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El Paso Museum Of Art
Founded in 1959, The El Paso Museum of Art (EPMA) is located in downtown El Paso, Texas. First accredited in 1972, it is the only accredited art museum within a 250-mile radius and serves approximately 100,000 visitors per year. A new building was completed in 1998. In addition to its permanent collections and special exhibitions, the museum also offers art classes, film series, lectures, concerts, storytelling sessions and other educational programs to the West Texas, Southern New Mexico and Ciudad Juarez, Mexico community. Collections It is best known for its 57-piece Samuel H. Kress collection of 12th–18th-century European Art including works by Bernardo Bellotto, Benedetto Bonfigli, Canaletto, Giovanni Benedetto Castiglione, Vincenzo Catena, Giuseppe Maria Crespi, Carlo Crivelli, Vittore Crivelli, Macrino d'Alba, Jacopo da Sellaio, Nicolò da Voltri, Juan de Borgoña, Jacopo del Sellaio, Martino di Bartolomeo, Giovanni di Paolo, Giovanni Andrea de Ferrari, Sano di Pie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Paso Museum Of Art
Founded in 1959, The El Paso Museum of Art (EPMA) is located in downtown El Paso, Texas. First accredited in 1972, it is the only accredited art museum within a 250-mile radius and serves approximately 100,000 visitors per year. A new building was completed in 1998. In addition to its permanent collections and special exhibitions, the museum also offers art classes, film series, lectures, concerts, storytelling sessions and other educational programs to the West Texas, Southern New Mexico and Ciudad Juarez, Mexico community. Collections It is best known for its 57-piece Samuel H. Kress collection of 12th–18th-century European Art including works by Bernardo Bellotto, Benedetto Bonfigli, Canaletto, Giovanni Benedetto Castiglione, Vincenzo Catena, Giuseppe Maria Crespi, Carlo Crivelli, Vittore Crivelli, Macrino d'Alba, Jacopo da Sellaio, Nicolò da Voltri, Juan de Borgoña, Jacopo del Sellaio, Martino di Bartolomeo, Giovanni di Paolo, Giovanni Andrea de Ferrari, Sano di Pie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolò Da Voltri
Nicolò da Voltri was an Italian painter who was active in Genoa from 1394 to 1417. He was the most important native painter in Liguria, a coastal region of northwestern Italy. His early development took place, probably in the 1370s, in the circle of Barnaba da Modena, who was active in Liguria between 1361 and 1383. Da Voltri was influenced by the Sienese School painter Taddeo di Bartolo, who was in Liguria between 1393 and 1398. Da Voltri's later paintings show clear influence of the Pisa Pisa ( , or ) is a city and ''comune'' in Tuscany, central Italy, straddling the Arno just before it empties into the Ligurian Sea. It is the capital city of the Province of Pisa. Although Pisa is known worldwide for its leaning tower, the cit ...n painters working in Liguria between 1410 and 1420. External links * ''Dizionario enciclopedico Bolaffi dei pittori e degli incisori italiani dall'XI al XX secolo'', Turin, Giulio Bolaffi, 1972–1976. * Thieme, Ulrich and Felix Becker, ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Lotto
Lorenzo Lotto (c. 1480 – 1556/57) was an Italian Painting, painter, draughtsman, and illustrator, traditionally placed in the Venetian school (art), Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerism, Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists. Overview During his lifetime Lotto was a well-respected painter and certainly popular in Northern Italy; he is traditionally included in Venetian school (art), the Venetian School, but his independent career actually places him outside the Venetian art scene. He was certainly not as highly regarded in Venice as in the other towns where he worked, for he had a stylistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippino Lippi
