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Eilif Peterssen-Edvard Grieg 1891
''Mother Courage and Her Children'' (german: Mutter Courage und ihre Kinder, links=no) is a play written in 1939 by the German dramatist and poet Bertolt Brecht (1898–1956), with significant contributions from Margarete Steffin. Four theatrical productions were produced in Switzerland and Germany from 1941 to 1952, the last three supervised and/or directed by Brecht, who had returned to East Germany from the United States. Several years after Brecht's death in 1956, the play was adapted as a German film, ''Mutter Courage und ihre Kinder'' (1961), starring Helene Weigel, Brecht's widow and a leading actress. ''Mother Courage'' is considered by some to be the greatest play of the 20th century, and perhaps also the greatest anti-war play of all time. Critic Brett D. Johnson points out, "Although numerous theatrical artists and scholars may share artistic director Oskar Eustis's opinion that Brecht's masterpiece is the greatest play of the twentieth century, productions of ''Moth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bundesarchiv Bild 183-T0927-019, Berliner Ensemble, Probe Mutter Courage
The German Federal Archives or Bundesarchiv (BArch) (german: Bundesarchiv) are the National Archives of Germany. They were established at the current location in Koblenz in 1952. They are subordinated to the Federal Commissioner for Culture and the Media (Claudia Roth since 2021) under the German Chancellery, and before 1998, to the Federal Ministry of the Interior (Germany), Federal Ministry of the Interior. On 6 December 2008, the Archives donated 100,000 photos to the public, by making them accessible via Wikimedia Commons. History The federal archive for institutions and authorities in Germany, the first precursor to the present-day Federal Archives, was established in Potsdam, Brandenburg in 1919, a later date than in other European countries. This national archive documented German government dating from the founding of the North German Confederation in 1867. It also included material from the older German Confederation and the Imperial Chamber Court. The oldest documents i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mother Courage
Mother Courage (German ''Mutter Courage'') is a character from a Grimmelshausen novel ''Lebensbeschreibung der Ertzbetrügerin und Landstörtzerin Courasche'' (''The Runagate Courage'') dating from around 1670. The character had played a cameo role in '' Der abentheuerliche Simplicissimus'' in 1669. The Bertolt Brecht play ''Mutter Courage und ihre Kinder'' (''Mother Courage and Her Children'') gave her currency in the 20th century. Mother Courage is cast as a walking contradiction by Brecht. She is torn between protecting her children from the war and making a profit out of the war. Cúruisce (Courasche) appears in Ireland as a fictional character in Darach Ó Scolaí's Irish language novel ''An Cléireach ''An Cléireach'' (Gaelic: The Clerk) is a novel by the Irish writer Darach Ó Scolaí, published in 2007 and winner of the 2007 ''Oireachtas Prize for Literature''. It also won Gradam Uí Shúilleabháin in 2008. Set during the English Civil War ...''. After travelling ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Therese Giehse
Therese Giehse (; 6 March 1898 – 3 March 1975), born Therese Gift, was a German actress. Born in Munich to German-Jews, Jewish parents, she first appeared on the stage in 1920. She became a major star on stage, in films, and in political cabaret. In the late 1920s through 1933, she was a leading actress at the Munich Kammerspiele. Early career When the Nazism, Nazis came to power in 1933, Giehse left Germany for Zürich, Switzerland, where she continued to act in exile, playing leading roles in Zürich, including in Erika Mann's acclaimed political cabaret, (which was itself also an exile, having been transported from Munich to Zürich in 1933 as well). During her exile, she traveled throughout central Europe with . On 20 May 1936, she married the homosexual English writer John Hampson (novelist), John Hampson to obtain a British passport and avoid capture by the Nazis. She returned to Germany after World War II, and performed in theaters on both sides of the Iron Curtain, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Burkhard
Paul Burkhard (21 December 1911, Zürich – 6 September 1977, Zell) was a Swiss composer. He primarily wrote oratorios, musicals and operettas. The contemporaneous and similarly named Swiss composer Willy Burkhard was no relation to him. Probably his most famous artistic creation was the song "" ("Oh! My Pa-Pa") about the death of a beloved clown-father, written for the musical ' (re-issued in 1950 as ') that premiered in April 1939. The song rose to #1 on the Sheet Music Chart and stayed in the chart for 26 weeks. The song has been performed and recorded by numerous artists since then, including Alan Breeze, Billy Cotton, Billy Vaughn, Connie Francis, Diana Decker, Eddie Calvert, Eddie Fisher, The Everly Brothers, Harry James, Lys Assia, Ray Anthony & his Orchestra, Russ Morgan & his Orchestra, and many others. Works (selection) * 1935: ' * 1950: '' Das Feuerwerk'' (Original: ''Der schwarze Hecht'', 1939) with the hit song ''O mein Papa'' * 1951: ' * 1960: ' – Comedy with Mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schauspielhaus Zürich
The Schauspielhaus Zürich ( en, Zürich playhouse) is one of the most prominent and important theatres in the German-speaking world. It is also known as "Pfauenbühne" (Peacock Stage). The large theatre has 750 seats. The also operates three stages in the ' in the western part of Zürich, the ' (400 seats), the ' (up to 200 seats) and the ' (80 seats). History The building was constructed in 1892 as the ' (People's Theater on the Pfauen Square) with a Bavarian beer garden and a bowling alley. It served initially as a music hall Music hall is a type of British theatrical entertainment that was popular from the early Victorian era, beginning around 1850. It faded away after 1918 as the halls rebranded their entertainment as variety. Perceptions of a distinction in Bri ... or vaudeville stage. In 1901 the building was rented by the director of the Zürich Opera House and opened as a play house with Goethe's comedy ' (The Accomplices). From 1903 until 1926 the play house was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rittner Therese Giehse 1966
