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Edward Solly
Edward Solly (25 April 1776 – 2 December 1844) was an English merchant living in Berlin, who amassed an unprecedented collection of Italian Trecento and Quattrocento paintings and outstanding examples of Early Netherlandish painting, at a time when those schools were still largely unappreciated. In 1821 Solly sold his collection of about 3000 works to the Prussian king; 677 of them formed a core of the Gemäldegalerie, Berlin. Solly acquired a second collection during his years in London after 1821. Solly is also credited for having undertaken a perilous journey to deliver the first news of Napoleon's defeat at the Battle of Leipzig to the English. Life Solly was a younger brother in an English merchant family headed by Isaac Solly that were engaged in the Baltic timber trade, with offices in the city of London. As Non-Conformists the family suffered social restrictions in the higher levels of English society. During the Napoleonic Wars the firm secured immense contracts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Solly
Edward Solly (25 April 1776 – 2 December 1844) was an English merchant living in Berlin, who amassed an unprecedented collection of Italian Trecento and Quattrocento paintings and outstanding examples of Early Netherlandish painting, at a time when those schools were still largely unappreciated. In 1821 Solly sold his collection of about 3000 works to the Prussian king; 677 of them formed a core of the Gemäldegalerie, Berlin. Solly acquired a second collection during his years in London after 1821. Solly is also credited for having undertaken a perilous journey to deliver the first news of Napoleon's defeat at the Battle of Leipzig to the English. Life Solly was a younger brother in an English merchant family headed by Isaac Solly that were engaged in the Baltic timber trade, with offices in the city of London. As Non-Conformists the family suffered social restrictions in the higher levels of English society. During the Napoleonic Wars the firm secured immense contracts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosimo De' Medici
Cosimo di Giovanni de' Medici (27 September 1389 – 1 August 1464) was an Italian banker and politician who established the Medici family as effective rulers of Florence during much of the Italian Renaissance. His power derived from his wealth as a banker, and inter-marriage with other powerful and rich families. He was a patron of arts, learning and architecture. He spent over 600,000 gold florins (approx. $500 million inflation adjusted) on art and culture, including Donatello's David, the first freestanding nude male sculpture since antiquity. Despite his influence, his power was not absolute; Florence's legislative councils at times resisted his proposals throughout his life, and he was viewed as first among equals, rather than an autocrat.Martines, Lauro (2011). ''The Social World of the Florentine Humanists, 1390–1460''. University of Toronto Press. p. 8. Biography Early life and family business Cosimo de' Medici was born in Florence to Giovanni di Bicci de' Med ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Treaty Of Versailles
The Treaty of Versailles (french: Traité de Versailles; german: Versailler Vertrag, ) was the most important of the peace treaties of World War I. It ended the state of war between Germany and the Allied Powers. It was signed on 28 June 1919 in the Palace of Versailles, exactly five years after the assassination of Archduke Franz Ferdinand, which led to the war. The other Central Powers on the German side signed separate treaties. Although the armistice of 11 November 1918 ended the actual fighting, it took six months of Allied negotiations at the Paris Peace Conference to conclude the peace treaty. The treaty was registered by the Secretariat of the League of Nations on 21 October 1919. Of the many provisions in the treaty, one of the most important and controversial was: "The Allied and Associated Governments affirm and Germany accepts the responsibility of Germany and her allies for causing all the loss and damage to which the Allied and Associated Governments and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Bavo Cathedral
Saint Bavo's Cathedral, also known as Sint-Baafs Cathedral ( nl, Sint Baafskathedraal), is a cathedral of the Catholic Church in Ghent, Belgium. The 89-meter-tall Gothic building is the seat of the Diocese of Ghent and is named for Saint Bavo of Ghent. It contains the well-known ''Ghent Altarpiece''. History The cathedral stands on the site of the former Chapel of St. John the Baptist, which was primarily of wooden construction and was consecrated in 942 by Transmarus, Bishop of Tournai and Noyon. Traces of a later Romanesque structure can be found in the cathedral's crypt. Construction of the Gothic church began around 1274. In the subsequent period from the 14th through 16th centuries, nearly continuous expansion projects in the Gothic style were executed on the structure. A new choir, radiating chapels, expansions of the transepts, a chapter house, nave aisles and a single-tower western section were all added. In 1539, as a result of the rebellion against Charles V, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaiser Friedrich Museum
The Bode-Museum (English: ''Bode Museum''), formerly called the Kaiser-Friedrich-Museum (''Emperor Frederick Museum''), is a listed building on the Museum Island in the historic centre of Berlin. It was built from 1898 to 1904 by order of German Emperor William II according to plans by Ernst von Ihne in Baroque Revival style. The building's front square featured a memorial to German Emperor Frederick III, which was destroyed by the East German authorities. Currently, the Bode-Museum is home to the Skulpturensammlung, the Museum für Byzantinische Kunst and the Münzkabinett (sculpture, coins and medals, and Byzantine art). As part of the Museum Island complex, the Bode-Museum was inscribed on the UNESCO World Heritage List in 1999 because of its outstanding architecture and testimony to the development of museums as a cultural phenomenon in the late 19th and early 20th centuries. History and collections Originally called the Kaiser-Friedrich-Museum after Emperor Frederick II ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Van Eyck