Filippino Lippi (April 1457 – 18 April 1504) was an Italian painter working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance. Biography Filippino Lippi was born in Prato, Tuscany, the illegitimate son of the painter Fra Filippo Lippi and Lucrezia Buti. Filippino first trained under his father. They moved to Spoleto, where Filippino served as workshop adjuvant in the construction of the Cathedral. When his father died in 1469, he completed the frescoes with ''Storie della Vergine'' (''Histories of the Virgin'') in the cathedral. Filippino Lippi completed his apprenticeship in the workshop of Botticelli, who had been a pupil of Filippino's father. In 1472 the records of the painters' guild record that Botticelli had only Filippino Lippi as an assistant. His first works greatly resemble those of Botticelli, but with less sensitivity and subtlety. The very first ones (dating from 1475 onwards) were initially attr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benvenuto Tisi (il Garofalo)
Benvenuto Tisi (or Il Garofalo) (1481September 6, 1559) was a Late-Renaissance-Mannerism, Mannerist Italian painter of the School of Ferrara. Garofalo's career began attached to the court of the Duke d'Este. His early works have been described as "idyllic", but they often conform to the elaborate conceits favored by the artistically refined Ferrarese court. His nickname, ''Garofalo'', may derive from his habit of signing some works with a picture of a carnation (in Italian, ''garofano''). Biography Early training Born in Canaro, Rovigo, Canaro near Ferrara, Tisi is claimed to have apprenticed under Domenico Panetti, Panetti and perhaps Lorenzo Costa, Costa and was a contemporary, and sometimes collaborator with Dosso Dossi. In 1495 he worked at Cremona under his maternal uncle Niccolò Soriano, and at the school of Boccaccino, who initiated him into Venice, Venetian colouring. He may have spent three years (1509–1512), in Rome. This led to a stylized classical style, more infl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan De Valdés Leal
Juan de Valdés Leal (4 May 1622 – 15 October 1690) was a Spanish painter and etcher of the Baroque era. Career Valdés was born in Seville in 1622. He became a painter, sculptor, and architect. By his twenties, he was studying under Antonio del Castillo in Córdoba. Among his works are ''History of the Prophet Elias'' for the church of the Carmelites; ''Martyrdom of St. Andrew'' for the church of San Francesco in Córdoba; and ''Triumph of the Cross'' for la Caridad in Seville. He became friends with Bartolomé Esteban Murillo, who had a very different style; Leal tended to paint somber and dramatic subjects, while Murillo's style was peaceful and serene. After Leal returned to Seville in 1656, he and Murillo founded the Seville Academy of Art. Several of his paintings treat the subjects of vanitas, transience and mortality. Two examples are ''In ictu oculi'' ("in the blink of an eye") and '' Finis gloriae mundi'' ("end of the world's glory"), painted for the Charity H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artemisia Gentileschi
Artemisia Lomi or Artemisia Gentileschi (, ; 8 July 1593) was an Italian Baroque painter. Gentileschi is considered among the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. She was producing professional work by the age of 15. In an era when women had few opportunities to pursue artistic training or work as professional artists, Gentileschi was the first woman to become a member of the Accademia di Arte del Disegno in Florence and she had an international clientele. Many of Gentileschi's paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are ''Susanna and the Elders'' (particularly the 1610 version in Pommersfelden), ''Judith Slaying Holofernes'' (her 1614–1620 version is in the Uffizi gallery), and '' Judith and Her Maidservant'' (her version of 1625 is in the Detroit Institute of Arts). Gentileschi was known for being able to depict the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lavinia Fontana
Lavinia Fontana (August 24, 1552 – August 11, 1614) was a Bologna, Bolognese Mannerism, Mannerist painter active in Bologna and Rome. She is best known for her successful portraiture, but also worked in the genres of mythology and religious painting. She was trained by her father Prospero Fontana who was a teacher at the School of Bologna. She is regarded as the first female career artist in Western Europe as she relied on commissions for her income. Her family relied on her career as a painter, and her husband served as her agent and raised their 11 children. She was perhaps the first woman artist to paint female nudes, but this is a topic of controversy among art historians. Biography Lavinia Fontana was born in Bologna in 1552 to Prospero Fontana and Antonia de' Bonardis. She was baptized on August 24, 1552 at the cathedral of San Pietro. Her elder sister Emilia died in 1568 when Lavinia was sixteen. Prospero was a prominent painter of the Bolognese School (painting), School ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battista Dossi
