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Eduardo Cabra
Eduardo José Cabra Martínez (born September 10, 1979, in Santurce, San Juan, Puerto Rico), better known by his stage name "Visitante Calle 13", "Visitante", or more recently, "Cabra" is a Puerto Rican producer, musician, composer, and multi-instrumentalist. He rose to fame due to the Puerto Rican band Calle 13, which he co-founded with his step brother René Pérez Joglar ("Residente"). Calle 13 quickly became one of the most influential bands in Latin America and the world. Eduardo currently holds a record for 28 awards and 44 Latin Grammy nominations, being the big winner in the 2011 ceremony with 9 awards. He also has special recognitions such as the ASCAP Vanguard Award for his contribution to the development of new genres in Latin America. As part of Calle 13, Eduardo collaborated with high-calibre artists such as Shakira, Tom Morello, Silvio Rodríguez and Rubén Blades, among others. As musical producer, Eduardo is characterized by giving a global stamp to the music he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santurce, San Juan, Puerto Rico
Santurce (, from the Basque ''Santurtzi'' which means Saint George) is a barrio or district in the municipality of San Juan. Its population in 2020 was 69,469. It is also the biggest and most populated of all the barrios in the capital city with a bigger population than most municipalities of Puerto Rico and one of the most densely populated areas of the island (13,257.4 persons per square mile). Geography Geographically speaking, Santurce is a peninsula that is attached to the mainland in the east, where it borders with the Isla Verde district of Carolina. It is 7.6 km long from west to east, and up to 3.0 km wide in the eastern part. The peninsula is bounded by the Atlantic Ocean in the north, with more than five km of beaches from the Condado peninsula in the west, to a point 600 m east of ''Punta Las Marías'', where it borders on the Isla Verde area, and '' Laguna San José'' and its northern embayment, ''Laguna Los Corozos'' to the east. To the south is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bordonua
The Bordonua (Bordonúa) is a large, deep body (sound-boxes are usually deep) bass guitar which is native to Puerto Rico. They are made using several different shapes and sizes. The Bordonúa is the least common of the three stringed instruments that make up the Puerto Rican ''orquesta jibara'' (i.e., the cuatro, the tiple and the Bordonúa). The Bordonua usually has three sound holes, with a large central one and two smaller ones in the two corners of the upper bout. The usual body shape is quite slender and tapers in towards the top, however there is a wide variety of other designs also. History The original Bordonua is said to have evolved from the old 16th century Spanish Acoustic bass guitar called the ''Bajo de la Una''. There were also special melodic Bordonuas that were used during the 1920s and 1930s as accompaniment to melody instead of the bass role. These were oddly tuned like a tiple. This configuration is no longer used on the island. They are also related to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavaquinho
The cavaquinho (pronounced in Portuguese) is a small Portuguese string instrument in the European guitar family, with four wires or gut strings. More broadly, ''cavaquinho'' is the name of a four-stringed subdivision of the lute family of instruments. A cavaquinho player is called a ''cavaquista''. Forms There are several forms of cavaquinho used in different regions and for different styles of music. Separate varieties are named for Portugal, Braga (''braguinha''), Minho (''minhoto''), Lisbon, Madeira, Brazil, and Cape Verde; other forms are the ''braguinha'', ‘''cavacolele''’, cavaco, machete, and ukulele. Portuguese The Venezuelan concert cuatro is very nearly the same instrument, but somewhat larger. Cavaquinho Brasileiro, cavaco, and cuatro The Brazilian cavaquinho is slightly larger than the Portuguese cavaquinho, resembling a small classical guitar. Its neck is raised above the level of the sound box, and the sound hole is usually round, like cavaquinhos from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gittern
The gittern was a relatively small gut-strung, round-backed instrument that first appears in literature and pictorial representation during the 13th century in Western Europe (Iberian Peninsula, Italy, France, England). It is usually depicted played with a quill plectrum, as can be seen clearly beginning in manuscript illuminations from the thirteenth century. It was also called the in Spain, or in France, the in Italy and in Germany. A popular instrument with court musicians, minstrels, and amateurs, the gittern is considered an ancestor of the modern guitar and other instruments like the mandore, bandurria and gallichon. From the early 16th century, a -shaped (flat-backed) began to appear in Spain, and later in France, existing alongside the gittern. Although the round-backed instrument appears to have lost ground to the new form which gradually developed into the guitar familiar today, the influence of the earlier style continued. Examples of lutes converted into guitars ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitarro (instrument)
