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Edie Brickell (album)
''Edie Brickell'' is the third solo album by American singer-songwriter Edie Brickell, released in January 2011, in the same month that she released another album with her new band, The Gaddabouts. Development Brickell started work on the album during her 2003 tour supporting ''Volcano''. According to Brickell, "The first three songs for the solo album were recorded on a day off during the tour. They were all new songs and I wanted to record them while they were fresh and we were feeling them. Too many times I had waited months, even years to record a song and by that time, the feeling was gone and the song came out like a memory instead of an experience. So, any time I got a batch of five or six songs, I’d get together with the band and record them while they were new. I wanted to make a record where every song communicated a strong and true energy." Track listing Personnel Musicians * Edie Brickell – vocals, guitars * Carter Albrecht – acoustic piano, Wurlitze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edie Brickell
Edie Arlisa Brickell (born March 10, 1966) is an American singer-songwriter widely known for 1988's ''Shooting Rubberbands at the Stars'', the debut album by Edie Brickell & New Bohemians, which went to No. 4 on the ''Billboard'' albums chart. She is married to singer-songwriter Paul Simon. Early life Brickell was born in the Oak Cliff neighborhood of Dallas, Texas to Larry Jean (Sellers) Linden and Paul Edward Brickell. She was raised with her older sister, Laura Strain. She attended Booker T. Washington High School for the Performing and Visual Arts in Dallas, and later studied at Southern Methodist University until she joined a band and decided to focus on songwriting. Music career Edie Brickell & New Bohemians In 1985, Brickell was invited to sing one night with friends from her high school in a local folk rock group, New Bohemians. She joined the band as lead singer. After the band was signed to a recording contract, the label changed the group's name to Edie Brickel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greg Calbi
Gregory Calbi (born April 3, 1949) is an American mastering engineer at Sterling Sound, New Jersey. Biography Greg Calbi was born on April 3, 1949, in Yonkers, New York, and raised in Bayside, Queens, New York. He graduated in 1966 from Bishop Reilly High School in Fresh Meadows. Calbi earned his bachelor's degree in Mass Communications at Fordham University where he studied with Marshall McLuhan and his staff for 3 of those years. He then earned his master's degree in Political Media Studies (Speech Department) at the University of Massachusetts. During these college years, Calbi drove a NYC cab and sold ladies shoes, and was intent on becoming a documentary filmmaker. However, Calbi was asked by someone who worked at the Record Plant to drive a truck to Duke University to record Yes on the Close to the Edge Tour and soon after that began his career in 1972 as an assistant studio engineer at the Record Plant, working alongside engineers Jack Douglas, Jay Messina and S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dumbek
The goblet drum (also chalice drum, tarabuka, tarabaki, darbuka, darabuka, derbake, debuka, doumbek, dumbec, dumbeg, dumbelek, toumperleki, tumbak, or zerbaghali; arz, دربوكة / Romanized: ) is a single-head membranophone with a goblet-shaped body. It is most commonly used in the traditional music of Egypt, where it is considered the National symbol of Egyptian Shaabi Music. The instrument is also featured in traditional music from West Asia, North Africa, South Asia, and Eastern Europe. The African djembe is also a goblet membranophone. This article focuses on the Middle Eastern and North African goblet drum. History The origin of the term ''Darbuka'' probably lies in the Arabic word "daraba" ("to strike"). Goblet drums have been around for thousands of years and were used in Mesopotamian and Ancient Egyptian cultures. They were also seen in Babylonia and Sumer from as early as 1100 BCE. On Sulawesi, large goblet drums are used as temple instruments and placed on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mellotron
The Mellotron is an electro-mechanical musical instrument developed in Birmingham, England, in 1963. It is played by pressing its keys, each of which pushes a length of magnetic tape against a capstan, which pulls it across a playback head. As the key is released, the tape is retracted by a spring to its initial position. Different portions of the tape can be played to access different sounds. The Mellotron evolved from the similar Chamberlin, but could be mass-produced more efficiently. The first models were designed for the home and contained a variety of sounds, including automatic accompaniments. Bandleader Eric Robinson and television personality David Nixon helped promote the first instruments, and celebrities such as Princess Margaret were early adopters. It was adopted by rock and pop groups in the mid to late 1960s. One of the first pop songs featuring the Mellotron was Manfred Mann's " Semi-Detached, Suburban Mr. James" (1966). The Beatles used it on tracks includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clavinet
