El Trabuco Venezolano Vol. IV
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El Trabuco Venezolano Vol. IV
''El Trabuco Venezolano Vol. IV'' is a studio vinyl LP by Venezuelan musician Alberto Naranjo, originally released in 1984 and partially reedited in two CDs titled ''El Trabuco Venezolano 1977 - 1984 Vol. 1 (1994) and Vol. 2 (1995). It is the sixth of seven albums (two live albums) of the El Trabuco Venezolano musical project arranged and directed by Naranjo. The art cover include an article, signed by Humberto Márquez, entitled ''La flor y nata''''crème de la crème''o''creme of the crop'', which is also used to refer to this LP. Personnel * Alberto Naranjo - drums, arranger, director on all tracks;timbales (dubbed) on tracks 2, 3, 5, 6 * Samuel del Real - piano on all tracks * Lorenzo Barriendos - bass guitar on all tracks, except on 2 * José Velázquez - bass guitar on track 2 * José Navarro - timbales on tracks 1, 4, 7, 8 * Orlando Poleo - congas on all tracks, except on 2 * Felipe Rengifo - congas on track 2, quinto on track 8 * William Mora - bongos on all tracks, e ...
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Alberto Naranjo
Alberto Naranjo ah-rahn'-ho(September 14, 1941 – January 27, 2020) was a Venezuelan musician. His mother, the singer Graciela Naranjo, was a radio, film and television pioneer in her homeland. Largely self-taught, Naranjo embarked on a similar musical course, becoming – like his mother – one of Venezuela's icons of contemporary popular music.''Enciclopedia de la Música en Venezuela'' / Directores José Peñín y Walter Guido, Tomo 1, pag. 706–710. Publisher: Caracas, Fundación Bigott, 1998. Career In his early years, Naranjo was influenced by diverse music genres such as jazz and classical, from Louis Armstrong to Duke Ellington and Oliver Nelson; from Bud Powell to Thad Jones and Mel Lewis; from Béla Bartók to Claude Debussy, and specially, the music created by Tito Puente, one of the greatest all-time Latin jazz leaders. Puente revolutionised the role of the drums in stage performance, when he moved the drum kit and timbales from the back to the front of stage, hi ...
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Jazz Band
A jazz band (jazz ensemble or jazz combo) is a musical ensemble that plays jazz music. Jazz bands vary in the quantity of its members and the style of jazz that they play but it is common to find a jazz band made up of a rhythm section and a horn section. The size of a jazz band is closely related to the style of jazz they play as well as the type of venues in which they play. Smaller jazz bands, also known as ''combos'', are common in night clubs and other small venues and will be made up of three to seven musicians; whereas big bands are found in dance halls and other larger venues. Jazz bands can vary in size from a big band, to a smaller trio or quartet. Some bands use vocalists, while others are purely instrumental groups. Jazz bands and their composition have changed many times throughout the years, just as the music itself changes with personal interpretation and improvisation of its performers. Ensemble types Combos It is common for musicians in a combo to perform ...
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Latin American Music
The music of Latin America refers to music originating from Latin America, namely the Romance-speaking regions of the Americas south of the United States. Latin American music also incorporates African music from enslaved African people who were transported from West and Central Africa to the Americas by European settlers, as well as music from the Indigenous peoples of the Americas. Due to its highly syncretic nature, Latin American music encompasses a wide variety of styles, including influential genres such as cumbia, bachata, bossa nova, merengue, rumba, salsa, samba, son, and tango. During the 20th century, many styles were influenced by the music of the United States giving rise to genres such as Latin pop, rock, jazz, hip hop, and reggaeton. Geographically, it usually refers to the Spanish and Portuguese-speaking regions of Latin America, but sometimes includes Francophone countries and territories of the Caribbean and South America as well. It also encompasses Latin Am ...
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Irakere & Trabuco – En Vivo, Poliedro De Caracas, Mayo 15' 81
''Irakere & Trabuco - En Vivo, Poliedro de Caracas, Mayo 15 '81'' is a Vinyl-LP live album released in 1982. The Cuban band Irakere of Chucho Valdés and El Trabuco Venezolano led by Alberto Naranjo shared a stage three times – twice in Venezuela at the Poliedro de Caracas, in 1979 and 1981 (two concerts each year), and once at the Teatro Carlos Marx in Havana, Cuba in 1981. This recording shows the second of the two face-to-face historic encounters between Irakere and Trabuco that were held in Caracas on May 14 and 15 of 1981. This time, the blend of Afro-Cuban and Western elements in the music of Irakere is smoother, more organic, with the jazz influence diminished in favor of contagious dance rhythms. In the opener, Irakere pays tribute to the legendary '' tresista'' Arsenio Rodríguez with his popular-song composition ''El guayo de Catalina'', which features a vocal performance by Oscar Valdés and a robust electric guitar solo from Carlos Emilio Morales. It is pa ...
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Imagen Latina (album)
''Imagen Latina'' is an album by Venezuelan musician Alberto Naranjo, originally released in 1992 and reedited thrice in 2002, 2008 and 2012. It is the seventh album (fifth studio album) of Alberto Naranjo#1970–1979, El Trabuco Venezolano musical project arranged and directed by Naranjo. ''Trabuco'' is a Spanish language, Spanish term used in Venezuelan baseball slang to describe an All-star, All-Star selection of players. So, El Trabuco Venezolano means "The Venezuelan All-Star Band", in the best sense of the phrase. Naranjo (Caracas, 1941) is one of Venezuela's icons of contemporary music, establishing his prestige as an arranger, conductor, composer and drummer. In 1992 Naranjo produced ''Imagen Latina''. Soloists with an already established career in Venezuela participated in this project; renowned salsa (music), salseros as Canelita Medina, Carlos Espósito, Vladimir Lozano, Trina Medina, Carlos Daniel Palacios and Mauricio Silva; noted folklore, folklorists as Simón Díaz ...
