Edna Phillips
   HOME
*





Edna Phillips
Edna Phillips (January 7, 1907 – December 2, 2003), later Edna Phillips Rosenbaum (though she never changed her professional name and was still known as "Miss Phillips"), was an American harpist long associated with the Philadelphia Orchestra and a teacher at the Philadelphia Conservatory of Music. Her most lasting contribution to the instrument was a body of works she commissioned as a soloist, including the concertos of Alberto Ginastera, Nicolai Berezowsky, Ernst Krenek, and Ernst von Dohnányi. Early life Edna Phillips was born on January 7, 1907, in Reading, Pennsylvania, where she learned to play the piano and the violin. At the age of seventeen she began harp study with Florence Wightman. Miss Wightman was a student of Carlos Salzedo at the recently established Curtis Institute of Music in Philadelphia. She was his teaching assistant as well. When Edna moved to Philadelphia two years later, she continued her private lessons with Miss Wightman, and audited lessons and ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Harp
The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orchestras or concerts. Its most common form is triangular in shape and made of wood. Some have multiple rows of strings and pedal attachments. Ancient depictions of harps were recorded in Current-day Iraq (Mesopotamia), Iran (Persia), and Egypt, and later in India and China. By medieval times harps had spread across Europe. Harps were found across the Americas where it was a popular folk tradition in some areas. Distinct designs also emerged from the African continent. Harps have symbolic political traditions and are often used in logos, including in Ireland. History Harps have been known since antiquity in Asia, Africa, and Europe, dating back at least as early as 3000 BCE. The instrument had great popularity in Europe during the ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Timbre
In music, timbre ( ), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or musical tone, tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments. It also enables listeners to distinguish different instruments in the same category (e.g., an oboe and a clarinet, both Woodwind instrument, woodwind instruments). In simple terms, timbre is what makes a particular musical instrument or human voice have a different sound from another, even when they play or sing the same note. For instance, it is the difference in sound between a guitar and a piano playing the same note at the same volume. Both instruments can sound equally tuned in relation to each other as they play the same note, and while playing at the same amplitude level each instrument will still sound distinctively with its own unique tone color. Experienced musicians are able to distinguish between diff ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Peggy Glanville-Hicks
Peggy Winsome Glanville-Hicks (29 December 191225 June 1990) was an Australian composer and music critic. Biography Peggy Glanville Hicks, born in Melbourne, first studied composition with Fritz Hart at the Albert Street Conservatorium in Melbourne. There she also studied the piano under Waldemar Seidel. She spent the years from 1932 to 1936 as a student at the Royal College of Music in London, where she studied piano with Arthur Benjamin, conducting with Constant Lambert and Malcolm Sargent, and composition with Ralph Vaughan Williams. (She later asserted that the idea that opens Vaughan Williams' 4th Symphony was taken from her Sinfonietta for Small Orchestra (1935), and it reappears in her 1953 opera ''The Transposed Heads''). Her teachers also included Egon Wellesz, in Vienna, and Nadia Boulanger, in Paris. She was the first Australian composer whose work, her Choral Suite, was performed at an International Society for Contemporary Music (ISCM) Festival (1938). From 194 ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Harry Somers
Harry Stewart Somers, CC (September 11, 1925 – March 9, 1999) was a contemporary Canadian composer. Possessing a charismatic attitude and rather dashing good looks, as well as a genuine talent for his art, Somers earned the unofficial title of "Darling of Canadian Composition." A truly patriotic artist, Somers was engaged in many national projects over the course his lifetime. He was a founding member of the Canadian League of Composers (CLC) and involved in the formation of other Canadian music organizations, including the Canada Council for the Arts and the Canadian Music Centre. He frequently received commissions from the Canadian Broadcasting Corporation and the Canada Council for the Arts. Biography Early life Somers was born in Toronto, Ontario, Canada, on September 11, 1925. Unlike most composers, Somers did not become involved in formal musical study until he reached his teenage years in 1939 when he met his wife, a doctor who was also an accomplished amateur pian ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Roberto Caamaño
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be use ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  



MORE