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ELV1S
''Elvis: 30 #1 Hits'' is a greatest hits collection of songs by American rock and roll singer Elvis Presley. It was released by RCA Records on September 24, 2002. It is the first Elvis Presley album to feature the remix of "A Little Less Conversation" by JXL that was released earlier in the year and reached No. 1 in the UK, Australia and went on to become a number-one hit in over 20 countries. A companion album, '' 2nd to None'', was released the next year. By 2003, the album had received certifications in more than 15 regions and had sold millions of copies worldwide. Its most recent certification, a 6× Platinum award, for US sales in excess of six million copies, was announced by the RIAA on March 8, 2018. Compilation, production and releases ''Elvis: 30 #1 Hits'' was compiled by Ernst Mikael Jorgensen and Roger Semon using chart data from the pop singles charts in ''Billboard'', '' Cashbox'', ''New Musical Express'', and ''Record Retailer''. Not all of Elvis's number ones ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2nd To None
''2nd to None'' (also known as ''ELVIIS: 2nd to None'') is a collection of songs by American rock and roll musician Elvis Presley. The album was released by on October 7, 2003 by RCA Records as the sequel to the previous year's highly successful '' ELV1S: 30 #1 Hits''. The album included Elvis's #1 singles that did not appear on the previous release, other notable recordings by the artist, one previously unreleased recording ("I'm a Roustabout") and a remix of "Rubberneckin'" by Paul Oakenfold. Although not as successful as its predecessor, ''2nd to None'' made the top 10 in at least nine countries and received certifications in several regions. Production, artwork and packaging ''2nd to None'' was produced by Ernst Mikael Jorgensen and Ray Bardani. Bardani also mixing many of the songs on the collection with the assistance of Matt Snedecor, while the tape transferring and mastering on the recordings were handled by Andreas Meyer and Vic Anesini, respectively. The release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Little Less Conversation
"A Little Less Conversation" is a 1968 song recorded by American singer Elvis Presley, written by Mac Davis and Billy Strange and published by Gladys Music, Inc., originally performed in the film ''Live a Little, Love a Little''. The song became a minor hit in the United States when released as a single with " Almost in Love" as the A-side. A 2002 remix by Dutch musician Junkie XL of a later re-recording of the song by Presley became a worldwide hit, topping the singles charts in nine countries and was awarded certifications in ten countries by 2003. The song has made numerous appearances in popular culture and has been covered by several artists. Original recordings "A Little Less Conversation" was first recorded on March 7, 1968, at Western Recorders in Hollywood, California, and released on a single backed by " Almost in Love", another song from the movie. The song was not released on an LP until November 1970, when it was included on the RCA Camden budget label LP '' Almost ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elvis Presley
Elvis Aaron Presley (January 8, 1935 – August 16, 1977), or simply Elvis, was an American singer and actor. Dubbed the "Honorific nicknames in popular music, King of Rock and Roll", he is regarded as Cultural impact of Elvis Presley, one of the most significant cultural figures of the 20th century. His energized interpretations of songs and sexually provocative performance style, combined with a singularly potent mix of influences across color lines during a civil rights movement, transformative era in race relations, led him to both great success and Cultural impact of Elvis Presley#Danger to American culture, initial controversy. Presley was born in Tupelo, Mississippi, and relocated to Memphis, Tennessee, with his family when he was 13 years old. His music career began there in 1954, recording at Sun Records with producer Sam Phillips, who wanted to bring the sound of African-American music to a wider audience. Presley, on rhythm acoustic guitar, and accompanied by lead ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Bendeth
David Jonathan Bendeth (born 17 June 1954) is a multi-platinum award-winning record producer. Early life David Bendeth was born on 17 June 1954 in Stoke Newington, Hackney, London, England. He attended Parkhill School in Ilford, London and in 1963, his family moved to Toronto, Ontario, Canada. Bendeth attended Georges Vanier Secondary School. Following graduation in 1973, Bendeth was to attend university, however he left for a summer vacation to London and stayed there. His first job in London was at Harlequin Records and he eventually joined the house band playing guitar at Speakeasy, a London club, along with Joe Jammer. In 1976, he returned to Canada. He was playing with the band Boule Noire at Riviera 76, a day music festival in Nice, and there he met Jeff Berlin, Lenny White, Joe Beck, and many other jazz musicians. Bendeth also played on Quebec band Toulouse's album with Muscle Shoals Rhythm Section and singer Leroy Sibbles from the Heptones. Career In 1977, Bendeth mov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DVD-Audio