Jan van Eyck ( , ; – July 9, 1441) was a painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art. According to Vasari and other art historians including Ernst Gombrich, he invented oil painting, Gombrich, The Story of Art, page 240 though most now regard that claim as an oversimplification. The surviving records indicate that he was born around 1380 or 1390, most likely in Maaseik (then Maaseyck, hence his name), Limburg, which is located in present-day Belgium. He took employment in The Hague around 1422, when he was already a master painter with workshop assistants, and was employed as painter and ''valet de chambre'' to John III the Pitiless, ruler of the counties of Holland and Hainaut. After John's death in 1425, he was later appointed as court painter to Philip the Good, Duke of Burgundy, and worked in Lille before moving to B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hubert Van Eyck
Hubert van Eyck () or Huybrecht van Eyck ( – 18 September 1426) was an Early Netherlandish painter and older brother of Jan van Eyck, as well as Lambert and Margareta, also painters. The absence of any single work that he can clearly be said to have completed continues to make an assessment of his achievement highly uncertain, although for centuries he had the reputation of being an outstanding founding artist of Early Netherlandish painting.. Life and career He was probably born in Maaseik, in what is now the Belgian province of Limburg, into a family in the gentry. As the name was not a very common one, he is probably the "Magister Hubertus, Pictor" recorded as having been paid in 1409 for panels in the church of Onze Lieve Vrouwe, Tongeren. He is probably also Master Hubert who had painted a panel bequeathed in 1413 by Jan de Visch van der Capelle to his daughter, a Benedictine nun near Grevelingen; however he does not appear in guild records, and his heirs did not include ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghent Altarpiece
The ''Adoration of the Mystic Lamb'', also called the ''Ghent Altarpiece'' ( nl, De aanbidding van het Lam Gods), is a large and complex 15th-century polyptych altarpiece in St Bavo's Cathedral, Ghent, Belgium. It was begun around the mid-1420s and completed by 1432, and it is attributed to the Early Netherlandish painters and brothers Hubert and Jan van Eyck. The altarpiece is considered a masterpiece of European art and one of the world's treasures, it was “the first major oil painting,” and it marked the transition from Middle Age to Renaissance art. The panels are organised in two vertical registers, each with double sets of foldable wings containing inner and outer panel paintings. The upper register of the inner panels represent the heavenly redemption, and include the central classical '' Deësis'' arrangement of God (identified either as Christ the King or God the Father), flanked by the Virgin Mary and John the Baptist. They are flanked in the next panels by ange ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Netherlandish Painting
Early Netherlandish painting, traditionally known as the Flemish Primitives, refers to the work of artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period. It flourished especially in the cities of Bruges, Ghent, Mechelen, Leuven, Tournai and Brussels, all in present-day Belgium. The period begins approximately with Robert Campin and Jan van Eyck in the 1420s and lasts at least until the death of Gerard David in 1523,Spronk (1996), 7 although many scholars extend it to the start of the Dutch Revolt in 1566 or 1568–Max J. Friedländer's acclaimed surveys run through Pieter Bruegel the Elder. Early Netherlandish painting coincides with the Early and High Italian Renaissance, but the early period (until about 1500) is seen as an independent artistic evolution, separate from the Renaissance humanism that characterised developments in Italy. Beginning in the 1490s, as increasing numbers of Netherlandish and other Nor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Master
In art history, "Old Master" (or "old master")Old Masters Department Christies.com. refers to any of skill who worked in Europe before about 1800, or a painting by such an artist. An "" is an original print (for example an or |
Cabinet Picture
A cabinet painting (or "cabinet picture") is a small painting, typically no larger than two feet (0.6 meters) in either dimension, but often much smaller. The term is especially used for paintings that show full-length figures or landscapes at a small scale, rather than a head or other object painted nearly life-size. Such paintings are done very precisely, with a great degree of "finish". From the fifteenth century onward, wealthy collectors of art would keep these paintings in a cabinet, which was a relatively small and private room (often very small even in large houses) to which only those with whom they were on especially intimate terms would be admitted. A cabinet, also known as a closet, study (from the Italian studiolo), office, or by other names, might be used as an office or just a sitting room. Heating the main rooms in large palaces or mansions in the winter was difficult, so small rooms such as cabinets were more comfortable. They offered more privacy from servants or o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lady Standing At A Virginal
''Lady Standing at a Virginal'' is a genre painting created by the Dutch artist Johannes Vermeer in about 1670–1672, now in the National Gallery, London. Description The oil painting depicts a richly dressed woman playing a virginal in a home with a tiled floor, paintings on the wall and some of the locally manufactured Delftware blue and white tiles of a type that appear in other Vermeer works. The identities of the paintings on the wall are not certain, according to the National Gallery, but the landscape on the left may be by either Jan Wijnants or Allart van Everdingen. The second painting, showing Cupid holding a card, is attributed to Caesar van Everdingen, Allart's brother. This motif originated in a contemporary emblem and may either represent the idea of faithfulness to a single lover or perhaps, reflecting the presence of the virginal, the traditional association of music and love. The painting has been dated on stylistic grounds and on the evidence of the co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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