|
El Beso De La Ciguatera
''El Beso de la Ciguatera'' (The Kiss of the Ciguatera) is a song by Dominican Republic singer-songwriter Juan Luis Guerra released as the third single for his album '' Fogarate'' (1994) with the collaboration of Diblo Dibala. The song was released in January 23, 1995 by Karen Records. The track encompasses merengue with soukus. The song was a recipient of a Broadcast Music, Inc. (BMI) Latin Award in 1996. Commercially, it reached the top ten on the ''Billboard'' Hot Latin Songs The ''Billboard'' Hot Latin Songs (formerly Hot Latin Tracks and Hot Latin 50) is a record chart in the United States for Latin songs, published weekly by ''Billboard'' magazine. Since October 2012, chart rankings are based on digital sales, rad ... and Tropical Airplay charts in the United States. It also received moderate airplay in Europe. Tracklist * Spain CD Single (1994) *# El Beso De La Ciguatera (Radio Version) – 4:10 *# El Beso De La Ciguatera (Maxi Version) – 4:50 Charts Ref ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan Luis Guerra
Juan Luis Guerra Seijas (born June 7, 1957) is a Dominican musician, singer, composer, and record producer. He has sold 30 million records worldwide, making him one of the best-selling Latin music artists. Throughout his career, he has won numerous awards including 23 Latin Grammy Awards, three Grammy Awards, and one Latin Billboard Music Award. Guerra won 3 Latin Grammy Awards in 2010, including Album of the Year. In 2012, he won the Latin Grammy Award for Producer of the Year. Guerra is one of the most internationally recognized Latin artists of recent decades. His popular style of merengue and Latin fusion has garnered him considerable success throughout Latin America. He is also credited for popularizing bachata music on a global level and is often associated with the genre, although his distinct style of bachata features a more traditional bolero rhythm and aesthetic mixed with bossa-nova influenced melodies and harmony in some of his songs. He does not limit him ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fogaraté
''Fogaraté!'' is the seventh album of the famous Dominican songwriter and musician Juan Luis Guerra. It was released on July 19, 1994. The album mixed a variety of music genres including rural and flolklroic rots of merengue called " Perico Ripao" with elements of African soukus music and Tropical Music such as Reggae with the collaboration of African guitarist Diblo Dibala and Dominican accordionist Francisco Ulloa, along with Son, Bachata and Salsa. Also, the album features a particular, bachata-styled adaptation of the Lacrimosa movement from Mozart's Requiem Mass in D Minor and Guerra's first song fully in English "July 19". Exploring lyrics and themes about magical realism of Latin American literature and commenting on the politics of the Caribbean, for many fans and critics, ''Fogaraté!'' is one of his most musically complex album. The album received widespread critical acclaim, citing it as one of the best albums of 1994 according to some music critics. ''Forgarate'' w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viviré (song)
"Viviré" ("I Will Live") is a song by Dominican Republic singer-songwriter Juan Luis Guerra released as the second single for his album ''Fogaraté'' (1994). It is a Spanish-language adaptation of "Vivi" by Congolese musician Papa Wemba with Guerra writing the song in Spanish. It became his first song to reach number-one on the ''Billboard'' Latin Pop Airplay in 1994. At the 1995 Latin Billboard Music Awards, "Viviré" won Tropical/Salsa Song of the Year. It was recognized as one best-performing Latin songs of the year at the 1996 BMI Latin Awards. The music video for the song was directed by Gustavo Garzón and received a nomination for Video of the Year at the 1995 Lo Nuestro Awards. On the review of the album for the ''Miami Herald'', Fernando Gonzalez called the song "the best of the lot". A writer for ''Music & Media'' described the track as a Cuban son A son is a male offspring; a boy or a man in relation to his parents. The female counterpart is a daughter. From ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mi PC
"Mi PC" () is a song by Dominican Republic singer-songwriter Juan Luis Guerra and his band 4-40 from his eighth studio album, '' Ni Es lo Mismo Ni Es Igual'' (1998). The song was released as the lead single from the album in November 1998 by Karen Records. The song was written and produced by Guerra. It is a pop merengue track in which Guerra uses computer terminology to narrate a love story. "Mi PC" was met with positive reactions from music critics who found the lyrics to be clever and its music catchy. Commercially, it topped both the ''Billboard'' Hot Latin Songs and Tropical Airplay charts in the United States. Guerra performed the track live at the Altos de Chavón amphitheater in the Dominican Republic in 1999 and the 2000 Viña del Mar Festival in Chile. The song was a recipient of a Broadcast Music, Inc. (BMI) Latin Award in 2001. Background and composition In 1994, Juan Luis Guerra released his seventh studio album, ''Fogaraté'', a record consisting of soukous- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diblo Dibala
Diblo Dibala (born 9 August 1954), often known simply as Diblo, is a Democratic Republic of the Congo, Congolese soukous musician, known as "Machine Gun" for his speed and skill on the guitar. He was born in 1954 in Kisangani. He moved to Kinshasa as a child, and aged 15 won a talent competition which led to him playing guitar in Francois Luambo Makiadi, Franco's TPOK band. Dibala remained with the group for only a short period, going on to play with Vox Africa, Orchestra Bella Mambo and Bella Bella, in which band he first played with Kanda Bongo Man. In 1979, he moved to Brussels, and in 1981 he joined Kanda Bongo Man's band in Paris. Their first album, ''Iyole'' (1981), was a success. Diblo became a sought after session guitarist, working with Pepe Kalle and many other soukous musicians. In the mid-1980s, he formed his own band, Loketo (meaning 'hips'), with singers Aurlus Mabele and Mav Cacharel. A few years later, that band broke up, and in 1990 he formed a new group, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merengue Music
