|
Décollage
''Décollage'', in art, is the opposite of collage; instead of an image being built up of all or parts of existing images, it is created by cutting, tearing away or otherwise removing, pieces of an original image.See D-De , ArtLex Art Dictionary. Retrieved 2007-10-17. The French word "décollage" translates into English literally as "take-off" or "to become unglued" or "to become unstuck". Examples of décollage include etrécissements and cut-up technique. A similar technique is the ''lacerated poster'', a poster in which one has been placed over another or others, and the top poster or posters have been ripped, revealing to a greater or lesser degree the poster or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mimmo Rotella
Domenico "Mimmo" Rotella (Catanzaro, 7 October 1918 – Milan, 8 January 2006) was an Italian artist considered an important figure in post-war European art. Best known for his works of décollage and psychogeographics, made from torn advertising posters. He was associated to the Ultra-Lettrists an offshoot of Lettrism and later was a member of the '' Nouveau Réalisme'', founded in 1960 by the art critic Pierre Restany. Biography 1918–1951 After finishing school studies he moves to Naples in 1933 to pursue his artistic studies, but he got a job at the Ministry of Posts and Telecommunications. In 1941, he moved to Rome. He remains in the capital only for a short period, because he is called up. In 1944 he left the army and he graduated from the Art School of Naples. Between 1944 and 1945 he teaches drawing in Catanzaro. In 1945 he returned to Rome and, following his figurative beginnings and first experimentations, he began to paint new-geometric paintings. He starts in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raymond Hains
Raymond Hains (9 November 1926 – 28 October 2005) was a prominent French visual artist and a founder of the Nouveau réalisme movement. In 1960, he signed, along with Arman, François Dufrêne, Yves Klein, Jean Tinguely, Jacques Villeglé and Pierre Restany, the ''Manifesto of New Realism''."New Realism - Chronology" , Centre Pompidou, Retrieved 3 March 2019. In 1976, the first retrospective exhibition dedicated to Hains’ work was organized by Daniel Abadie at the National Center of Art and Culture (C.N.A.C.) in Paris. Hains named the show, which was the last one to be displayed at the C.N.A.C., ''La Chasse au C.N.A.C.'' (''Hunt at the C.N.A.C''). For it, |
