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Ekta Space
The Ekta Space is a common name for two color spaces developed by Joseph Holmes - Ekta Space PS 5 and Ektachrome Space to safely contain fine image scans of film originals generally of 24-bit color depth Color depth or colour depth (see spelling differences), also known as bit depth, is either the number of bits used to indicate the color of a single pixel, or the number of bits used for each color component of a single pixel. When referring to .... References External links
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Color Space
A color space is a specific organization of colors. In combination with color profiling supported by various physical devices, it supports reproducible representations of colorwhether such representation entails an analog or a digital representation. A color space may be arbitrary, i.e. with physically realized colors assigned to a set of physical color swatches with corresponding assigned color names (including discrete numbers infor examplethe Pantone collection), or structured with mathematical rigor (as with the NCS System, Adobe RGB and sRGB). A "color space" is a useful conceptual tool for understanding the color capabilities of a particular device or digital file. When trying to reproduce color on another device, color spaces can show whether shadow/highlight detail and color saturation can be retained, and by how much either will be compromised. A "color model" is an abstract mathematical model describing the way colors can be represented as tuples of numbers (e.g. tr ...
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Joseph Holmes (photographer)
Joseph E. Holmes is a color, natural light, landscape photographer from California. He is an innovator in the field of inkjet fine art print making, and has developed his own visual calibration software. Life and work Joseph Holmes has photographed wild landscapes for over 49 years.San Diego Natural History Museum , San Diego Natural History Museum media release, 2006. Retrieved 6 February 2008. He has patented a visual calibration system, which is part of the ''ColorBlind Prove it!'' software he authored for monitor calibration. He designed Ekta Space PS5, J.Holmes (also known as Ekta Space or Joe RGB)Walker, Michael and Barstow, Neil ''Getting Colour Right: The Complete Guide to Colour'', p.79, The Ilex Press 2004. . Retrieved from Google Books, 6 February 2008. to cover the whole gamut of Ektachrome films as a large-gamut alternative to Adobe Systems, Adobe RGB The RGB color model is an additive color model in which the red, green and blue primary colors of light are ...
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Ektachrome
Ektachrome is a brand name owned by Kodak for a range of transparency, still, and motion picture films previously available in many formats, including 35 mm and sheet sizes to 11 × 14 inch size. Ektachrome has a distinctive look that became familiar to many readers of ''National Geographic'', which used it extensively for color photographs for decades in settings where Kodachrome was too slow. In terms of reciprocity characteristics, Ektachrome is stable at shutter speeds between ten seconds and 1/10,000 of a second. Ektachrome, initially developed in the early 1940s, allowed professionals and amateurs alike to process their own films. It also made color reversal film more practical in larger formats, and the Kodachrome Professional film in sheet sizes was later discontinued. High Speed Ektachrome, announced in 1959 provided an ASA 160 color film, which was much faster than Kodachrome. In 1968, Kodak started offering push processing of this film, allowing it ...
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Color Depth
Color depth or colour depth (see spelling differences), also known as bit depth, is either the number of bits used to indicate the color of a single pixel, or the number of bits used for each color component of a single pixel. When referring to a pixel, the concept can be defined as bits per pixel (bpp). When referring to a color component, the concept can be defined as bits per component, bits per channel, bits per color (all three abbreviated bpc), and also bits per pixel component, bits per color channel or bits per sample (bps). Modern standards tend to use bits per component, but historical lower-depth systems used bits per pixel more often. Color depth is only one aspect of color representation, expressing the precision with which the amount of each primary can be expressed; the other aspect is how broad a range of colors can be expressed (the gamut). The definition of both color precision and gamut is accomplished with a color encoding specification which assigns a digita ...
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