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Edoardo Müller
Edoardo Müller (June 16, 1938, Trieste - June 24, 2016, Milan) was an Italian conductor who was chiefly recognized for his interpretations of bel canto operas. A frequent guest conductor with opera houses internationally, he had a lengthy association with the San Diego Opera which spanned 31 years. He was also an accomplished pianist who accompanied several notable singers in recitals and concerts; including Carlo Bergonzi, Renato Bruson, Montserrat Caballé, José Carreras, Leyla Gencer, Elena Obraztsova, and Renata Tebaldi. His work is preserved on recordings made for the Philips, BMG, Bongiovanni, and Orfeo record labels. He served as conductor for Joyce DiDonato's 2009 CD ''Colbran, the Muse: Rossini Opera Arias''. Life and career Born in Trieste, Italy, Müller began his career as a pianist before becoming assistant conductor to several well known conductors; including Karl Böhm, Carlos Kleiber, Claudio Abbado and Francesco Molinari-Pradelli. In 1973 he made his p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mosè In Egitto
''Mosè in Egitto'' (; "''Moses in Egypt''") is a three-act opera written by Gioachino Rossini to an Italian libretto by Andrea Leone Tottola, which was based on a 1760 play by Francesco Ringhieri, ''L'Osiride''. It premièred on 5 March 1818 at the recently reconstructed Teatro San Carlo in Naples, Italy. In 1827 Rossini revised and greatly enlarged the work to a four-act French libretto: ''Moïse et Pharaon, ou Le passage de la Mer Rouge'' (; "''Moses and Pharaoh, or The Crossing of the Red Sea''"). This was written by Luigi Balocchi and Victor-Joseph Étienne de Jouy. The première took place in the Salle Le Peletier of the Paris Opera on 26 March that year. Riccardo Muti and many scholars consider ''Moïse et Pharaon'', along with ''Guillaume Tell'', to be among Rossini's greatest achievements: :I prefer it because Rossini himself preferred it. Don't get me wrong. ''Mosè in Egitto'' is a wonderful opera, but it remains very much a mere sketch for ''Moïse et Pharaon''. An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'elisir D'amore
''L'elisir d'amore'' (''The Elixir of Love'', ) is a ' (opera buffa) in two acts by the Italian composer Gaetano Donizetti. Felice Romani wrote the Italian libretto, after Eugène Scribe's libretto for Daniel Auber's ' (1831). The opera premiered on 12 May 1832 at the Teatro della Canobbiana in Milan. Background Written in haste in a six-week period, ''L'elisir d'amore'' was the most often performed opera in Italy between 1838 and 1848 and has remained continually in the international opera repertory. Today it is one of the most frequently performed of all Donizetti's operas: it appears as number 13 on the Operabase list of the most-performed operas worldwide in the five seasons between 2008 and 2013. There are a large number of recordings. It contains the popular tenor aria "Una furtiva lagrima", a ''romanza'' that has a considerable performance history in the concert hall. Donizetti insisted on a number of changes from the original Scribe libretto. The best known of these ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Traviata
''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 1848 novel. The opera was originally titled ''Violetta'', after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer's and librettist's original wishes were carried out and " realistic" productions were staged. ''La traviata'' has become immensely popular and is among the most frequently performed of all operas. Composition history For Verdi, the years 1851 to 1853 were filled with operatic activity. First, he had agreed with the librettist Salvadore Cammarano on a subject for what would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fille Du Régiment
' (''The Daughter of the Regiment'') is an opéra comique in two acts by Gaetano Donizetti, set to a French libretto by Jules-Henri Vernoy de Saint-Georges and Jean-François Bayard. It was first performed on 11 February 1840 by the Paris Opéra-Comique at the Salle de la Bourse. The opera was written by Donizetti while he was living in Paris between 1838 and 1840 preparing a revised version of his then-unperformed Italian opera, ''Poliuto'', as ''Les martyrs'' for the Paris Opéra. Since ''Martyrs'' was delayed, the composer had time to write the music for ''La fille du régiment'', his first opera set to a French text, as well as to stage the French version of ''Lucia di Lammermoor'' as ''Lucie de Lammermoor''. ''La fille du régiment'' quickly became a popular success partly because of the famous aria "''Ah! mes amis, quel jour de fête!''", which requires the tenor to sing no fewer than eight high Cs – a frequently sung ninth is not written. ', a slightly different Italia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Cenerentola
