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El Trabuco Venezolano Vol. III
''El Trabuco Venezolano - Vol. III'' is a vinyl LP by Venezuelan musician Alberto Naranjo, originally released in 1981 and partially rereleased in two CD albums titled ''El Trabuco Venezolano 1977 - 1984'' Vol. 1 (1994) and Vol. 2 (1995). It is the third of seven albums (two live albums) of the El Trabuco Venezolano musical project arranged and directed by Naranjo. Track listing Personnel * Alberto Naranjo - drums, arranger, director on all tracks;timbales on 4, 5, 6 * Samuel del Real - piano on all tracks * Lorenzo Barriendos - bass guitar on all tracks, except on 2 * José Velázquez - bass guitar on 2 * Frank Hernández - timbales on 3 * Felipe Rengifo - congas; Afro Venezuelan percussion on 1, 2; Batá drum (Iyá) on 5 * Jesús Quintero - bongos on 4, 6; Afro Venezuelan percussion on 1, 2 * Luisito Quintero - bongos on 1, 3, 5; Batá drum (Okónkolo) on 5 * Carlos Quintero - Afro Venezuelan percussion on 1, 2 * Manuel Urbina - Bata drums (Itótele) on 5 * Luis Arias - tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Naranjo
Alberto Naranjo ah-rahn'-ho(September 14, 1941 – January 27, 2020) was a Venezuelan musician. His mother, the singer Graciela Naranjo, was a radio, film and television pioneer in her homeland. Largely self-taught, Naranjo embarked on a similar musical course, becoming – like his mother – one of Venezuela's icons of contemporary popular music.''Enciclopedia de la Música en Venezuela'' / Directores José Peñín y Walter Guido, Tomo 1, pag. 706–710. Publisher: Caracas, Fundación Bigott, 1998. Career In his early years, Naranjo was influenced by diverse music genres such as jazz and classical, from Louis Armstrong to Duke Ellington and Oliver Nelson; from Bud Powell to Thad Jones and Mel Lewis; from Béla Bartók to Claude Debussy, and specially, the music created by Tito Puente, one of the greatest all-time Latin jazz leaders. Puente revolutionised the role of the drums in stage performance, when he moved the drum kit and timbales from the back to the front of stage, hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cecilia Todd
Cecilia Todd Vallenilla (born March 4, 1951 in Caracas, Venezuela) is a singer and cuatro player. References See also *Venezuelan music Several styles of the traditional music of Venezuela, such as salsa and merengue, are common to its Caribbean neighbors. Perhaps the most typical Venezuelan music is joropo, a rural form which originated in the llanos, or plains. Genres Jorop ... 1951 births Feminist musicians Living people Singers from Caracas Venezuelan folk singers 20th-century Venezuelan women singers Venezuelan feminists {{Venezuela-musician-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuatro (Venezuela)
The cuatro of Venezuela has four single nylon strings, tuned (ad'f#'b). It is similar in shape and tuning to the ukulele, but their character and playing technique are vastly different. It is tuned in a similar fashion to the traditional D tuning of the ukulele, but the A and B are an octave lower. Consequently, the same fingering can be used to shape the chords, but it produces a different inversion of each chord. A cuatro player is called a ''cuatrista''. History The predecessor of the Venezuelan cuatro is the four-string Spanish renaissance guitar which disappeared in the 16th century after a short period of surging popularity. In the 1950s, Fredy Reyna documented the evolution of the renaissance guitar into the current Venezuelan Cuatro, and reinvented the cuatro as a solo instrument, equally capable of rendering traditional Venezuelan music as well as Renaissance pieces. The popularity of the instrument in Venezuela and elsewhere may be due to its apparent simplicity, hav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Batá Drum
The Batá drum is a double-headed drum shaped like an hourglass with one end larger than the other. The percussion instrument is still used for its original purpose as it is one of the most important drums in the yourba land and used for traditional and religious activities among the Yoruba. Batá drums have been used in the religion known as Santería in Cuba since the 1800s, and in Puerto Rico and the United States since the 1950s. Today, they are also used for semi-religious musical entertainment in Nigeria and in secular, popular music. The early function of the batá was as a drum of different gods, of royalty, of ancestors and a drum of politicians, impacting all spheres of life in Yoruba land. Bata drums are made by fastening skin of goats with wires on an hollowed wood body.Bata drums are made from a solid wood log from the oma tree. The drum’s shells are carved by hands and assembled in traditionally. The drums are assembled without any metal parts, the playing heads ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guaco (band)
Guaco is a tropical music band from Venezuela that was formed in Maracaibo by Mario Viloria, Alfonso "Pompo" Aguado, and Fernando Domínguez in 1968. Viloria, the main founder, retired to focus on his college studies; he was the group's main composer for several years. His home was also the main place where practices were held in the group's early years. The name Guaco is attributed a bird named "Guaco" that would fly over Viloria's house every morning. The band began as a gaita zuliana group, and during the 70s diverged from the traditional way of playing the genre by integrating it with elements of salsa music (such as complex horn arrangements), and adding in violins and electric guitars which were very unusual instruments to be included in a gaita band. Today, the Guaco rhythm continues to evolve through a complex mixture of gaita, salsa, pop music, jazz, funk and even rock and roll and vallenato rhythms, concocting a recognizable and unique style that is considered to be a hallma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Herrera