The Clavinet is an electrically amplified clavichord invented by Ernst Zacharias and manufactured by the Hohner company of Trossingen, West Germany, from 1964 to 1982. The instrument produces sounds by a rubber pad striking a point on a tensioned string, and was designed to resemble the Renaissance-era clavichord. Although originally intended for home use, the Clavinet became popular on stage, and could be used to create electric guitar sounds on a keyboard. It is strongly associated with Stevie Wonder, who used the instrument extensively, particularly on his 1972 hit "Superstition", and was regularly featured in rock, funk and reggae music throughout the 1960s and 1970s. Modern digital keyboards can emulate the Clavinet sound, but there is also a grass-roots industry of repairers who continue to maintain the instrument. Description The Clavinet is an electromechanical instrument that is usually used in conjunction with a keyboard amplifier. Most models have 60 keys ranging ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dave Palmer (American Keyboardist)
Dave Palmer is an American session keyboardist native to Texas and living in Ojai, California. Palmer has toured, performed, or recorded with Air, Fiona Apple, Seal, Chris Isaak, Joe Henry, Bobby Previte, Wayne Horvitz, Fleetwood Mac, Ponga, Critters Buggin, MC 900 Ft. Jesus, Aimee Mann, Solomon Burke, Turin Brakes, Cake, Lindsey Buckingham, Tegan and Sara, and Avenged Sevenfold. Palmer is a member of the Denton, Texas and Los Angeles, California-based Earl Harvin Trio. In 2006 Palmer released the solo album ''Romance''. Reviewer Glenn Astarita considers Palmer a "top-notch acoustic jazz pianist". Glenn Astarita, ''AllAboutJazz'', February 3, 2006 Selected discography * ''Strange Happy'', Earl Harvin and Dave Palmer (1997) * ''Live at the Gy ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamberlin
The Chamberlin is an electro-mechanical keyboard instrument that was a precursor to the Mellotron. It was developed and patented by the American inventor Harry Chamberlin from 1949 to 1956, when the first model was introduced. There are several models and versions of the Chamberlin. While most are keyboard-based, there were also early drum machines produced and sold. Some of these drum patterns feature the work of Chamberlin's son Richard. Development Harry Chamberlin's idea for the instrument came from recording himself playing an organ, and conceiving its playback as entertainment. He designed the first Chamberlin instrument as early as 1949, intended as a home entertainment device for family sing-alongs, playing the big band standards of the day. The Chamberlin's use as a commercial instrument in rock (or rock and roll) music was not considered, as Harry Chamberlin disliked rock music and rock musicians. The Chamberlin has a piano-style keyboard. Underneath each key is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Rock
Folk rock is a hybrid music genre that combines the elements of folk and rock music, which arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music. The commercial success of the Byrds' cover version of Dylan's "Mr. Tambourine Man" and their debut album of the same name, along with Dylan's own recordings with rock instrumentation—on the albums ''Bringing It All Back Home'' (1965), ''Highway 61 Revisited'' (1965), and '' Blonde on Blonde'' (1966)—encouraged other folk acts, such as Simon & Ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Organ
An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed into several types of instruments: * Hammond-style organs used in pop, rock and jazz; * digital church organs, which imitate pipe organs and are used primarily in churches; * other types including combo organs, home organs, and software organs. History Predecessors ;Harmonium The immediate predecessor of the electronic organ was the harmonium, or reed organ, an instrument that was common in homes and small churches in the late 19th and early 20th centuries. In a fashion not totally unlike that of pipe organs, reed organs generate sound by forcing air over a set of reeds by means of a bellows, usually operated by constantly pumping a set of pedals. While reed organs have limited tonal quality, they are small, inexpensive, self-po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wurlitzer Electric Piano
The Wurlitzer electronic piano is an electric piano manufactured and marketed by Wurlitzer from the mid-1950s to mid-1980s. Sound is generated by striking a metal reed with a hammer, which induces an electric current in a pickup. It is conceptually similar to the Rhodes piano, though the sound is different. The instrument was invented by Benjamin Miessner, who had worked on various types of electric pianos since the early 1930s. The first Wurlitzer was manufactured in 1954, and production continued until 1983. Originally, the piano was designed to be used in the classroom, and several dedicated teacher and student instruments were manufactured. However, it was adapted for more conventional live performances, including stage models with attachable legs and console models with built-in frames. The stage instrument was used by several popular artists, including Ray Charles, Joe Zawinul and Supertramp. Several electronic keyboards include an emulation of the Wurlitzer. As the Wurli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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