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Earthworks Poster Collective
The Earthworks Poster Collective was an Australian artist collective that operated out of the Sydney University Art Workshop, more commonly known as the Tin Sheds, in the 1970s. The collective, based in Sydney, New South Wales, was active from 1972 to 1979. History The collective produced mainly screen-printed, political posters that sought to promote the rights of Aboriginal people, LGBT people, women, the unemployed and workers, including the posters for the exhibition ''The D'Oyley Show'' (1979) by the Women's Domestic Needlepoint Group. It also produced anti-nuclear, protest posters. Earthworks Poster Collective disbanded in 1979, after failing to attract the funding needed to continue. Today the Collective is regarded as having been the principal driving force in the early development of Australian political poster art during the 1970s. Works produced by the collective are held within the collections of The State Library of New South Wales, National Gallery of Australia, Q ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artist Collective
An artist collective is an initiative that is the result of a group of artists working together, usually under their own management, towards shared aims. The aims of an artist collective can include almost anything that is relevant to the needs of the artist; this can range from purchasing bulk materials, sharing equipment, space or materials, to following shared ideologies, aesthetic and political views or even living and working together as an extended family. Sharing of ownership, risk, benefits, and status is implied, as opposed to other, more common business structures with an explicit hierarchy of ownership such as an association or a company. Overview Artist collectives have occurred throughout history, often gathered around central resources, for instance the ancient sculpture workshops at the marble quarries on Milos in Greece and Carrara in Italy. During the French Revolution the Louvre in Paris was occupied as an artist collective. More traditional artist collect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Powerhouse Museum
The Powerhouse Museum is the major branch of the Museum of Applied Arts & Sciences (MAAS) in Sydney, the others being the historic Sydney Observatory at Observatory Park, Sydney, Observatory Hill, and the newer Museums Discovery Centre at Castle Hill, New South Wales, Castle Hill. Although often described as a science museum, the Powerhouse has a diverse collection encompassing all sorts of technology including decorative arts, science, communication, transport, costume, furniture, mass media, media, computer technology, space technology and steam engines. The museum has existed in various guises for over 125 years, previously named the Technological, Industrial and Sanitary Museum of New South Wales (1879–1882) and the Technological Museum (August 1893 – March 1988). the collection contains over 500,000 objects collected over the last 135 years, many of which are displayed or housed at the site it has occupied since 1988, and for which it is named – a converted electric t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Poster Collectives
Australian poster collectives were artist collectives established in the late 1960s, 70s and 80s in the capital cities of Australia, largely led by women and focused on various forms of political activism. There were also such collectives in the 1990s, such as RedPlanet. History and description The collectives were formed mainly in Sydney, Melbourne, and Adelaide, but also in other Australian capital cities, during the period from approximately 1965 to the 1980s. The collectives were formed by artists concerned with social justice, women's rights, political activism, anti-Vietnam war protest, environmentalism, LGBT rights and Indigenous Australians' rights. Collectives made posters for concerts, bands, marches and community groups. Feminists were active in the collectives and some were women-only collectives. Women were leaders in the poster collective movement, establishing groups, providing training, opening the groups up to other women and decision-making by consensus. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toni Robertson
Toni Robertson (born 1953) is a visual artist, art historian and printmaker from Sydney, Australia. She is known for her poster making and involvement in the Earthworks Poster Collective, which operated out of the "Tin Shed" art workshops at the University of Sydney. Early life and education Toni Robertson was born in 1953. Career Robertson joined the Earthworks Poster Collective alongside Mark Arbuz and Chips Mackinolty in 1974. This Collective existed from 1972 until 1979, and utilised screen printing and poster-making to create political artworks and posters. These creations covered a wide array of contemporary issues, including the Australian feminist movement, Indigenous Australian and LGBT rights, environmental and unemployment issues, and anti-nuclear concerns. She became a member of the feminist activist group "Women Behind Bars", and became one of the group's artists in residence. While in this role she contributed several posters and artworks to the public c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie McMahon
Marie Elizabeth Rita McMahon (born September 1953) is an Australian artist, known for her paintings, prints, posters, drawings, and design work. Born in Melbourne, she has worked in various communities of Australian Aboriginal people and works in Sydney. Her work has focused on social, political, and environmental issues. Her posters about Aboriginal rights and Aboriginal life appear in major gallery collections in Australia. Biography McMahon was born in Melbourne, Australia, in September 1953. She grew up on Australian Air Force bases in Darwin, Australia, at Richmond near Sydney, and at HMAS Albatross, a naval base on the South Coast of New South Wales. During the 1960s her family lived in the Philippines until they returned to Sydney. In 1976, McMahon joined the Earthworks Poster Collective at the Tin Sheds Art Workshop located on the campus of the University of Sydney. While working there she contributed to a catalogue of posters that “were sometimes didactic and oft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chips Mackinolty
