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EXIT (performance Art Group)
EXIT were a performance art group during the mid-1970s. EXIT members Penny Rimbaud and Gee Vaucher later founded anarchist punk rock band Crass, adopting many of EXIT's experimental/multi media techniques into Crass' presentation. The group performed as part of the 1972 ICES festival at the Roundhouse. Rimbaud acknowledges that EXIT in turn had been involved with the Fluxus Movement (of which Yoko Ono was a member). He also states that Crass was more influenced by the avant-garde than by any rock & roll Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a genre of popular music that evolved in the United States during the late 1940s and early 1950s. It originated from African-American music such as jazz, rhythm an ... precedent. Discography *EXIT ''The Mystic Trumpeter - Live at the Roundhouse 1972, The ICES Tapes'' (Exit Stencil Music Cat No. EXMO2, CD and book, 2013) References Crass Theatre companies in the United Kingdom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Performance Art
Performance art is an artwork or art exhibition created through actions executed by the artist or other participants. It may be witnessed live or through documentation, spontaneously developed or written, and is traditionally presented to a public in a fine art context in an interdisciplinary mode. Also known as ''artistic action'', it has been developed through the years as a genre of its own in which art is presented live. It had an important and fundamental role in 20th century avant-garde art. It involves four basic elements: time, space, body, and presence of the artist, and the relation between the creator and the public. The actions, generally developed in art galleries and museums, can take place in the street, any kind of setting or space and during any time period. Its goal is to generate a reaction, sometimes with the support of improvisation and a sense of aesthetics. The themes are commonly linked to life experiences of the artist themselves, or the need of denunci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Penny Rimbaud
Penny Lapsang Rimbaud (born Jeremy John Ratter, 1943) is a writer, poet, philosopher, painter, musician and activist. He was a member of the performance art groups EXIT and Ceres Confusion, and in 1972 was co-founder of the Stonehenge Free Festival, together with Phil Russell aka Wally Hope. In 1977 with Steve Ignorant, he co-founded the seminal anarchist punk band Crass and served as its drummer. Crass disbanded in 1984. Until 2000 Rimbaud devoted himself almost entirely to writing, returning to the public platform in 2001 as a performance poet working with Australian saxophonist Louise Elliott and a wide variety of jazz musicians under the umbrella of Last Amendment. Name Ratter changed his name by deed poll in 1977, as, in his own words, he "wanted to be his own child." His surname was taken from that of the French symbolist poet Arthur Rimbaud, and his forename of Penny was chosen because Rimbaud's brother Anthony would often call him "a toilet-seat philosopher" (a penny b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gee Vaucher
Gee Vaucher (born 1945 in Dagenham, Essex, England) is a visual artist. Biography Vaucher met her long-lasting creative partner Penny Rimbaud in the early 1960s when both were attending the South-East Essex Technical College and School of Art. In 1967, inspired by the film ''Inn of the Sixth Happiness'', they set up the anarchist/pacifist open house Dial House in Essex, UK, which has now become firmly established as a 'centre for radical creativity'. In 2016, Vaucher was awarded an honorary doctorate from the University of Essex. Vaucher is vegetarian. Works Her work with anarcho-punk band Crass was seminal to the 'protest art' of the 1980s. Vaucher has always seen her work as a tool for social change, and has expressed her strong anarcho-pacifist and feminist views in her paintings and collages. Vaucher also uses surrealist styles and methods. She continues to design sleeves for Babel Label, and also designed the sleeve for The Charlatans' '' Who We Touch'' album. Va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anarchist
Anarchism is a political philosophy and movement that is skeptical of all justifications for authority and seeks to abolish the institutions it claims maintain unnecessary coercion and hierarchy, typically including, though not necessarily limited to, governments, nation states, and capitalism. Anarchism advocates for the replacement of the state with stateless societies or other forms of free associations. As a historically left-wing movement, usually placed on the farthest left of the political spectrum, it is usually described alongside communalism and libertarian Marxism as the libertarian wing (libertarian socialism) of the socialist movement. Humans lived in societies without formal hierarchies long before the establishment of formal states, realms, or empires. With the rise of organised hierarchical bodies, scepticism toward authority also rose. Although traces of anarchist thought are found throughout history, modern anarchism emerged from the Enlightenm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crass
Crass were an English art collective and punk rock band formed in Epping, Essex in 1977, who promoted anarchism as a political ideology, a way of life, and a resistance movement. Crass popularised the anarcho-punk movement of the punk subculture, advocating direct action, animal rights, feminism, anti-fascism, and environmentalism. The band used and advocated a DIY ethic approach to its albums, sound collages, leaflets, and films. Crass spray-painted stencilled graffiti messages in the London Underground system and on advertising billboards, coordinated squats and organised political action. The band expressed its ideals by dressing in black, military-surplus-style clothing and using a stage backdrop amalgamating icons of perceived authority such as the Christian cross, the swastika, the Union Jack, and the ouroboros. The band was critical of the punk subculture and youth culture in general; nevertheless, the anarchist ideas that they promoted have maintained a pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roundhouse (venue)
The Roundhouse is a performing arts and concert venue situated at the Grade II* listed former railway engine shed in Chalk Farm, London, England. The building was erected in 1846–1847 by the London & North Western Railway as a roundhouse, a circular building containing a railway turntable, but was used for that purpose for only about a decade. After being used as a warehouse for a number of years, the building fell into disuse just before World War II. It was first made a listed building in 1954. It reopened after 25 years, in 1964, as a performing arts venue, when the playwright Arnold Wesker established the Centre 42 Theatre Company and adapted the building as a theatre. The large circular structure has hosted various promotions, such as the launch of the underground paper ''International Times'' in 1966, one of only two UK appearances by The Doors with Jim Morrison in 1968, and the Greasy Truckers Party in 1972. The Greater London Council ceded control of the building t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fluxus
Fluxus was an international, interdisciplinary community of artists, composers, designers and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product. Fluxus is known for experimental contributions to different artistic media and disciplines and for generating new art forms. These art forms include intermedia, a term coined by Fluxus artist Dick Higgins; conceptual art, first developed by Henry Flynt, an artist contentiously associated with Fluxus; and video art, first pioneered by Nam June Paik and Wolf Vostell. Dutch gallerist and art critic describes Fluxus as "the most radical and experimental art movement of the sixties".. 1979. ''Fluxus, the Most Radical and Experimental Art Movement of the Sixties'' Amsterdam: Editions Galerie A. They produced performance "events", which included enactments of scores, "Neo-Dada" noise music, and time-based works, as well as concrete poetry, visual art, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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