Rittner is a surname. Notable people with the surname include: * Barbara Rittner (born 1973), German tennis player *Don Rittner, American historian, archeologist, environmental activist, educator and author *Günter Rittner (born 1927), German painter and illustrator * Horst Rittner (1930–2021), German correspondence chess grandmaster *Rudolf Rittner Rudolf Rittner (30 June 1869 – 4 February 1943) was a German actor born in Weissbach, Moravia, famous for playing knight and folk hero Florian Geyer in Gerhart Hauptmann's drama of the same name. The well-known German painter Lovis Corinth por ... (1869–1943), German actor * Tadeusz Rittner (1873–1921), Polish dramatist, prose writer and literary critic See also * Rittner Horn, Mountain in South Tyrol, Italy References {{Surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Theatre
Epic theatre (german: episches Theater) is a theatrical movement arising in the early to mid-20th century from the theories and practice of a number of theatre practitioners who responded to the political climate of the time through the creation of new political dramas. Epic theatre is not meant to refer to the scale or the scope of the work, but rather to the form that it takes. Epic theatre emphasizes the audience's perspective and reaction to the piece through a variety of techniques that deliberately cause them to individually engage in a different way. The purpose of epic theatre is not to encourage an audience to suspend their disbelief, but rather to force them to see their world as it is. History The term " epic theatre" comes from Erwin Piscator who coined it during his first year as director of Berlin's Volksbühne (1924–27).Wiles (1980). Piscator aimed to encourage playwrights to address issues related to "contemporary existence." This new subject matter would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Empathy
Empathy is the capacity to understand or feel what another person is experiencing from within their frame of reference, that is, the capacity to place oneself in another's position. Definitions of empathy encompass a broad range of social, cognitive, and emotional processes primarily concerned with understanding others (and others' emotions in particular). Types of empathy include cognitive empathy, emotional (or affective) empathy, somatic empathy, and spiritual empathy.Rothschild, B. (with Rand, M. L.). (2006). ''Help for the Helper: The psychophysiology of compassion fatigue and vicarious trauma''. Etymology The English word ''empathy'' is derived from the Ancient Greek (''empatheia'', meaning "physical affection or passion"). That word derives from (''en'', "in, at") and ('' pathos'', "passion" or "suffering"). Theodor Lipps adapted the German aesthetic term ("feeling into") to psychology in 1903, and Edward B. Titchener translated into English as "empathy" i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sentimentality
Sentimentality originally indicated the reliance on feelings as a guide to truth, but in current usage the term commonly connotes a reliance on shallow, uncomplicated emotions at the expense of reason. Sentimentalism in philosophy is a view in meta-ethics according to which morality is somehow grounded in moral sentiments or emotions. Sentimentalism in literature refers to techniques a writer employs to induce a tender emotional response disproportionate to the situation at hand (and thus to substitute heightened and generally uncritical feeling for normal ethical and intellectual judgments). The term may also characterize the tendency of some readers to invest strong emotions in trite or conventional fictional situations. "A sentimentalist", Oscar Wilde wrote, "is one who desires to have the luxury of an emotion without paying for it." In James Joyce's ''Ulysses'', Stephen Dedalus sends Buck Mulligan a telegram that reads "The sentimentalist is he who would enjoy without incu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Novel
A novel is a relatively long work of narrative fiction, typically written in prose and published as a book. The present English word for a long work of prose fiction derives from the for "new", "news", or "short story of something new", itself from the la, novella, a singular noun use of the neuter plural of ''novellus'', diminutive of ''novus'', meaning "new". Some novelists, including Nathaniel Hawthorne, Herman Melville, Ann Radcliffe, John Cowper Powys, preferred the term "romance" to describe their novels. According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, in Chivalric romance, and in the tradition of the Italian renaissance novella.Margaret Anne Doody''The True Story of the Novel'' New Brunswick, NJ: Rutgers University Press, 1996, rept. 1997, p. 1. Retrieved 25 April 2014. The ancient romance form was revived by Romanticism, especially the histori ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Jakob Christoffel Von Grimmelshausen
Hans Jakob Christoffel von Grimmelshausen (1621/22 – 17 August 1676) was a German author. He is best known for his 1669 picaresque novel ''Simplicius Simplicissimus'' (german: link=no, Der abenteuerliche Simplicissimus) and the accompanying ''Simplician Scriptures'' series. Early life Grimmelshausen was born at Gelnhausen. At the age of ten he was kidnapped by Hessian soldiery, and in their midst experienced military life in the Thirty Years' War. In 1639 he became a regular soldier in the Imperial Army. At the latest in the year 1644 he worked as a writer in a regiment's chancellery—from that year on documents by Hans Jakob Christoffel exist. At the close of the war, Grimmelshausen entered the service of Franz Egon von Fürstenberg, bishop of Strasbourg. In 1665, he was made magistrate (german: link=no, Schultheiß) at Renchen in Baden. On obtaining this appointment, he devoted himself to literary pursuits. Works Grimmelshausen's work is greatly influenced by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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