip works were responsible for trying something on my own." First works performed by Wumpscut dates back to the early 1990s when Rudy Ratzinger started to play music in Bavarian club houses and in Southern Germany. In a 1997 interview, Rudy Ratzinger reveals that "Pornography" and "War Combattery" were his first two songs in EBM, those two fou ...
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X Marks The Pedwalk
X Marks the Pedwalk (sometimes written as X-Marks the Pedwalk) is a German band whose styles range from post-industrial dance to electronic body music. X Marks the Pedwalk’s influence in the industrial and electronic music scenes was considerable during the 1990s, as they were one of the first and most popular acts from the now defunct record label, Zoth Ommog. History X Marks the Pedwalk – initially named "Scarecrow" – was founded by Sevren Ni-Arb (born André Schmechta, May 13, 1969) in 1987. Schmechta, who did the writing, production, and engineering of all X Marks the Pedwalk tracks, was the only consistent member throughout X Marks the Pedwalk’s history. Schmechta, a classically trained musician, became interested in synthesizers at an early age, and found himself part of several bands after he was able to buy his first keyboard at the age of 16. At that time, with influences such as Skinny Puppy, Kraftwerk, and DAF, Schmechta started a band called Scarecrow with ...
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List Of Industrial Music Genres
Industrial music is a form of experimental music which emerged in the 1970s. In the 1980s, industrial splintered into a range of offshoots, sometimes collectively named post-industrial music. This list details some of these offshoots, including fusions with other experimental and electronic music genres as well as rock, folk, heavy metal and hip hop. Industrial genres have spread worldwide and are particularly well represented in North America, Europe, and Japan. Industrial music Industrial music comprises many styles of experimental music, including many forms of electronic music. The term was coined in the mid-1970s for Industrial Records artists. The first industrial artists experimented with noise and controversial topics. Their production was not limited to music, but included mail art, performance art, installation pieces and other art forms. Prominent industrial musicians include Throbbing Gristle, Cabaret Voltaire, Boyd Rice, SPK, and Z'EV. Test Dept, Clock DVA, Noct ...
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Decoded Feedback
Decoded Feedback is a Canadian musical project which incorporates styles of electro-industrial and aggrotech. The duo releases music on the North American distributor Metropolis Records, and the European record label Infacted Recordings. History Decoded Feedback was formed in 1993 by the Italian Marco Biagiotti (vocals, lyrics, samples, sequences, arrangement, basses and drums) and the Hungarian Yone Dudas (keyboards, sequences, arrangement, samples, basses, drums and lyrics) while they were both living in Italy. The duo met in an industrial night club in Budapest, Hungary and developed a friendship through EBM and industrial music that led to a collaboration for producing original music. Their demo tape entitled ''Decoded Feedback'' was reviewed by the Belgian industrial music magazine Side-Line, which led to the group being signed to the European label, Hard Records. The group relocated to Toronto, Canada in 1995 and a year later Hard Records released their first full-length C ...
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Numb (band)
Numb is a Canadian electro-industrial band that is based in Vancouver, British Columbia, Canada. History Numb was founded by Don Gordon, David Hall and Sean Stubbs in 1986. The band issued their self-titled debut studio album '' Numb'' in 1987 on Edge and World Records. Their second album Christmeister'' was released by Lively Art in 1989. The band's third album ''Death on the Installment Plan'', released in 1993, featured weird electronic tape-loops overlaid with heavily distorted vocals. The 1994 album '' Wasted Sky'' used some of the same techniques, but with a darker feel and more technically varied approach."Numb Wasted Sky"
Review by Trey Spencer STAFF August 25th, 2008 Singer David Collins joined the band in 1995; the band released its fifth album, ''

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Haujobb
Haujobb is a German electronic musical project whose output has ranged drastically within the electronic music spectrum, from electro-industrial to Ambient music, ambient and techno. They have become a staple crossover act, bringing several forms of electro into the mainstream industrial music world. History Haujobb was formed in 1993 by Daniel Myer, Dejan Samardzic, and Björn Junemann. Hailing from Germany, the trio were inspired by the music of Skinny Puppy, as Myer recalls: "When ''Too Dark Park'' was released... this was the initiative for us to make this kind of music." The name comes from the German translation of "Replicant, skin job" from the film ''Blade Runner''. They were soon signed to Off Beat (label), Off Beat, and began distributing their music in North America via Pendragon Records. Following the release of ''Freeze Frame Reality'' in 1995 saw the departure of bandmate Björn, the lineup has consisted of Daniel and Dejan ever since. After Metropolis Records acq ...
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Velvet Acid Christ
Velvet Acid Christ (VAC) is an electro-industrial band based in Denver, Colorado. The band was formed in 1990 by lead vocalist, musician, and producer Bryan Erickson (aka Disease Factory), and later featured various ex-members of Toxic Coma. The project gained limited popularity in Europe's underground nightclub scene during the mid-1990s with the compilation '' Church of Acid'' (1996) before expanding into other markets in the goth and industrial subcultures. The band's discography includes 14 albums, the latest being ''Ora Oblivionis'' (2019). History Early projects, early changes, and first albums (1990–1995) In the early 1990s, Erickson and Gregory, both residents of Colorado, brought together their shared interest in creating music to record a series of demos in Erickson's mom's basement. With the addition of Gary Slaughter and Chris Workman, the group attempted several bands, including Disease Disco Factory, a parody of then-popular Dance group C+C Music Factory. Follow ...
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