Ecce Homo (Bosch, 1470s)
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Ecce Homo (Bosch, 1470s)
''Ecce Homo'' is a painting of the episode in the Passion (Christianity), Passion of Jesus by the Early Netherlandish painting, Early Netherlandish painter Hieronymus Bosch, painted between 1475 – 1485. The original version, with a provenance in collections in Ghent, is in the Städel, Städel Museum in Frankfurt; a copy is held the Boston Museum of Fine Arts, Museum of Fine Arts in Boston. The painting takes its title from the Latin words ''Ecce Homo'', "''Behold the Man''" spoken by the Roman governor#Equestrian procurator, Roman Prefect Pontius Pilate when Jesus is paraded before a baying, angry mob in Jerusalem before he is sentenced to be crucified. Description ''Ecce Homo'' shows Jesus stripped and brought before the people by the members of the Roman council, who are flanked by soldiers. The people mock and jeer Jesus, who wears a Crown of Thorns. His hands are bound with shackles, while the redness of the now raw flesh on his legs, hands and chest attests to the fact that ...
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Hieronymus Bosch
Hieronymus Bosch (, ; born Jheronimus van Aken ;  – 9 August 1516) was a Dutch/Netherlandish painter from Brabant. He is one of the most notable representatives of the Early Netherlandish painting school. His work, generally oil on oak wood, mainly contains fantastic illustrations of religious concepts and narratives. Within his lifetime his work was collected in the Netherlands, Austria, and Spain, and widely copied, especially his macabre and nightmarish depictions of hell. Little is known of Bosch's life, though there are some records. He spent most of it in the town of 's-Hertogenbosch, where he was born in his grandfather's house. The roots of his forefathers are in Nijmegen and Aachen (which is visible in his surname: Van Aken). His pessimistic fantastical style cast a wide influence on northern art of the 16th century, with Pieter Bruegel the Elder being his best-known follower. Today, Bosch is seen as a hugely individualistic painter with deep insight into ...
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Banderole (speech Scroll)
In art history a speech scroll (also called a banderole or phylactery) is an illustrative device denoting speech, song, or other types of sound. Developed independently on two continents, the device was in use by artists within Mesoamerican cultures from as early as 650 BC until after the Spanish conquest in the 16th century, and 13th and 14th European painters. While European speech scrolls were drawn as if they were an actual unfurled scroll or strip of parchment, Mesoamerican speech scrolls are scroll-''shaped'', looking much like a question mark. Mesoamerica Speech scrolls are found throughout the Mesoamerica area. An early example is a Olmec ceramic cylinder seal dated to c. 650 BC, where two lines emit from a bird's mouth followed by glyphs proposed to be "''3 Ajaw''," a ruler's name. The murals of the Classic era site at Teotihuacan are filled with speech scrolls, in particular tableaus in the Tepantitla compound— this mural, for example, has more than 20 speech scro ...
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1470s Paintings
147 may refer to: * 147 (number), a natural number * AD 147, a year of the Julian calendar, in the second century * 147 BC, a year of the pre-Julian Roman calendar * 147 AH, a year in the Islamic calendar that corresponds to 764 – 765 CE In the military * BQM-147 Dragon unmanned aerial vehicle, a tactical battlefield UAV operated by the US Marine Corps * Ryan Model 147 Lightning Bug was a drone, or unmanned aerial vehicle during the 1960s * was a United States Navy Admirable-class minesweeper during World War II * was a United States Navy Edsall-class destroyer escort during World War II * was a United States Navy Haskell-class attack transport during World War II * was a United States Navy ''General G. O. Squier''-class transport ship during World War II * was a United States Navy Wickes-class destroyer during World War II * was a United States Navy ''Neosho''-class fleet oiler of the United States Navy during the Six-Day War Science and medicine * 147 Protogeneia, a ...
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Paintings By Hieronymus Bosch
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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Gold Leaf
Gold leaf is gold that has been hammered into thin sheets (usually around 0.1 µm thick) by goldbeating and is often used for gilding. Gold leaf is available in a wide variety of karats and shades. The most commonly used gold is 22-karat yellow gold. Gold leaf is a type of metal leaf, but the term is rarely used when referring to gold leaf. The term ''metal leaf'' is normally used for thin sheets of metal of any color that do not contain any real gold. Pure gold is 24 karat. Real, yellow gold leaf is approximately 91.7% pure (i.e. 22-karat) gold. Silver-colored white gold is about 50% pure gold. Layering gold leaf over a surface is called gold leafing or gilding. Traditional water gilding is the most difficult and highly regarded form of gold leafing. It has remained virtually unchanged for hundreds of years and is still done by hand. In art Gold leaf is sometimes used in art in a "raw" state, without a gilding process. In cultures including the European Bronze Age it ...