Lorenzo Esteban Herrera (August 2, 1896 – 1960) is a Venezuelan singer and composer of the first half of the 20th century. Sources *Based on ''Guillermo Ramos Flamerich'' about the life of Lorenzo Herrera External links Lorenzo Herrera recordingsat the Discography of American Historical Recordings The Discography of American Historical Recordings (DAHR) is a database of master recordings made by American record companies during the 78rpm era. The DAHR provides some of these original recordings, free of charge, via audio streaming, along with .... {{DEFAULTSORT:Herrera, Lorenzo 1896 births 1960 deaths Date of death missing People from Caracas Venezuelan composers Male composers Venezuelan folk guitarists Male guitarists Venezuelan folk singers 20th-century composers 20th-century guitarists 20th-century Venezuelan male singers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chucho Valdés
Jesús Valdés Rodríguez, better known as Chucho Valdés (born October 9, 1941), is a Cuban pianist, bandleader, composer and arranger whose career spans over 50 years. An original member of the Orquesta Cubana de Música Moderna, in 1973 he founded the group Irakere, one of Cuba's best-known Latin jazz bands. Both his father, Bebo Valdés, and his son, Chuchito, are pianists as well. Married to Lorena Salcedo since 2009. As a solo artist, he has won seven Grammy Awards and four Latin Grammy Awards. Career Chucho Valdés's first recorded sessions as a leader took place in late January 1964 in the Areíto Studios of Havana (former Panart studios) owned by the newly formed EGREM. These early sessions included Paquito D'Rivera on alto saxophone and clarinet, Alberto Giral on trombone, Julio Vento on flute, Carlos Emilio Morales on guitar, Kike Hernández on double bass, Emilio del Monte on drums and Óscar Valdés Jr. on congas. Throughout the 1960s and 1970s, these would be t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indio Figueredo
Ignacio Ventura Figueredo (July 31, 1899, in Algarrobito, Apure – September 3, 1995, in San Fernando de Apure), was a Venezuelan folk musician and harpist. See also International Jose Guillermo Carrillo Foundation* Venezuela * Venezuelan music {{DEFAULTSORT:Figueredo, Ignacio 1899 births 1995 deaths Venezuelan composers Male composers Venezuelan folk harpists Venezuelan folk musicians 20th-century composers 20th-century male musicians ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grupo Mango
The Grupo Mango is a salsa music band based in Caracas, Venezuela, which was established in 1975. Since then, the group has been an emblematic part of the Venezuelan salsa scene.Peñin, José; Guido, Walter. (1998). ''Enciclopedia de la Música en Venezuela''. Fundación Bigott, Caracas. . The group, once organized into an official orchestra, was reduced to a sextet. Their first album remains one of the most complete productions ever done in the whole of salsa.Rondón, César Miguel (2008). ''The Book of Salsa''. The University of North Carolina. Mango performs original songs, and its style is based on the ''salsa dura'' fundamentals including traces of jazz and pop, as well a few slight nods to the music of Cal Tjader and Joe Cuba. The first established members were Moisés Daubeterre (Singing, vocals and piano), Freddy Roldán (vibraphone), Argenis Carmona (bass guitar), José Navarro (timbales), Gustavo Quinto (congas) and Luis Gamboa (Bongo drum, bongó). Shortly thereafter Joe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Introduction (music)
In music, the introduction is a passage or section which opens a movement or a separate piece, preceding the theme or lyrics. In popular music, this is often known as the song intro or just the intro. The introduction establishes melodic, harmonic or rhythmic material related to the main body of a piece.Pease, Ted (2003), p.172. ''Jazz Composition : Theory and Practice''. . Introductions may consist of an ostinato that is used in the following music, an important chord or progression that establishes the tonality and groove for the following music, or they may be important but disguised or out-of-context motivic or thematic material. As such, the introduction may be the first statement of primary or other important material, may be related to but different from the primary or other important material, or may bear little relation to any other material. A common introduction to a rubato ballad is a dominant seventh chord with fermata, an introduction that works for many songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Band
A jazz band (jazz ensemble or jazz combo) is a musical ensemble that plays jazz music. Jazz bands vary in the quantity of its members and the style of jazz that they play but it is common to find a jazz band made up of a rhythm section and a horn section. The size of a jazz band is closely related to the style of jazz they play as well as the type of venues in which they play. Smaller jazz bands, also known as ''combos'', are common in night clubs and other small venues and will be made up of three to seven musicians; whereas big bands are found in dance halls and other larger venues. Jazz bands can vary in size from a big band, to a smaller trio or quartet. Some bands use vocalists, while others are purely instrumental groups. Jazz bands and their composition have changed many times throughout the years, just as the music itself changes with personal interpretation and improvisation of its performers. Ensemble types Combos It is common for musicians in a combo to perform ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compact Disc
The compact disc (CD) is a Digital media, digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital audio recordings. In August 1982, the first compact disc was manufactured. It was then released in October 1982 in Japan and branded as ''Compact Disc Digital Audio, Digital Audio Compact Disc''. The format was later adapted (as CD-ROM) for general-purpose data storage. Several other formats were further derived, including write-once audio and data storage (CD-R), rewritable media (CD-RW), Video CD (VCD), Super Video CD (SVCD), Photo CD, Picture CD, Compact Disc-Interactive (CD-i) and Enhanced Music CD. Standard CDs have a diameter of and are designed to hold up to 74 minutes of uncompressed stereo digital audio or about 650 mebibyte, MiB of data. Capacity is routinely extended to 80 minutes and 700 mebibyte, MiB by arranging data more closely on the same sized disc. The Mini CD has various diameters ranging from ; t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
