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Edgar (opera)
''Edgar'' is an operatic ''dramma lirico'' in three acts (originally four acts) by Giacomo Puccini to an Italian libretto by Ferdinando Fontana, freely based on the play in verse ''La Coupe et les lèvres'' by Alfred de Musset. The first performance was given at the Teatro alla Scala in Milan on 21 April 1889. The opera was not a success. Puccini repeatedly revised it, before eventually giving up in frustration, declaring the work irredeemable. Development and revisions ''Edgar'', Puccini's second opera, was composed on a commission from the publisher Ricordi after the successful reception of his first stage work, ''Le Villi''. The plot indicates the influence of Wagner's ''Tannhäuser''. Both centre on medieval knights struggling between a life of sensual indulgence and ideal love. Edgar is "torn between the sacred love of Fidelia and the profane love of Tigrana"; Wagner's hero indulges himself with Venus while pining for the love of Elizabeth. The gypsy-like figure of Tigrana (s ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Arturo Toscanini
Arturo Toscanini (; ; March 25, 1867January 16, 1957) was an Italian conductor. He was one of the most acclaimed and influential musicians of the late 19th and early 20th century, renowned for his intensity, his perfectionism, his ear for orchestral detail and sonority, and his eidetic memory. He was at various times the music director of La Scala in Milan and the New York Philharmonic. Later in his career he was appointed the first music director of the NBC Symphony Orchestra (1937–54), and this led to his becoming a household name (especially in the United States) through his radio and television broadcasts and many recordings of the operatic and symphonic repertoire. Biography Early years Toscanini was born in Parma, Emilia-Romagna, and won a scholarship to the local music conservatory, where he studied the cello. Living conditions at the conservatory were harsh and strict. For example, the menu at the conservatory consisted almost entirely of fish; in his later years, ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Franco Faccio
Francesco (Franco) Antonio Faccio (8 March 1840 – 21 July 1891) was an Italian composer and conductor. Born in Verona, he studied music at the Milan Conservatory from 1855 where he was a pupil of Stefano Ronchetti-Monteviti and, as scholar William Ashbrook notes, "where he struck up a lifelong friendship with Arrigo Boito, two years his junior" and with whom he was to collaborate in many ways.Ashbrook, in Sadie, p. 101 Initially, he became known as the composer of two operas and, in his years (1871–1889) as music director of the Teatro alla Scala opera house, Faccio became known as a conductor of Verdi's music at La Scala, in different parts of Italy, and abroad. Professional career After finishing his studies he began his career as a composer. His first collaboration with Boito was on a patriotic cantata, ''Il quattro giugno'' in 1860 when Boito also wrote some of the music as well as the text, and this was followed by a sequel, ''La sorelle d'Italia'', also in the spirit o ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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Fontana E Puccini
Fontana may refer to: Places Italy *Fontana Liri, comune in the Province of Frosinone *Fontanafredda, comune in the Province of Pordenone *Fontanarosa, comune in the Province of Avellino *Francavilla Fontana, comune in the Province of Brindisi *Serrara Fontana, comune in the Province of Napoli Switzerland * Fontana GR, a settlement in Tarasp in the Canton of Graubünden * Fontana (Airolo), a settlement in Airolo, in the Canton of Ticino United States *Fontana, California Fontana is a city in San Bernardino County, California. Founded by Azariel Blanchard Miller in 1913, it remained essentially rural until World War II, when entrepreneur Henry J. Kaiser built a large steel mill in the area. It is now a regional h ... *Fontana, Kansas *Fontana, Texas *Fontana Village, North Carolina *Fontana-on-Geneva Lake, Wisconsin *Fontana Dam in the U.S. state of North Carolina Elsewhere *Fontana, Chaco, a settlement in San Fernando Department, Chaco Province, Argentina *Fontana, Gozo, o ...
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Konzerthaus Berlin
The Konzerthaus Berlin is a concert hall in Berlin, the home of the Konzerthausorchester Berlin. Situated on the Gendarmenmarkt square in the central Mitte district of the city, it was originally built as a theater. It initially operated from 1818 to 1821 under the name of the Schauspielhaus Berlin, then as the Theater am Gendarmenmarkt and Komödie. It became a concert hall after the Second World War, and its name changed to its present one in 1994. The Konzerthausorchester Berlin is the resident orchestra of the Konzerthaus Berlin. The concert hall also hosts Young Euro Classic every summer, an international festival of youth orchestras. History National-Theater (1802–1817) The building's predecessor, the ''National-Theater'' in the Friedrichstadt suburb, was destroyed by fire in 1817. It had been designed by Carl Gotthard Langhans, and was inaugurated on 1 January 1802. Königliches Schauspielhaus (1817–1870) The new hall was designed by Karl Friedrich Schinkel betw ...