' (''Cinderella, or Goodness Triumphant'') is an operatic ''dramma giocoso'' in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the libretti written by Charles-Guillaume Étienne for the opera '' Cendrillon'' with music by Nicolas Isouard (first performed Paris, 1810) and by Francesco Fiorini for ' with music by Stefano Pavesi (first performed Milan, 1814). All these operas are versions of the fairy tale '' Cendrillon'' by Charles Perrault. Rossini's opera was first performed in Rome's Teatro Valle on 25 January 1817. Rossini composed ''La Cenerentola'' when he was 25 years old, following the success of ''The Barber of Seville'' the year before. ''La Cenerentola'', which he completed in a period of three weeks, is considered to have some of his finest writing for solo voice and ensembles. Rossini saved some time by reusing an overture from '' La gazzetta'' and part of an aria from ''The Barber of Seville'' and by enlisting a collaborator, Luca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Puritani
' (''The Puritans'') is an 1835 opera by Vincenzo Bellini. It was originally written in two acts and later changed to three acts on the advice of Gioachino Rossini, with whom the young composer had become friends. The music was set to a libretto by Count Carlo Pepoli, an Italian émigré poet whom Bellini had met at a salon run by the exile Princess Belgiojoso, which became a meeting place for many Italian revolutionaries. The opera is based on ''Têtes Rondes et Cavaliers'' (''Roundheads and Cavaliers''), a historical play written by Jacques-François Ancelot and Joseph Xavier Saintine and set in the English Civil War, which some sources state was based on Walter Scott's 1816 novel ''Old Mortality,'' while others state that there is no connection. When Bellini arrived in Paris in mid-August 1833, he had intended to stay only about three weeks, the main aim being to continue the negotiations with the Paris Opéra which had begun on his way to London a few months earlier. Howe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julia Hamari
Julia Hamari (born 21 November 1942) is a Hungarian mezzo-soprano and alto singer in opera and concert, appearing internationally. She is an academic voice teacher in Stuttgart. Professional career Julia Hamari was born in Budapest where she received her vocal training with Fatime Martins and Jenö Sipos. She studied at the Franz Liszt Academy of Music and received her diploma for both singer and singing teacher. In 1964 she won the Erkel International Singing Competition in Budapest. She then continued her studies at the Staatliche Hochschule für Musik Stuttgart until 1966. In 1966, she made her debut as a soloist in Bach's ''St Matthew Passion'' with Karl Richter in Vienna, together with Teresa Stich-Randall, Peter Schreier, Hermann Prey and Ernst Gerold Schramm. Opera Her opera debut was the part of Mercedes in Bizet's ''Carmen'' at the Salzburg Festival of 1967 (with Grace Bumbry, Jon Vickers and Mirella Freni, Herbert von Karajan conducting). Shortly thereafter she appe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Nucci
Leo Nucci (born 16 April 1942) is an Italian operatic baritone, particularly associated with Verdi and ''Verismo'' roles. Biography Born at Castiglione dei Pepoli, near Bologna, Nucci studied with Giuseppe Marchese. He made his stage debut in 1967 in Spoleto as Figaro in ''Il barbiere di Siviglia''. He then joined the chorus of La Scala in Milan, going on to make his solo debut there in 1975, again as Rossini's Figaro. Nucci's career quickly took an international turn. He debuted at London's Royal Opera House in 1978, as Miller in ''Luisa Miller'', and at New York's Metropolitan Opera in 1980, as Renato/Ankarström in ''Un ballo in maschera''. Renato was also his debut role at the Paris Opéra in 1981, and at the Salzburg Festival in 1989, under Herbert Von Karajan. His career is remembered for high-profile performances in opera including appearances with Luciano Pavarotti, Joan Sutherland and Plácido Domingo. On 6 June 2003 Leo Nucci performed at the Herbert von Karajan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. As of 2018, the company's current music director is Yannick Nézet-Séguin. The Met was founded in 1883 as an alternative to the previously established Academy of Music opera house, and debuted the same year in a new building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. Until 2019, it presented about 27 different operas each year from late September through May. The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
