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Eitr
Eitr is a term for atter, or poison, in Old Norse. In Nordic mythology, it is the origin of the first jötunn, Ymir, who was conceived from eitr dripped from the icy rivers called the Élivágar. Eitr is also produced by poisonous snakes such as the worm Jörmungandr. Etymology in Old Norse translates as ''"poison"'' and is derived from gem-x-proto, *aitrą (“poison, pus”) from Proto-Indo-European:'*h₂eyd-ro-m' (“to swell; swelling, tumour, abscess”) and is the ancestor of terms in North Germanic languages meaning poison such as is, eitur and sv, etter. It is further cognate with other terms in Germanic languages such as ang, ' ātor' and Modern English:'atter', both also meaning 'poison'. Role in cosmogony In Gylfaginning, is described as forming in Ginnungagap, which gave rise to the primordial being Ymir, as described by the jötunn Vafþrúðnir in Vafþrúðnismál: Production by snakes is described as being produced by snakes ( non, 'ormar') such as in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ymir
In Norse mythology, Ymir (, ), also called Aurgelmir, Brimir, or Bláinn, is the ancestor of all jötnar. Ymir is attested in the ''Poetic Edda'', compiled in the 13th century from earlier traditional material, in the ''Prose Edda'', written by Snorri Sturluson in the 13th century, and in the poetry of skalds. Taken together, several stanzas from four poems collected in the ''Poetic Edda'' refer to Ymir as a primeval being who was born from Eitr, yeasty venom that dripped from the icy rivers called the Élivágar, and lived in the grassless void of Ginnungagap. Ymir gave birth to a male and female from his armpits, and his legs together begat a six-headed being. The grandsons of Búri, the gods Odin, Vili and Vé, fashioned the Earth (elsewhere personified as a goddess, Jörð) from his flesh, from his blood the ocean, from his bones the mountains, from his hair the trees, from his brains the clouds, from his skull the heavens, and from his eyebrows the middle realm in whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Élivágar
In Norse mythology, Élivágar (Old Norse: ; "Ice Waves") are rivers that existed in Ginnungagap at the beginning of the world. The ''Prose Edda'' relates: The streams called Ice-waves, those which were so long come from the fountain-heads that the yeasty venom upon them had hardened like the slag that runs out of the fire,-these then became ice; and when the ice halted and ceased to run, then it froze over above. But the drizzling rain that rose from the venom congealed to rime, and the rime increased, frost over frost, each over the other, even into Ginnungagap, the Yawning Void. ''Gylfaginning'' 5. The eleven rivers traditionally associated with the Élivágar include the Svöl, Gunnþrá, Fjörm, Fimbulþul, Slidr River, Slíðr, Hríð, Syl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Norse
Old Norse, Old Nordic, or Old Scandinavian, is a stage of development of North Germanic languages, North Germanic dialects before their final divergence into separate Nordic languages. Old Norse was spoken by inhabitants of Scandinavia and their Viking expansion, overseas settlements and chronologically coincides with the Viking Age, the Christianization of Scandinavia and the consolidation of Scandinavian kingdoms from about the 7th to the 15th centuries. The Proto-Norse language developed into Old Norse by the 8th century, and Old Norse began to develop into the modern North Germanic languages in the mid-to-late 14th century, ending the language phase known as Old Norse. These dates, however, are not absolute, since written Old Norse is found well into the 15th century. Old Norse was divided into three dialects: Old West Norse, ''Old West Norse'' or ''Old West Nordic'' (often referred to as ''Old Norse''), Old East Norse, ''Old East Norse'' or ''Old East Nordic'', and ''Ol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ginnungagap
