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E. M. Subramaniam
E. M. Subramaniam (died 23 April 2015) was an Indian Carnatic classical percussionist. Subramaniam was instructed in ghatam under the tutelage of his father. He has accompanied master percussionists including mridangam players such as Palghat Mani Iyer, Umayalpuram K. Sivaraman, and T. K. Murthy, and tabla players such as Alla Rakha Khan, Kishan Maharaj, and Zakir Hussain. He has been a grade A ghatam artist of All India Radio for the past 40 years. Subramaniam was awarded the title of "Kalaimamani" in 2000 and recognized with a Sangeet Natak Akademi Award Sangeet Natak Akademi Award (IPA: Saṅgīta Nāṭaka Akādamī Puraskāra), also known as the Akademi Puraskar, is an award given by the Sangeet Natak Akademi Sangeet Natak Akademi (The National Academy of Music, Dance and Drama in Englis ... in ghatam in 2011. His style of playing is compact with great tonal quality. E.M. Subramaniam has worked as a professor in Tamil Nadu Government music college (Adyar). He died ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghatam
The ghaṭam ( sa, घटं ''ghaṭaṁ'', kan, ಘಟ ''ghaṭah'', ta, கடம் ''ghatam'', te, ఘటం ''ghatam'', ml, ഘടം, ''ghatam'') is a percussion instrument used in various repertoires across India. It's a variant played in Punjab and known as ''gharha'' as it is a part of Punjabi folk traditions. Its analogue in Rajasthan is known as the ''madga'' and ''pani mataqa'' ("water jug"). The ghatam is one of the most ancient percussion instruments of India. It is a clay pot with narrow mouth. From the mouth, it slants outwards to form a ridge. Made mainly of clay baked with brass or copper filings with a small amount of iron filings, the pitch of the ghatam varies according to its size. The pitch can be slightly altered by the application of plasticine clay or water. Although the ghatam is the same shape as an ordinary Indian domestic clay pot, it is made specifically to be played as an instrument. The tone of the pot must be good and the walls should ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music
Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu Texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulæ), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghatam
The ghaṭam ( sa, घटं ''ghaṭaṁ'', kan, ಘಟ ''ghaṭah'', ta, கடம் ''ghatam'', te, ఘటం ''ghatam'', ml, ഘടം, ''ghatam'') is a percussion instrument used in various repertoires across India. It's a variant played in Punjab and known as ''gharha'' as it is a part of Punjabi folk traditions. Its analogue in Rajasthan is known as the ''madga'' and ''pani mataqa'' ("water jug"). The ghatam is one of the most ancient percussion instruments of India. It is a clay pot with narrow mouth. From the mouth, it slants outwards to form a ridge. Made mainly of clay baked with brass or copper filings with a small amount of iron filings, the pitch of the ghatam varies according to its size. The pitch can be slightly altered by the application of plasticine clay or water. Although the ghatam is the same shape as an ordinary Indian domestic clay pot, it is made specifically to be played as an instrument. The tone of the pot must be good and the walls should ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mridangam
The mridangam is a percussion instrument of ancient origin. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. During a percussion ensemble, the mridangam is often accompanied by the ghatam, the kanjira, and the morsing. Etymology The word "Mridangam" is formulated by the union (sandhi) of the two Sanskrit words ''mŗt'' (clay or earth) and ''anga'' (limb), as the earliest versions of the instrument were made of hardened clay. Legend In ancient Hindu sculpture, painting, and mythology, the mridangam is often depicted as the instrument of choice for a number of deities including Ganesha (the remover of obstacles) and Nandi, who is the vehicle and follower of Shiva. Nandi is said to have played the mridangam during Shiva's primordial ''tandava'' dance, causing a divine rhythm to resound across the h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palghat Mani Iyer
Palghat T. S. Mani Iyer (1912–1981), born Thiruvilvamalai Ramaswamy was one of the leading mridangists in the field of Carnatic music. He, along with his contemporaries Palani Subramaniam Pillai and Ramanathapuram C. S. Murugabhoopathy, are revered as the "Holy Trinity of Mrudangam". Mani Iyer was the first mridangist to be awarded the Sangeetha Kalanidhi (1966) presented by the Music Academy of Madras, the Padma Bhushan (1971) and the Sangeet Natak Akademi Awards(1956) presented by the Government of India. Early life and background He was born in a Palakkad brahmin family on 12 June 1912 at Pazhayanur, then in Tiruvilvamala Taluk, in Palghat District, Kerala (now located in Thrissur District) to Sesham Bhagavatar and Aanandaambaal as their second son. Mani was named Ramaswami at birth— after his grandfather who was a school teacher besides being a good singer. Mani Iyer learnt his music from his parents in his native Pazhayyanur. His maiden public performance was at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Umayalpuram K
