|
E. Honda
, more commonly known as E. Honda, is a fictional character created by Capcom for the ''Street Fighter'' series of fighting games. Introduced in ''Street Fighter II: The World Warrior, Street Fighter II'' as part of the starting lineup, he has #Appearances, appeared in ''Street Fighter Alpha 3'', ''Street Fighter IV'' and the ''SNK vs. Capcom, Capcom vs. SNK'' series, as well as several cameos. Honda is a professional sumo wrestler and ''sentō'' proprietor. He is one of the original eight playable characters in ''Street Fighter II'', representing Japan alongside Ryu (Street Fighter), Ryu. Conception and design Designed by Akira Yasuda, the character was initially named "Sumo". As his initial name implies, Honda is meant to have above average strength, but below average speed. The developers intended for the character to be popular in Japan, but to also make Japanese fighting styles appeal to foreigners. Honda's shikona for sumo is mentioned as "Mount Fuji, Fujinoyama."''ALL ABOUT ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Super Street Fighter II
is a competitive fighting game produced by Capcom and originally released as an arcade game in 1993. It is the fourth game in the ''Street Fighter II'' sub-series of ''Street Fighter'' games, following ''Street Fighter II: Hyper Fighting''. It refines and balances the existing character roster from the previous versions, and introduces four new characters. It is the first game on Capcoms CP System II hardware, with more sophisticated graphics and audio over the original CP System hardware used in previous versions of ''Street Fighter II''. ''Super Street Fighter II'' was followed in 1994 by ''Super Street Fighter II Turbo'', a fifth version of ''Street Fighter II'', which further balances the characters and adds features. Characters All twelve World Warriors from the previous ''Street Fighter II'' games return, many with basic and special techniques refined to adjust the overall balance. Some of the characters received new special techniques such as Ryu's ''Fire Hadōken'' (ren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Street Fighter Alpha 3
''Street Fighter Alpha 3'', released as in Japan, Asia, South America, and Oceania, is a 2D fighting game originally released by Capcom for the arcade in 1998. It is the third and final installment in the '' Street Fighter Alpha'' sub-series, which serves as a sequel to ''Street Fighter Alpha 2'', and ran on the same CP System II hardware as previous ''Alpha'' games. The game was produced after the '' Street Fighter III'' sub-series has started, being released after '' 2nd Impact'', but before '' 3rd Strike''. ''Alpha 3'' further expanded the playable fighter roster from ''Street Fighter Alpha 2'' and added new features such as selectable fighting styles called "isms". ''Alpha 3'' has also been released on a variety of home platforms starting with the PlayStation port in 1998, which added an exclusive World Tour mode and brought back even more characters, with further versions on the Sega Saturn, Dreamcast, Game Boy Advance and PlayStation Portable. Gameplay ''Street Fig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kumadori
is the stage makeup worn by kabuki is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to ... actors, mostly when performing kabuki plays in the style. The term also applies to a painting method in which two brushes are used simultaneously, one for the color and the other used to create shading or other details. makeup generally consists of brightly coloured stripes or patterns over a white foundation, the colours and patterns symbolising aspects of the character. Though was originated and developed extensively by members of the family of actors, some conventions are creations of the line. Colours Only a few colours are used in makeup; red, blue, brown and black. Whilst black is simply used to exaggerate features, such as eyebrows and the line of the mouth, the other colours ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mawashi
In sumo, a is the loincloth that (sumo wrestlers) wear during training or in competition. Upper ranked professional wrestlers wear a as part of the ring entry ceremony or . For top ranked professional , it is made of silk and comes in a variety of colours. It is approximately in length when unwrapped, about wide and weighs about . It is wrapped several times around the and fastened in the back by a large knot. A series of stiffened silk fronds of matching colour called are inserted into the front of the . Their number varies from 13 to 25, and is always an odd number. They mark out the only part of the that it is illegal to grab on to: the vertical part covering the 's groin, and if they fall out during competition the (referee) will throw them from the ring at the first opportunity. Sometimes a may wear his in such a way as to give him some advantage over his opponent. He may wear it loosely to make it more difficult to be thrown, or he may wrap it tightly and spl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yukata
A is an unlined cotton summer kimono, worn in casual settings such as summer festivals and to nearby bathhouses. Originally worn as bathrobes, their modern use is much broader, and are a common sight in Japan during summer. Though are traditionally indigo and white in colour, modern commonly feature multicoloured designs, and are designed to be machine washable. They are similar in appearance to the , a unisex short-sleeved kimono-like garment worn by guests at traditional inns. Construction and wear are worn by men and women. Like other forms of traditional Japanese clothing, are made with straight seams and wide sleeves. Men's are distinguished by the shorter sleeve extension of approximately from the armpit seam, compared to the longer sleeve extension in women's . A standard ensemble consists of a , and sandals or geta worn without socks. The outfit may be accessorised with a foldable or fixed hand fan and the addition of a traditional carry bag known as a , used by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chonmage