In Norse mythology, Ginnungagap (old Norse: ; "gaping abyss", "yawning void") is the primordial void mentioned in the Gylfaginning, the Eddaic text recording Norse cosmogony. Etymology ''Ginnunga-'' is usually interpreted as deriving from a verb meaning "gape" or "yawn", but no such word occurs in Old Norse except in verse 3 of the Eddic poem " Vǫluspá", "gap var ginnunga", which may be a play on the term. In her edition of the poem, Ursula Dronke suggested it was borrowed from Old High German ''ginunga'', as the term Múspell is believed to have been borrowed from Old High German. An alternative etymology links the ''ginn-'' prefix with that found in terms with a sacral meaning, such as ''ginn-heilagr'', ''ginn-regin'' (both referring to the gods) and ''ginn-runa'' (referring to the runes), thus interpreting ''Ginnungagap'' as signifying a "magical (and creative) power-filled space". Creation Ginnungagap appears as the primordial void in the Norse creation account. The ''Gy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mythological Substances
Myth is a folklore genre consisting of Narrative, narratives that play a fundamental role in a society, such as foundational tales or Origin myth, origin myths. Since "myth" is widely used to imply that a story is not Objectivity (philosophy), objectively true, the identification of a narrative as a myth can be highly controversial. Many adherents of religions view their own religions' stories as truth and so object to their characterization as myth, the way they see the stories of other religions. As such, some scholars label all religious narratives "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars avoid using the term "myth" altogether and instead use different terms like "sacred history", "holy story", or simply "history" to avoid placing pejorative overtones on any sacred narrative. Myths are often endorsed by secular and religious authorities and are close ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artifacts In Norse Mythology
Artifact, or artefact, may refer to: Science and technology *Artifact (error), misleading or confusing alteration in data or observation, commonly in experimental science, resulting from flaws in technique or equipment ** Compression artifact, a loss of clarity caused by the data compression of an image, audio, or video ** Digital artifact, any undesired alteration in data introduced during its digital processing ** Visual artifact, anomalies during visual representation of digital graphics and imagery * In the Scrum (software development)#Artifacts, scrum software project management framework, documentation used for managing the project Archaeology * Artifact (archaeology), an object formed by humans, particularly one of interest to archaeologists * Cultural artifact, in the social sciences, anything created by humans which gives information about the culture of its creator and users * The Artefact (journal), ''The Artefact'' (journal), published annually by the Archaeological and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thor
Thor (; from non, Þórr ) is a prominent god in Germanic paganism. In Norse mythology, he is a hammer-wielding æsir, god associated with lightning, thunder, storms, sacred trees and groves in Germanic paganism and mythology, sacred groves and trees, Physical strength, strength, the protection of humankind, hallowing, and fertility. Besides Old Norse , the deity occurs in Old English as , in Old Frisian as ', in Old Saxon as ', and in Old High German as , all ultimately stemming from the Proto-Germanic theonym , meaning 'Thunder'. Thor is a prominently mentioned god throughout the recorded history of the Germanic peoples, from the Roman Empire, Roman occupation of regions of , to the Germanic expansions of the Migration Period, to his high popularity during the Viking Age, when, in the face of the process of the Christianization of Scandinavia, emblems of his hammer, , were worn and Norse paganism, Norse pagan personal names containing the name of the god bear witness to his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragnarök
In Norse mythology, (; non, Ragnarǫk) is a series of events, including a great battle, foretelling the death of numerous great figures (including the gods Odin, Thor, Týr, Freyr, Heimdallr, and Loki), natural disasters, and the submersion of the world in water. After these events, the world will rise again, cleansed and fertile, the surviving and returning gods will meet and the world will be repopulated by two human survivors. is an important event in Norse mythology and has been the subject of scholarly discourse and theory in the history of Germanic studies. The event is attested primarily in the ''Poetic Edda'', compiled in the 13th century from earlier traditional sources, and the ''Prose Edda'', written in the 13th century by Snorri Sturluson. In the ''Prose Edda'' and in a single poem in the ''Poetic Edda'', the event is referred to as (), a usage popularised by 19th-century composer Richard Wagner with the title of the last of his ''Der Ring des Nibelungen'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skaði