The Guitarro ( ca, guitarró) is a small, baroque, five-stringed guitar from Aragon, slightly larger than the requinto or cavaquinho. The instrument is also found in other regions of Spain, such as Andalusia, La Mancha, and Murcia Murcia (, , ) is a city in south-eastern Spain, the capital and most populous city of the autonomous community of the Region of Murcia, and the seventh largest city in the country. It has a population of 460,349 inhabitants in 2021 (about one .... Common tuning is B F# D A E, but this sometimes varies. While all five strings are usually single, the three middle strings can also be doubly strung to produce a stronger sound. Never intended as a solo instrument, the guitarro typically provides plucked accompaniment to Aragonese jotas and rondas. This instrument was brought to America and there are instruments derived from it throughout America. Guitar family instruments Classical guitar Spanish music Aragonese musical instruments A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timple
The timple is a traditional five-string plucked string instrument of the Canary Islands. It started being manufactured in the 19th century. In La Palma island and in the north of the island of Tenerife, many timple players omit the fifth (D) string, in order to play the timple as a four-string ukulele, though this is considered less traditional by players and advocates of the five-string version. The players of the four-string style, in return, say that they are simply playing the timple in the old-fashioned way from before the time when a fifth string was introduced in the late nineteenth or early twentieth century. The common tuning is GCEAD. Notable timple players (''timplistas'') are Benito Cabrera (Lanzarote), Germán López (Gran Canaria), José Antonio Ramos, Totoyo Millares, and Pedro Izquierdo (Tenerife Tenerife (; ; formerly spelled ''Teneriffe'') is the largest and most populous island of the Canary Islands. It is home to 43% of the total population of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zither
Zithers (; , from the Greek word ''cithara'') are a class of stringed instruments. Historically, the name has been applied to any instrument of the psaltery family, or to an instrument consisting of many strings stretched across a thin, flat body. This article describes the latter variety. Zithers are typically played by strumming or plucking the strings with the fingers or a plectrum. In the Hornbostel–Sachs classification system, the term refers to a larger family of similarly shaped instruments that also includes the hammered dulcimer family and piano and a few rare bowed instruments like the bowed psaltery, bowed dulcimer, and streichmelodion. Like an acoustic guitar or lute, a zither's body serves as a resonating chamber (sound box), but, unlike guitars and lutes, a zither lacks a distinctly separate neck assembly. The number of strings varies, from one to more than fifty. In modern common usage the term "zither" refers to three specific instruments: the concert zithe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autoharp
An autoharp or chord zither is a string instrument belonging to the zither family. It uses a series of bars individually configured to mute all strings other than those needed for the intended chord. The term ''autoharp'' was once a trademark of the Oscar Schmidt company, but has become a generic designation for all such instruments, regardless of manufacturer. History Charles F. Zimmermann, a German immigrant in Philadelphia, was awarded a patent in 1882 for a “Harp” fitted with a mechanism that muted strings selectively during play. He called a zither-sized instrument using this mechanism an “autoharp.” Unlike later designs, the instrument shown in the patent was symmetrical, and the damping mechanism engaged with the strings laterally instead of from above. It is not known if Zimmermann ever produced such instruments commercially. Karl August Gütter of Markneukirchen, Germany, built a model that he called a ''Volkszither'', which was more clearly the prototype of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harp
The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or concerts. Its most common form is triangular in shape and made of wood. Some have multiple rows of strings and pedal attachments. Ancient depictions of harps were recorded in Current-day Iraq (Mesopotamia), Iran (Persia), and Egypt, and later in India and China. By medieval times harps had spread across Europe. Harps were found across the Americas where it was a popular folk tradition in some areas. Distinct designs also emerged from the African continent. Harps have symbolic political traditions and are often used in logos, including in Ireland. History Harps have been known since antiquity in Asia, Africa, and Europe, dating back at least as early as 3000 BCE. The instrument had great popularity in Europe during the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vihuela
The vihuela () is a 15th-century fretted plucked Spanish string instrument, shaped like a guitar (figure-of-eight form offering strength and portability) but tuned like a lute. It was used in 15th- and 16th-century Spain as the equivalent of the lute in Italy and has a large resultant repertory. There were usually five or six doubled strings. A bowed version, the vihuela de arco (arco meaning bow), was conceived in Spain and made in Italy from 1480. One consequence was the phrase vihuela de mano being thereafter applied to the original plucked instrument. The term ''vihuela'' became "viola" in Italian ("viole" in Fr.; "viol" in Eng.), and the bowed vihuela de arco was to serve as a prototype in the hands of the Italian craftsmen for the " da gamba" family of fretted bowed string instruments, as developed starting in 1480. Their vihuela-inherited frets made these easier to play in tune than the rebec family (precursors of the " da braccio" family), and so they became popular for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