The is a type of traditional Japanese topknot haircut worn by men. It is most commonly associated with the Edo period (1603–1867) and samurai, and in recent times with sumo wrestlers. It was originally a method of using hair to hold a samurai kabuto helmet steady atop the head in battle, and became a status symbol among Japanese society. In a traditional Edo-period , the top of the head is shaved. The remaining hair was oiled and waxed before being tied into a small tail folded onto the top of the head in the characteristic topknot. History The origins of the can be traced back to the Heian period. During this period, aristocrats wore special cap like crowns as part of their official clothing. To secure the crown in place, the hair would be tied near the back of the head. Between the 1580s (towards the end of the Warring States period, 1467–1615) and the 1630s (the beginning of the Edo period, 1603–1867), Japanese cultural attitudes to men's hair shifted; where a fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mount Fuji
, or Fugaku, located on the island of Honshū, is the highest mountain in Japan, with a summit elevation of . It is the second-highest volcano located on an island in Asia (after Mount Kerinci on the island of Sumatra), and seventh-highest peak of an island on Earth. Mount Fuji is an active stratovolcano that last erupted from 1707 to 1708. The mountain is located about southwest of Tokyo and is visible from there on clear days. Mount Fuji's exceptionally symmetrical cone, which is covered in snow for about five months of the year, is commonly used as a cultural icon of Japan and it is frequently depicted in art and photography, as well as visited by sightseers and climbers. Mount Fuji is one of Japan's along with Mount Tate and Mount Haku. It is a Special Place of Scenic Beauty and one of Japan's Historic Sites. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shikona
A is a sumo wrestler's ring name. The tradition of ring names in sumo dates back to the Edo period, where they were used as a means to attract customers and hide the identities of the ''rikishi''. Like standard Japanese names, a ''shikona'' consists of a surname and a personal, or given name, and the full name is written surname first. However, the personal name is rarely used outside formal or ceremonial occasions. Thus, the former ''yokozuna'' is usually referred to as simply ''Asashōryū''. When addressing a sumo wrestler of the ''makuuchi'' or ''jūryō'' divisions, the suffix is used instead of the usual . The given name is often, but not always, the wrestler's original name, and may be changed at the whim of the individual wrestler. Foreign wrestlers always adopt a new, Japanese given name. Often, on first joining professional sumo, a wrestler's ''shikona'' is the same as his family name. As a wrestler rises through the ranks of sumo, he is expected to change his ''shi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akira Yasuda
(born July 21, 1964) is a Japanese animator, character designer, game designer and mecha designer, who works under the pen name "Akiman". Yasuda is a former employee of the video game company Capcom (joining in 1985) and has worked on many Capcom games, taking on various design roles for works such as the ''Final Fight'' series and '' Street Fighter II: The World Warrior'' (including their updates) under the pen name Akiman. He has also been involved in anime production, most notably '' Turn A Gundam,'' '' Overman King Gainer'' and ''Code Geass''. He also went to the United States to work on '' Red Dead Revolver'' for Angel Studios. When the studio was bought by Rockstar Games, he returned to Japan, where he officially left Capcom in 2003 and started working as a freelance artist. Notable works Anime *'' Turn A Gundam'' (1999-2000) - character designer *'' Overman King Gainer'' (2002-2003) - mecha designer *''Code Geass'' (2006-2007) - mecha designer *'' Bodacious Space Pirates'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ryu (Street Fighter)
is a fictional Japanese fighting character and the main protagonist and master of ceremony of Capcom's ''Street Fighter'' series. Having premiered in the first ''Street Fighter'' in 1987, Ryu appears as the game's lead character alongside his best friend Ken Masters. He is the longest running ''fighting game'' character. Other games in the series show Ryu to be highly focused on his training, aiming to become the strongest he can. Unable to control his dark nature, Ryu developed two alter egos: , and or simply . He was created by Takashi Nishiyama. Nishiyama's inspiration was the martial artist Mas Oyama. For his second appearance, Ryu's design changed from that of a young fighter to a skilled Karate practitioner. However, because of issues in the making of ''Street Fighter II'' he possessed a major weakness within the cast. For the next titles, Ryu's fighting style was modified, so he had different skills with Evil Ryu and Kage possessing more diverse moves. Multiple actors h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sentō
is a type of Japanese communal bathhouse where customers pay for entrance. Traditionally these bathhouses have been quite utilitarian, with a tall barrier separating the sexes within one large room, a minimum of lined-up faucets on both sides, and a single large bath for the already washed bathers to sit in among others. Since the second half of the 20th century, these communal bathhouses have been decreasing in numbers as more and more Japanese residences now have baths. Some Japanese find social importance in going to public baths, out of the theory that physical proximity/intimacy brings emotional intimacy, which is termed '' skinship'' in pseudo-English Japanese. Others go to a ''sentō'' because they live in a small housing facility without a private bath or to enjoy bathing in a spacious room and to relax in saunas or jet baths that often accompany new or renovated sentōs. Another type of Japanese public bath is ''onsen'', which uses hot water from a natural hot spring. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Yukata")
_IMG_1452_20130302.JPG "Click for more on -> Shikona")