Umayalpuram is a village in the Papanasam taluk of Thanjavur district in the Indian state of Tamil Nadu. Demographics As per the 2001 census, Umayalpuram had a population of 4697, including 2383 males and 2314 females for a sex ratio of 971. The literacy rate was 76.72. Geography This village is on the Kumbakonam to Thiruvaiyaru route. It is 12 km from Kumbakonam. It is located near the Cauvery river. Umayalpuram is a plain in the Cauvery delta. Several endemic birds are found there. Peafowls, Ashy Prinia, Tawny flanked prinia, red-vented Bulbul, white browed Bulbul, oriental Magpie Robin, Bushchat, munia, mynah etc., are found there. Economy The major crops are rice, sugar cane, cotton, and banana. Education The village hosts a high school, which is more than 120 years old, Bharathy nursery and primary school, and a Government primary school. Notables * Umayalpuram K. Sivaraman, a mridangam The mridangam is a percussion instrument of ancient origin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tabla
A tabla, bn, তবলা, prs, طبلا, gu, તબલા, hi, तबला, kn, ತಬಲಾ, ml, തബല, mr, तबला, ne, तबला, or, ତବଲା, ps, طبله, pa, ਤਬਲਾ, ta, தபலா, te, తబలా, ur, , group="nb", name="nb" is a pair of twin hand drums from the Indian subcontinent, that are somewhat similar in shape to the bongos. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as accompaniment with other instruments and vocals, and as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.Tabla Encyclopædia Britannica The tabla is an essential instrument in the |
Alla Rakha
Ustad Alla Rakha Qureshi (29 April 1919 – 3 February 2000), popularly known as Alla Rakha, was an Indian tabla player who specialized in Hindustani classical music. He was a frequent accompanist of sitar player Pandit Ravi Shankar and was largely responsible for introducing Tabla to the western audience. Personal life and education Ustad Allarakha Khan Qureshi (29 April 1919 – 3 February 2000) was born in Ghagwal Village (in today’s district Samba) Jammu, Jammu and Kashmir. His mother tongue was Dogri and his family were Muslim Dogras, although most of the Dogra clan around them were Hindus. Growing up on a farm, Ustad Allarakha was always in awe of music, praising the traveling musicians he would occasionally have the opportunity to witness. His father, at that time, looked down upon singing or learning to play a musical instrument as a profession for his boy, due to family's origins as Dogras of Jammu. At the age of 12, Ustad Alla Rakha ran away from home to stay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kishan Maharaj
Pandit Kishan Maharaj (3 September 1923 – 4 May 2008) was an Indian tabla player who belonged to the Benares gharana of Hindustani classical music. Early life and background Kishan Maharaj ji was born in Kabir Chaura, Benaras into a family of professional musicians. He was initially trained in classical music by his father, Hari Maharaj. After his father's death, his training was taken over by his uncle, Kanthe Maharaj. Musical career By the time he was eleven, Kishan Maharaj began performing in concerts. Within a few years, Kishan Maharaj was sharing the stage with stalwarts like Faiyaz Khan, Omkarnath Thakur, Bade Ghulam Ali Khan, Bhimsen Joshi, Ravi Shankar, Ali Akbar Khan, Vasant Rai, Vilayat Khan, Girija Devi, Sitara Devi and many others. Maharaj had the ability to play cross-rhythms and produce complex calculations, particularly in tihai patterns. Known as an excellent accompanist, Maharaj was extremely versatile and capable of playing with any accompaniment, be it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zakir Hussain (musician)
Ustad Zakir Hussain (born 9 March 1951) is an Indian tabla player, composer, percussionist, music producer and film actor. He is the eldest son of tabla player Alla Rakha. He was awarded the Padma Shri in 1988, and the Padma Bhushan in 2002, by the Government of India presented by A. P. J. Abdul Kalam, President Abdul Kalam. He was also awarded the Sangeet Natak Akademi Award in 1990, given by the Sangeet Natak Academy, India's National Academy of Music, Dance and Drama. In 1999, he was awarded the United States National Endowment for the Arts' National Heritage Fellowship, the highest award given to traditional artists and musicians. Early life and education Hussain attended St. Michael's High School in Mahim, and was graduated from the St. Xavier's College, Mumbai. Career Hussain played on George Harrison's 1973 album ''Living in the Material World'' and John Handy's 1973 album ''Hard Work''. He also performed on Van Morrison's 1979 album ''Into the Music'' and Earth, Wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sangeet Natak Akademi Award
Sangeet Natak Akademi Award (IPA: Saṅgīta Nāṭaka Akādamī Puraskāra), also known as the Akademi Puraskar, is an award given by the Sangeet Natak Akademi Sangeet Natak Akademi (The National Academy of Music, Dance and Drama in English) is the national level academy for performing arts set up by the Government of India. History It was set up by the Indian education ministry on 31 May 1952 and be ..., India's National Academy of Music, Dance & Drama. It is the highest Indian recognition given to people in the field of performing arts. The award earlier in 2003, consisted of Rupee, Rs. 50,000, a citation, an ''Angvastra, angavastram'' (a shawl), and a ''tamrapatra'' (a brass plaque). Since 2009 cash prize has been increased to ₹1,00,000. The awards are given in the categories of music, dance, theatre, other traditional arts and puppetry, and for contribution/scholarship in performing arts. Award recipients The recipients of the Sangeet Natak Akademi award in vario ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