Merengue is a type of music and dance originating in the Dominican Republic, which has become a very popular genre throughout Latin America, and also in several major cities in the United States with Latino communities. Merengue was inscribed on November 30, 2016 in the representative list of the Intangible Cultural Heritage of Humanity of UNESCO. Merengue was developed in the middle of the 1800s, originally played with European stringed instruments ( bandurria and guitar). Years later, the stringed instruments were replaced by the accordion, thus conforming, together with the güira and the tambora, the instrumental structure of the typical merengue ensemble. This set, with its three instruments, represents the synthesis of the three cultures that made up the idiosyncrasy of Dominican culture. The European influence is represented by the accordion, the African by the Tambora, which is a two-head drum, and the Taino or aboriginal by the güira. The genre was later promoted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soukous
Soukous (from French '' secousse'', "shock, jolt, jerk") is a genre of dance music from Congo-Kinshasa and Congo-Brazzaville. It derived from Congolese rumba in the 1960s, becoming known for its fast dance rhythms and intricate guitar improvisation, and gained popularity in the 1980s in France. Although often used by journalists as a synonym for Congolese rumba, both the music and dance associated with soukous differ from more traditional rumba, especially in its higher tempo and longer dance sequences. Notable performers of the genre include Franco Luambo and his band TPOK Jazz, Papa Wemba, Sam Mangwana, Tabu Ley Rochereau, and Pépé Kallé. History 1960s In the 1950s and 1960s, artists began altering the popular dance style of Congolese rumba to have faster rhythms and more prominent guitar improvisation, as well as more pronounced African elements. Guitarist and bandleader Franco Luambo is credited with pioneering the genre alongside his band TPOK Jazz. Tabu Ley Roch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broadcast Music, Inc
Broadcast Music, Inc. (BMI) is a performance rights organization in the United States. It collects blanket license fees from businesses that use music, entitling those businesses to play or sync any songs from BMI's repertoire of over 20.6 million musical works. On a quarterly basis, BMI distributes the money to songwriters, composers, and music publishers as royalties to those members whose works have been performed. In FY 2022, BMI collected $1.573 billion in revenues and distributed $1.471 billion in royalties. BMI's repertoire includes over 1.3 million songwriters and 20.6 million compositions. BMI is the biggest performing rights organization in the United States and is one of the largest such organizations in the world. BMI songwriters create music in virtually every genre. BMI represents artists such as Patti LaBelle, Selena, Miley Cyrus, Lil Wayne, Lil Nas X, Birdman, Lady Gaga, Taylor Swift, Eminem, Rihanna, Shakira, Doja Cat, Megan Thee Stallion, Ed Sheeran, Kar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Latin Songs
The ''Billboard'' Hot Latin Songs (formerly Hot Latin Tracks and Hot Latin 50) is a record chart in the United States for Latin songs, published weekly by ''Billboard'' magazine. Since October 2012, chart rankings are based on digital sales, radio airplay, and online streaming, and only predominantly Spanish language songs are allowed to rank. The chart was established by the magazine on September 6, 1986, and was originally based on airplay on Latin music radio stations. Songs on the chart were not necessarily in Spanish language, since a few songs in English and Portuguese language have also charted. The first number one song of the Hot Latin Songs chart was "La Guirnalda" by Rocío Dúrcal on September 6, 1986. As of the issue for the week ending on December 24, 2022, the chart has had 452 different number one hits, while 181 artists have reached number one (as a lead or a featured act). The current number one song is "Tití Me Preguntó" by Bad Bunny. History On September 6, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tropical Airplay
The Tropical Airplay chart (formerly known as Tropical/Salsa and Tropical Songs) is a record chart published by ''Billboard'' magazine introduced in 1994. The first number-one song on the chart was " Quien Eres Tu" by Luis Enrique. Originally, rankings on the chart were determined by the amount of airplay a song received on radio stations that primarily played tropical music, namely music originating from the Spanish-speaking areas of the Caribbean such as salsa, merengue, bachata, cumbia, vallenato, and tropical fusions. Any song, regardless of its genre, was eligible for the chart if it received enough airplay from the panel of tropical music radio stations being monitored. ''Billboard'' revised the methodology of the chart in January 2017. Since January 21, 2017, the Tropical Airplay chart measures airplay based on audience impressions of tropical music songs over approximately 140 Latin music radio stations. Audience impressions are based on not only how often a song is pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music & Media
''Music & Media'' was a pan-European magazine for radio, music and entertainment. It was published for the first time in 1984 as ''Eurotipsheet'', but in 1986 it changed name to ''Music & Media''. It was originally based in Amsterdam, but later moved to London. The magazine focused specifically on radio, TV, music, charts and related areas of entertainment such as music festivals and events. ''Music & Media'' ceased in August 2003. ''Music & Media'' was the sister publication of '' Billboard'' magazine. Record charts Main charts *European Top 100 Albums (sales) *European Hot 100 Singles The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately ... (sales) *European Airplay Top 50 (airplay) (previously called European Hit Radio Top 40) *European Border Breakers (airplay of European songs brea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