Battista Dossi (ca. 1490–1548), also known as Battista de Luteri, was an Italian painter who belonged to the Ferrara School of Painting. He spent nearly his entire career in service of the Court of Ferrara, where he worked with his older brother Dosso Dossi (c. 1489–1542). It is believed that Battista worked in the Rome studio of Raphael from 1517 to 1520. Battista's students include Camillo Filippi Camillo Filippi (died 1574) was an Italian painter who flourished about the middle of the 16th century. Biography Filippo was born in Ferrara. He was a disciple of Dosso Dossi, and painted historical works with some success. The ''Annunciation' ... (c. 1500–1574). Gallery File:'The Flight into Egypt' by Battista Dossi and Dosso Dossi.JPG, ''The Flight into Egypt'' File:Madonna col Bambino e santo Vescovo, Battista Dossi e Dosso Dossi 001.JPG, ''Madonna and Child with Holy Bishop'' File:Battista Dossi - Holy Family with a Shepherd - 1949.185 - Cleveland Museum of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sano Di Pietro
Sano di Pietro or Ansano di Pietro di Mencio (1405–1481) was an Italian painter of the Sienese school of painting. He was active for about half a century during the Quattrocento period, and his contemporaries included Giovanni di Paolo and Sassetta. Life Sano was born in 1405. His name entered the roll of painters in 1428 where it remained until his death in 1481. In addition to his own painting and overseeing the pupils and assistants in his workshop, Sano was part of the civic fabric of Siena; in 1431 and 1442 he was the leader of the San Donato district of Siena. Sano was also employed as an arbitrator; in 1475 he was called upon to settle a dispute between fellow painters Neroccio di Bartolommeo and Francesco di Giorgio Martini. However, he made his living as a painter. The workshop he ran produced a large number of artworks. He wasn't merely a painter of altarpieces. He also produced frescoes, miniatures, and book bindings. Sano died in 1481. His death notice read: :::' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Andrea De Ferrari
Giovanni Andrea de Ferrari (1598–1669) was an Italian painter of the Baroque period, active mainly in Genoa. A prolific easel painter who created many altarpieces, he was, together with Gioacchino Assereto and Orazio de Ferrari, one of the chief influences on the later development of the Baroque in Genoa.M. Newcome. "Ferrari, Giovanni Andrea de’." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 17 October 2016 Life He was a member of a prominent Genoese family. His father was Battista de Ferrari. After first dedicating himself to the study of literature he later decided to study art. He was first a pupil of Bernardo Castello and later of Bernardo Strozzi. He also studies the works of Anthony van Dyck who had been a resident in Genoa before.Anna Maria V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Di Paolo
Giovanni di Paolo di Grazia (''c.'' 1403–1482) was an Italian painter, working primarily in Siena, becoming a prolific painter and illustrator of manuscripts, including Dante's texts. He was one of the most important painters of the 15th century Sienese School. His early works show the influence of earlier Sienese masters, but his later style was more individual, characterized by cold, harsh colours and elongated forms. His style also took on the influence of International Gothic artists such as Gentile da Fabriano. Many of his works have an unusual dreamlike atmosphere, such as the surrealistic ''Miracle of St. Nicholas of Tolentino'' painted about 1455 and now housed in the Philadelphia Museum of Art, while his last works, particularly ''Last Judgment, Heaven, and Hell'' from about 1465 and ''Assumption'' painted in 1475, both at Pinacoteca Nazionale (Siena), are grotesque treatments of their lofty subjects. Giovanni's reputation declined after his death but was revived in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