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Vermilion
Vermilion (sometimes vermillion) is a color, color family, and pigment most often made, since ancient history, antiquity until the 19th century, from the powdered mineral cinnabar (a form of mercury sulfide, which is toxic) and its corresponding color. It is very often synonymous with red orange, which often takes a modern form just 11% brighter (at full brightness). Etymology and orthography The word vermilion came from the Old French language, Old French word ''vermeillon'', which was derived from ''vermeil'', from the Latin ''vermiculus'', the diminutive of the Latin word ''vermis'', or worm. The name originated because it had a similar color to the natural red dye made from an insect, ''Kermes vermilio'', which was widely used in Europe. The first recorded use of "vermilion" as a color name in English language, English was in 1289. The term cinnabar was used interchangeably with vermilion until the 17th century, when vermilion became the more common name. Now the term "ci ...
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Lead-tin-yellow
Lead-tin-yellow is a yellow pigment, of historical importance in oil painting, sometimes called the "Yellow of the Old Masters" because of the frequency with which it was used by those famous painters. Nomenclature The name lead-tin yellow is a modern label. During the thirteenth to eighteenth centuries when it was in widest use, it was known by a variety of names. In Italy, it was ''giallorino'' or ''giallolino''. In other countries of Europe, it was massicot, (Spanish), (German), ''general'' (English) or (Portuguese). All of these names were often applied to other yellow pigments as well as lead-tin yellow. Composition Lead-tin-yellow historically occurred in two varieties. The first and more common one, today known as "Type I", was a lead stannate, an oxide of lead and tin with the chemical formula Pb2SnO4. The second, "Type II", was a silicate with the formula .Hermann Kühn, 1967, "Blei-Zinn-Gelb und seine Verwendung in der Malerei", ''Farbe und Lack'' 73: 938-949 ...
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Azurite
Azurite is a soft, deep-blue copper mineral produced by weathering of copper ore deposits. During the early 19th century, it was also known as chessylite, after the Type locality (geology), type locality at Chessy, Rhône, Chessy-les-Mines near Lyon, France. The mineral, a basic carbonate with the chemical formula Cu3(CO3)2(OH)2, has been known since ancient times, and was mentioned in Pliny the Elder's ''Natural History (Pliny), Natural History'' under the Greek name (κυανός: "deep blue," root of English ''cyan'') and the Latin name ''caeruleum''. Since antiquity, azurite's exceptionally deep and clear blue has been associated with low-humidity desert and winter skies. The modern English name of the mineral reflects this association, since both ''azurite'' and ''Azure (color), azure'' are derived via Arabic language, Arabic from the Persian language, Persian (لاژورد), an area known for its deposits of another deep-blue stone, lapis lazuli ("stone of azure"). Minera ...
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Pigments
A pigment is a colored material that is completely or nearly insoluble in water. In contrast, dyes are typically soluble, at least at some stage in their use. Generally dyes are often organic compounds whereas pigments are often inorganic compounds. Pigments of prehistoric and historic value include ochre, charcoal, and lapis lazuli. Economic impact In 2006, around 7.4 million tons of inorganic, organic, and special pigments were marketed worldwide. Estimated at around US$14.86 billion in 2018 and will rise at over 4.9% CAGR from 2019 to 2026. The global demand for pigments was roughly US$20.5 billion in 2009. According to an April 2018 report by ''Bloomberg Businessweek'', the estimated value of the pigment industry globally is $30 billion. The value of titanium dioxide – used to enhance the white brightness of many products – was placed at $13.2 billion per year, while the color Ferrari red is valued at $300 million each year. Physical principles Lik ...
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Sacrifice
Sacrifice is the offering of material possessions or the lives of animals or humans to a deity as an act of propitiation or worship. Evidence of ritual animal sacrifice has been seen at least since ancient Hebrews and Greeks, and possibly existed before that. Evidence of ritual human sacrifice can also be found back to at least pre-Columbian civilizations of Mesoamerica as well as in European civilizations. Varieties of ritual non-human sacrifices are practiced by numerous religions today. Terminology The Latin term ''sacrificium'' (a sacrifice) derived from Latin ''sacrificus'' (performing priestly functions or sacrifices), which combined the concepts ''sacra'' (sacred things) and ''facere'' (to do or perform). The Latin word ''sacrificium'' came to apply to the Christian eucharist in particular, sometimes named a "bloodless sacrifice" to distinguish it from blood sacrifices. In individual non-Christian ethnic religions, terms translated as "sacrifice" include the Indic ' ...
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Selfishness
Selfishness is being concerned excessively or exclusively, for oneself or one's own advantage, pleasure, or welfare, regardless of others. Selfishness is the opposite of altruism or selflessness; and has also been contrasted (as by C. S. Lewis) with self-centeredness. Divergent views The implications of selfishness have inspired divergent views within religious, philosophical, psychological, economic, and evolutionary contexts. Classical Aristotle joined a perceived majority of his countrymen in condemning those who sought only to profit themselves; but he approved the man of reason who sought to gain for himself the greatest share of that which deserved social praise. Seneca proposed a cultivation of the self within a wider community—a care for the self which he opposed to mere selfishness in a theme that would later be taken up by Foucault. Medieval/Renaissance Selfishness was viewed in the Western Christian tradition as a central vice—as standing at the roots of the s ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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