DVD-Audio (commonly abbreviated as DVD-A) is a digital format for delivering high-fidelity audio content on a DVD. DVD-Audio uses most of the storage on the disc for high-quality audio and is not intended to be a video delivery format. The standard was published in March 1999 and the first discs entered the marketplace in 2000. DVD-Audio was in a format war with Super Audio CD (SACD), and along with consumers' tastes tending towards downloadable music, these factors meant that neither high-quality disc achieved considerable market penetration; DVD-Audio has been described as "extinct" by 2007. DVD-Audio remains a niche market but some independent online labels offer a wider choice of titles. Audio specifications DVD-Audio offers many possible configurations of audio channels, ranging from single-channel mono to 5.1-channel surround sound, at various sampling frequencies and sample rates. (The ".1" denotes a low-frequency effects channel (LFE) for bass and/or special audio effec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multitrack Recording
Multitrack recording (MTR), also known as multitracking or tracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete "tracks" on the same reel-to-reel tape was developed. A "track" was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized. A multitrack recorder allows one or more sound sources to different tracks to be simultaneously recorded, which may subsequently be processed and mixed separately. Take, for example, a band with vocals, guitars, a keyboard, bass, and drums that are to be recorded. The singer's microphone, the output of the guitars and keys, and eac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monaural
Monaural or monophonic sound reproduction (often shortened to mono) is sound intended to be heard as if it were emanating from one position. This contrasts with stereophonic sound or ''stereo'', which uses two separate audio channels to reproduce sound from two microphones on the right and left side, which is reproduced with two separate loudspeakers to give a sense of the direction of sound sources. In mono, only one loudspeaker is necessary, but, when played through multiple loudspeakers or headphones, identical signals are fed to each speaker, resulting in the perception of one-channel sound "imaging" in one sonic space between the speakers (provided that the speakers are set up in a proper symmetrical critical-listening placement). Monaural recordings, like stereo ones, typically use multiple microphones fed into multiple channels on a recording console, but each channel is " panned" to the center. In the final stage, the various center-panned signal paths are usually mixed d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Retailer
''Record Retailer'' was the only music trade newspaper for the UK record industry. It was founded in August 1959 as a monthly newspaper covering both labels and dealers. Its founding editor was Roy Parker (who died on 27 December 1964). The title changed to ''Record Retailer and Music Industry News'' shortly after launch. With its issue of 10 March 1960, ''Record Retailer'' became a weekly magazine and started a chart showing the top 50 records in sales. For the period until February 1969, when a standardised UK chart was established with the British Market Research Bureau, the Official Charts Company recognises the listings compiled by ''Record Retailer'' as representing the official national chart. On 5 October 1967 the title reverted to ''Record Retailer'' and in January 1971 became ''Record & Tape Retailer''. The publication was relaunched on 18 March 1972 as ''Music Week''. References See also *UK Singles Chart The UK Singles Chart (currently titled Official Singles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stereophonic Sound
Stereophonic sound, or more commonly stereo, is a method of sound reproduction that recreates a multi-directional, 3-dimensional audible perspective. This is usually achieved by using two independent audio channels through a configuration of two loudspeakers (or stereo headphones) in such a way as to create the impression of sound heard from various directions, as in natural hearing. Because the multi-dimensional perspective is the crucial aspect, the term ''stereophonic'' also applies to systems with more than two channels or speakers such as quadraphonic and surround sound. Binaural recording, Binaural sound systems are also ''stereophonic''. Stereo sound has been in common use since the 1970s in entertainment media such as broadcast radio, recorded music, television, video cameras, cinema, computer audio, and internet. Etymology The word ''stereophonic'' derives from the Greek language, Greek (''stereós'', "firm, solid") + (''phōnḗ'', "sound, tone, voice") and i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Marino
George Marino (April 15, 1947 – June 4, 2012) was an American mastering engineer known for working on albums by rock bands starting in the late 1960s. Biography Marino was born on April 15, 1947, in the New York City borough The Bronx. He attended Christopher Columbus High School there and learned to play the saxophone and bass fiddle in the high school band and was classically trained on guitar. Marino broke into the music business as a guitarist playing rock and roll in local New York City bands such as The Chancellors and The New Sounds Ltd. until most of the band members were drafted into the service for the war in Vietnam. In 1967, Marino landed his first job in the industry as a librarian and assistant at Capitol Studios. Soon after, he apprenticed in the mastering department alongside of Joe Lansky, cutting rock, pop, jazz and classical albums. There, in 1968, he met his future wife, Rose Gross, whom he married in 1973. Gross became Clive Davis' assistant in 1974, a f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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