Chips Mackinolty (born 12 March 1954) is an Australian artist. He was involved in the campaigns against the war in Vietnam by producing posters, and was a key figure in the radical poster movement. Early life Chips Mackinolty was born on 12 March 1954 in Morwell, Victoria. Art career During the 1970s posters became an art form, with artists using the cheap posters as a political tool. The Earthworks Poster Collective, established in 1971, was the most active and well-known of these groups. Earthworks operated from the Sydney University Art Workshop, commonly known as the Tin Sheds. Mackinolty was introduced to screen printing in Goulburn Street, Sydney. In 1978 Mackinolty designed a poster to commemorate Prime Minister Robert Menzies death, to reflect a working-class view on the prime minister, and the "Pig Iron Bob" nickname that was given to him during the Dalfram dispute of 1938. Mackinolty used sharp, flat colours and increasingly professional techniques to produce po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Mackay
Jan, JaN or JAN may refer to: Acronyms * Jackson, Mississippi (Amtrak station), US, Amtrak station code JAN * Jackson-Evers International Airport, Mississippi, US, IATA code * Jabhat al-Nusra (JaN), a Syrian militant group * Japanese Article Number, a barcode standard compatible with EAN * Japanese Accepted Name, a Japanese nonproprietary drug name * Job Accommodation Network, US, for people with disabilities * ''Joint Army-Navy'', US standards for electronic color codes, etc. * ''Journal of Advanced Nursing'' Personal name * Jan (name), male variant of ''John'', female shortened form of ''Janet'' and ''Janice'' * Jan (Persian name), Persian word meaning 'life', 'soul', 'dear'; also used as a name * Ran (surname), romanized from Mandarin as Jan in Wade–Giles * Ján, Slovak name Other uses * January, as an abbreviation for the first month of the year in the Gregorian calendar * Jan (cards), a term in some card games when a player loses without taking any tricks or scoring a min ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Callaghan (artist)
Michael Callaghan may refer to: * Michael Callaghan (tennis) in 1962 Australian Championships – Men's Singles *Mike Callaghan, politician * Michael Callaghan (artist) of Earthworks Poster Collective The Earthworks Poster Collective was an Australian artist collective that operated out of the Sydney University Art Workshop, more commonly known as the Tin Sheds, in the 1970s. The collective, based in Sydney, New South Wales, was active from 1 ... See also * Michael Callahan (other) * Michael O'Callaghan (other) {{hndis, Callaghan, Michael ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Sydney
The University of Sydney (USYD), also known as Sydney University, or informally Sydney Uni, is a public research university located in Sydney, Australia. Founded in 1850, it is the oldest university in Australia and is one of the country's six sandstone universities. The university comprises eight academic faculties and university schools, through which it offers bachelor, master and doctoral degrees. The university consistently ranks highly both nationally and internationally. QS World University Rankings ranked the university top 40 in the world. The university is also ranked first in Australia and fourth in the world for QS graduate employability. It is one of the first universities in the world to admit students solely on academic merit, and opened their doors to women on the same basis as men. Five Nobel and two Crafoord laureates have been affiliated with the university as graduates and faculty. The university has educated eight Australian prime ministers, including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Queensland Art Gallery
The Queensland Art Gallery (QAG) is an art museum located in South Bank, Brisbane, Queensland, Australia. The gallery is part of QAGOMA. It complements the Gallery of Modern Art (GOMA) building, situated only away. The Queensland Art Gallery is owned and operated by the Government of Queensland, which created the institution in 1895 as the Queensland National Art Gallery. History The gallery was established in 1895 as the Queensland National Art Gallery. Throughout its early history the gallery was housed in a series of temporary premises. In the 1960s it shared premises with the Queensland Museum. Sir Leon Trout, a businessman and art collector, initiated a plan to include an art gallery in a proposed Queensland Cultural Centre in South Brisbane. The first stage of the monumental Robin Gibson-designed Queensland Cultural Centre opened on Brisbane's South Bank in 1982. The Gallery of Modern Art (GOMA) was established in 2006 which lead to the creation of a two-campus instit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tin Sheds
The Tin Sheds was the common name of the Sydney University Art Workshop was an Australian art workshop in Sydney, New South Wales, founded in 1969. Its name lives on in the Tin Sheds Gallery at the University of Sydney School of Architecture, Design and Planning. Groups such as Optronic Kinetics and the Earthworks Poster Collective operated out of Tin Sheds. History Tin Sheds was founded in 1969 by artists Donald Brook, Marr Grounds and his wife Joan Grounds as an autonomous and informal venue on the grounds of Sydney University. The name was given because the workshop occupied some old CSR sheds in the university grounds. Officially designated as a place for students to study and practise the methods of the old masters, the founding artists and other tutors encouraged students of the arts, architecture, and engineering students (and anyone else) to dream and create all manner of artworks; it was a "nursery for conceptual art. They tried to understand and define the notion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Gallery Of Australia
The National Gallery of Australia (NGA), formerly the Australian National Gallery, is the national art museum of Australia as well as one of the largest art museums in Australia, holding more than 166,000 works of art. Located in Canberra in the Australian Capital Territory, it was established in 1967 by the Australian Government as a national public art museum. it is under the directorship of Nick Mitzevich. Establishment Prominent Australian artist Tom Roberts had lobbied various Australian prime ministers, starting with the first, Edmund Barton. Prime Minister Andrew Fisher accepted the idea in 1910, and the following year Parliament established a bipartisan committee of six political leaders—the ''Historic Memorials Committee''. The Committee decided that the government should collect portraits of Australian governors-general, parliamentary leaders and the principal "fathers" of federation to be painted by Australian artists. This led to the establishment of what bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