In Norse mythology, Skaði (; Old Norse: ; sometimes anglicized as Skadi, Skade, or Skathi) is a jötunn and goddess associated with bowhunting, skiing, winter, and mountains. Skaði is attested in the ''Poetic Edda'', compiled in the 13th century from earlier traditional sources; the ''Prose Edda'' and in ''Heimskringla'', written in the 13th century by Snorri Sturluson, and in the works of skalds. Skaði is the daughter of the deceased Þjazi, and Skaði married the god Njörðr as part of the compensation provided by the gods for killing her father Þjazi. In ''Heimskringla'', Skaði is described as having split up with Njörðr and as later having married the god Odin, and that the two produced many children together. In both the ''Poetic Edda'' and the ''Prose Edda'', Skaði is responsible for placing the serpent that drips venom onto the bound Loki. Skaði is alternately referred to as Öndurguð (Old Norse 'ski god') and Öndurdís (Old Norse 'ski dís'). The etymolog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loki
Loki is a god in Norse mythology. According to some sources, Loki is the son of Fárbauti (a jötunn) and Laufey (mentioned as a goddess), and the brother of Helblindi and Býleistr. Loki is married to Sigyn and they have two sons, Narfi or Nari and Váli. By the jötunn Angrboða, Loki is the father of Hel, the wolf Fenrir, and the world serpent Jörmungandr. In the form of a mare, Loki was impregnated by the stallion Svaðilfari and gave birth to the eight-legged horse Sleipnir. Loki's relation with the gods varies by source; he sometimes assists the gods and sometimes behaves maliciously towards them. Loki is a shape shifter and in separate incidents appears in the form of a salmon, a mare, a fly, and possibly an elderly woman named Þökk (Old Norse 'thanks'). Loki's positive relations with the gods end with his role in engineering the death of the god Baldr, and eventually, Odin's specially engendered son Váli binds Loki with the entrails of one of his sons; in the ''Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Adams Bellows (businessman)
Henry Adams Bellows (September 22, 1885 – December 29, 1939) was a newspaper editor and radio executive who was an early member of the U.S. Federal Communications Commission. He is also known for his translation of the ''Poetic Edda'' for The American-Scandinavian Foundation. Life and career Born in Portland, Maine, Bellows graduated from Harvard University in 1906, and then taught English as an assistant there for three years. He received his Ph.D. in 1910 for a dissertation in comparative literature entitled ''The Relations between Prose and Metrical Composition in Old Norse Literature'' and then became an assistant professor of rhetoric at the University of Minnesota.William M. Emery, ''The Howland Heirs: Being the Story of a Family and a Fortune and the Inheritance of a Trust Established for Mrs. Hetty H.R. Green'', Bedford, Massachusetts: Anthony, 1919p. 333 From 1912 to 1919 he was managing editor of ''The Bellman'', a Minneapolis literary magazine, vice president of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vafþrúðnismál
''Vafþrúðnismál'' (Old Norse: "The Lay of Vafþrúðnir") is the third poem in the ''Poetic Edda''. It is a conversation in verse form conducted initially between the Æsir Odin and Frigg, and subsequently between Odin and the jötunn Vafþrúðnir. The poem goes into detail about the Norse cosmogony and was evidently used extensively as a source document by Snorri Sturluson in the construction of the ''Prose Edda'' who quotes it. The poem is preserved in Codex Regius and partially in AM 748 I 4to. There are preservation problems relating to stanzas 40-41. ''Vafþrúðnismál'' is believed to be a 10th century poem.''Norse Mythology A to Z'' p.111 Synopsis The lay commences with Odin asking advice and directions of Frigg as to whether it would be wise to seek out the hall of Vafþrúðnir Vafþrúðnir (Old Norse: ; "mighty weaver"Orchard (1997:170).) is a wise jötunn in Norse mythology. His name comes from ''Vaf'', which means weave or entangle, and ''thrudnir'', which mea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