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Felix Krieger
Felix Krieger (born 1975 in Freiburg im Breisgau) is a German conductor. Biography Krieger began to study piano at age 6, and viola at age 11. At 15 he entered the Musikhochschule of his hometown to study piano, harpsichord and music theory. He studied conducting with Klauspeter Seibel at Hochschule für Musik und Theater Hamburg and was a masterstudent of Carlo Maria Giulini at Scuola di Musica di Fiesole. At the same time he worked as an assistant conductor to Claudio Abbado at the Berlin Philharmonic. In Bayreuth he was assistant conductor to Daniele Gatti and Philippe Jordan for Stefan Herheim's production of Parsifal. Since 2010 Felix Krieger is artistic director and principal conductor of the Berliner Operngruppe. Following early engagements in the opera houses of Kassel and Theater Bielefeld (1st koord. Kapellmeister), in which he acquired a diverse operatic repertoire, Krieger conducted a successful debut ballet performance in 2003 of Schumann's second symphony at the St ...
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Berliner Operngruppe
The Berliner Operngruppe is a German opera society with its own chorus and orchestra, based in Berlin, with the mission to revive rarely played Italian operas in Berlin. Since 2013 the semi-staged performances take place in Konzerthaus Berlin am Gendarmenmarkt. Since 2010 the Berliner Operngruppe has performed Giuseppe Verdi's '' Oberto, Conte di San Bonifacio'' (2010), Gaetano Donizetti's ''Maria di Rohan'' (2011), Giuseppe Verdi's ''Attila'' (2012), Vincenzo Bellini's ''Beatrice di Tenda'' (2013), Giuseppe Verdi's ''I Masnadieri'' (2014), Gaetano Donizetti's ''Betly'' (2015), Giuseppe Verdi's ''Stiffelio'' (2017), Giuseppe Verdi's ''Giovanna d'Arco'' (2018), Giacomo Puccini's ''Edgar'' (2019) and Pietro Mascagni's ''Iris''. The debut album of the Berliner Operngruppe, a live recording of ''Iris'' was released by Oehms Classics on 19 March 2021. On 1 September 2021, they produced Donizetti's ''Deux hommes et une femme'', also known as ''Rita'', in the first performance in German ...
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Lewes Town Hall
Lewes Town Hall is a municipal building in the High Street in Lewes, East Sussex, England. The structure, which is the meeting place of Lewes Town Council, is a Grade II listed building. History In the medieval period, the site of the town hall was occupied by a large property with a barrel-vaulted undercroft belonging to Lewes Priory but by the mid-16th century it was occupied by a public house known as the Star Inn. Ten Protestant martyrs who were faithful to their cause during the reign of the Catholic monarch, Queen Mary, were held in the undercroft and then burnt at the stake in front of the Star Inn during the Marian Persecutions of 1555–1557. These martyrs are still remembered today by the Lewes Bonfire Society. The future Prime Minister, the Duke of Newcastle, acquired the Star Inn in 1732 and converted it into his campaign headquarters; the modifications including the construction of a new façade in the Georgian style, the installation of a grand staircase, which ...
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Joseph Vandernoot
Joseph Vandernoot (18 October 1914 – 7 June 1999) was a British conductor who worked with many orchestras and opera companies, and was one of the earliest conductors of opera at the Holland Park open-air theatre in London. After studying at Guildhall School of Music and the Royal College of Music, Vandernoot joined the Royal Artillery and worked for some time for ENSA. For five years Vandernoot was the Musical Director of Ballet Rambert. He also conducted the Orchestre National de Monte Carlo and the Valencia Provincial Orchestra. Vandernoot was the musical director of the Fulham Municipal Orchestra for nearly 30 years, and of the Hammersmith Municipal Opera, the first municipal opera company in Great Britain. With these two ensembles he gave the UK premiere of Puccini's opera ''Edgar'' (1905 version) in Fulham Town Hall Fulham Town Hall is a municipal building on Fulham Road, Fulham, London. It is a Grade II* listed building. History The building was commissioned by th ...
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Critical Edition (opera)
A critical edition of an opera has been defined by American musicologist Philip Gossett as "an edition that bases itself wherever possible on the very finest and most accurate sources for an opera. That means that it must study the entire performance history of a work." Gossett continues: :In some cases of course we have an autograph manuscript, and that helps us, but it is also where many of the problems start, because composers are known to have made mistakes in their autograph manuscripts. And therefore we are required—we feel it is necessary—to intervene and to correct errors that sometimes have been perpetrated on these works by printed editions from the beginning, so they are just mistakes in the old editions, simple mistakes.Luiz Gazzola"Exclusive ''Opera Lively'' Interview with Italian Opera scholar Dr. Philip Gossett"on operalively.com. 17 June 2012. Retrieved 26 September 2013 The emergence of critical editions of many works from the 19th-century Italian operatic reper ...
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