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Gramophone Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records con ...
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Compact Disc
The compact disc (CD) is a Digital media, digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital audio recordings. In August 1982, the first compact disc was manufactured. It was then released in October 1982 in Japan and branded as ''Compact Disc Digital Audio, Digital Audio Compact Disc''. The format was later adapted (as CD-ROM) for general-purpose data storage. Several other formats were further derived, including write-once audio and data storage (CD-R), rewritable media (CD-RW), Video CD (VCD), Super Video CD (SVCD), Photo CD, Picture CD, Compact Disc-Interactive (CD-i) and Enhanced Music CD. Standard CDs have a diameter of and are designed to hold up to 74 minutes of uncompressed stereo digital audio or about 650 mebibyte, MiB of data. Capacity is routinely extended to 80 minutes and 700 mebibyte, MiB by arranging data more closely on the same sized disc. The Mini CD has various diameters ranging from ; t ...
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Cuatro (instrument)
The cuatro is a family of Latin American string instruments played in Puerto Rico, Venezuela and other Latin American countries. It is derived from the Spanish guitar. Although some have viola-like shapes, most cuatros resemble a small to mid-sized classical guitar. In Puerto Rico and Venezuela, the cuatro is an ensemble instrument for secular and religious music, and is played at parties and traditional gatherings. Cuatro means ''four'' in Spanish; the instrument's 15th century predecessors were the Spanish vihuela and the Portuguese cavaquinho, the latter having four strings like the cuatro. Modern cuatros come a variety of sizes and shapes, and number of strings. Cuatros can either have single-strings, like a guitar, or double- or triple-coursed strings like a mandolin, and vary in size from a large mandolin or small guitar, to the size of a full-size guitar. Depending on their particular stringing, cuatros are part of the guitar or mandolin subfamilies of the lute fa ...
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Los Cuñaos
Los Cuñaos is an eight-part vocal group established in Caracas, Venezuela in 1974. Their repertoire is based on popular Venezuelan songs adapted to their own unique style of singing, performing a crossover of traditional and pop genres while contrasting their work with rich and warm harmonies.Peñin, José; Guido, Walter (1998). ''Enciclopedia de la Música en Venezuela''. Fundación Bigott, Caracas. . History The group was formed by musician Alí Agüero, who came to sing with the '' Onda Nueva'' group created and led by Aldemaro Romero. The Onda Nueva (New Wave) is a genre derived from the Venezuelan joropo and the Brazilian bossa nova, which has a few slight nods to jazz and classical music Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" also .... In essence, Los Cuñaos is a ...
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Juan Vicente Torrealba
Juan Vicente Torrealba (20 February 1917 – 2 May 2019) was a Venezuelan harpist and composer of popular music. In 1947 he founded the group Los Torrealberos with his brother Arturo and his son Santana, playing with passion and rich nuances the traditional music of the plains, which is distinguished by feeding on the experiences of the peasants, the cattle-raising tasks, the singing of the birds, the melody of the rivers and the trot of the horses. The following year he launched his solo career and performed before crowds in Latin America, Europe and the United States. In 1971, the recording of the album "Rhapsody Llanera" was key in his career, in which his group was accompanied by a symphony orchestra. Since then the incorporation of the most varied instruments and technical elements was a constant and turned his group into a kind of chamber orchestra. Among his other compositions are "Sinfonía en el palmar", "Mujer Guayanesa" and "Barquisimeto". "La fillo zaina" – creat ...
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Chico Buarque
Francisco Buarque de Hollanda (born 19 June 1944), popularly known simply as Chico Buarque, is a Brazilian singer-songwriter, guitarist, composer, playwright, writer, and poet. He is best known for his music, which often includes social, economic, and cultural reflections on Brazil. The firstborn son of Sérgio Buarque de Hollanda, Buarque lived at several locations throughout his childhood, though mostly in Rio de Janeiro, São Paulo, and Rome. He wrote and studied literature as a child and found music through the bossa nova compositions of Tom Jobim and João Gilberto. He performed as a singer and guitarist in the 1960s as well as writing a play that was deemed dangerous by the Brazilian military dictatorship of the time. Buarque, along with several Tropicalist and MPB musicians, was threatened by the Brazilian military government and eventually left Brazil for Italy in 1969. However, he came back to Brazil in 1970, and continued to record, perform, and write, though much of hi ...
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NG La Banda
NG La Banda is a Cuban musical group founded by flutist José Luis "El Tosco" Cortés. NG stands for ''nueva generación'' ('new generation'). NG La Banda are the creators of ''timba'' (a term coined by Cortés), the most important popular dance and music genre of the past two decades. Prior to founding NG La Banda, Cortés played in the Afro-Cuban jazz-fusion supergroup Irakere, and the seminal songo band Los Van Van. The next generation Before leaving Irakere, El Tosco had begun what was to be an experimental side-project to "make a study of Cuban music and Jazz". It was known alternately as "Nueva Generación" and "Orquesta Todos Estrellas". The members were handpicked from the raging Cuban Jazz scene of the 80's and included such giants as Gonzálo Rubalcalba, Hernán López-Nussa, Horacio "El Negro" Hernández, Calixto Oviedo and most of the musicians who would later become NG La Banda . The group produced four vinyl records which have never been released on CD although some ...
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