Ear Candy (Helen Reddy Album)
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Ear Candy (Helen Reddy Album)
''Ear Candy'' is the ninth studio album by Australian-American pop singer Helen Reddy, released on 25 April 1977 by Capitol Records. The album included a modern take on the doo-wop genre ("Long Distance Love"), a Cajun number that gave the Melbourne native her first and only appearance on '' Billboard'' magazine's Country chart ("Laissez les Bontemps Rouler"),. and a dark self-parody on which Reddy proclaims: "I don't take no shit from nobody" ("Baby, I'm a Star"). Unusually, half of the songs recorded for ''Ear Candy'' were co-written by Reddy herself, including the second single: "The Happy Girls", Reddy's first self-penned A-side single since "I am Woman". The album's first single, a remake of the 1964 Cilla Black hit " You're My World", gave Reddy a final Top 40 hit. __TOC__ Recording and release history ''Ear Candy'' debuted on the ''Billboard'' 200 album chart in the 21 May 1977 issue of ''Billboard'': during its nineteen-week album chart tenure ''Ear Candy'' would ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ...
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RIAA Certification
In the United States, the Recording Industry Association of America (RIAA) awards certification based on the number of albums and singles sold through retail and other ancillary markets.RIAA certification criteria
Retrieved on September 11, 2006
Other countries have similar awards (see music recording certification). Certification is not automatic; for an award to be made, the must first request certification. The audit is conducted against net shipments after returns (most often an artist's royalty s ...
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Reddy (album)
''Reddy'' is the eleventh studio album release by Australian-American pop singer Helen Reddy. Between 1971 and 1978, Reddy had ten studio albums released by Capitol Records, the label also having issued her ''Greatest Hits'' album and a concert album: '' Live in London'', the latter issued in December 1978 - which same month Reddy filed suit claiming Capitol Records had shortchanged her $1,793,000, the suit being an apparent bid to win release from the label. However ''Reddy'', issued in June 1979, would be released by Capitol Records, Reddy's tenure with the label extending to include her twelfth studio album: '' Take What You Find'', issued in 1980. ''Reddy'' was noted by ''Billboard'' magazine for what set it apart from its predecessors: "It's the three disco tracks on the first side of this album that will probably draw the most attention, but more interesting from the point of view of Reddy's artistic growth are covers of soul ballads by Gamble & Huff ('Sing My Heart Out') ...
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Imagination (Helen Reddy Album)
''Imagination'' is the fourteenth studio album by Australian-American pop singer Helen Reddy and was released in February 1983 as her second LP for MCA Records. As with the first of the two, 1981's '' Play Me Out'', it did not reach ''Billboard'' magazine's Top LP's & Tapes chart.. MCA ended their contract with her afterward; in her 2006 autobiography, ''The Woman I Am: A Memoir'', Reddy wrote, "I was not surprised when I received a form letter from CAs legal department telling me that I'd been dropped from the label.". History The path from the planning stages for the album to its appearance on store shelves was not a smooth one. A story on Reddy from the September 19, 1981, issue of ''Billboard'' detailed some of what she had in mind for this second MCA project: "'I'll work on my next album around the end of the year or in January or February so it'll be ready for an Easter 982release,'" she told the magazine, but it didn't come out until 1983. She also told them that " J ...
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Live In London (Helen Reddy Album)
''Live in London'' is the first live album by Australian-American pop singer Helen Reddy that was released in 1978 by Capitol Records and, as with her previous release, did not reach ''Billboard'' magazine's Top LP's & Tapes chart.. On June 25, 2002, the album was released for the first time on compact disc. __TOC__ Background Reddy had announced in the summer of 1977 that Kim Fowley, producer of her recent album release '' Ear Candy'', would produce an upcoming live album for the singer: it was anticipated that the album would be a recording of Reddy's 8 November 1977 concert at Radio City Music Hall.''Billboard'' vol 89 #35 (3 September 1977) p.106 However, Reddy herself—collaborating with John Palladino—would produce her live album, which was recorded at her three-night plus one matinée gig at the London Palladium in May 1978. Repertoire Eight of Reddy's US Top 40 hits were performed at the Palladium in a penultimate twelve minute medley which also featured the Top ...
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Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 202 ...
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Helen Reddy (album)
''Helen Reddy'' is the second studio album by Australian-American pop singer Helen Reddy, released on November 8, 1971, by Capitol Records. Reddy's selections include tracks by singer-songwriters Carole King, John Lennon, Randy Newman, and Donovan. It debuted on ''Billboard'' magazine's Top LP's chart in the issue dated December 4, 1971, and had a seven-week chart run in which it got as high as number 167. On March 29, 2005, the album was released for the first time on compact disc as one of two albums on one CD, the other album being ''I Don't Know How to Love Him'', Reddy's debut LP that originally came out in the spring of 1971. __TOC__ Single ''Billboards December 4, 1971, issue also marked the first appearance of the single from the album, "No Sad Song", on the magazine's Hot 100, where it spent eight weeks and peaked at number 62, and the December 25 issue, three weeks later, began the song's four weeks on the Easy Listening chart, where it reached number 32. It also re ...
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RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cur ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ...
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Top 40
In the music industry, the Top 40 is the current, 40 most-popular songs in a particular genre. It is the best-selling or most frequently broadcast popular music. Record charts have traditionally consisted of a total of 40 songs. "Top 40" or " contemporary hit radio" is also a radio format. Frequent variants of the Top 40 are the Top 10, Top 20, Top 30, Top 50, Top 75, Top 100 and Top 200. History According to producer Richard Fatherley, Todd Storz was the inventor of the format, at his radio station KOWH in Omaha, Nebraska. Storz invented the format in the early 1950s, using the number of times a record was played on jukeboxes to compose a weekly list for broadcast. The format was commercially successful, and Storz and his father Robert, under the name of the Storz Broadcasting Company, subsequently acquired other stations to use the new Top 40 format. In 1989, Todd Storz was inducted into the Nebraska Broadcasters Association Hall of Fame. The term "Top 40", describing a radio ...
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