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Dumbek Rhythms
Dumbek rhythms are a collection of rhythms that are usually played with hand drums such as the dumbek. These rhythms are various combinations of these three basic sounds: *Doom (D), produced with the dominant hand striking the sweet spot of the skin. *Tak (T), produced with the recessive hand striking the rim. *Ka (K), produced with the dominant hand striking the rim. Notation In a simple notation, these three sounds are represented by three letters: D, T, and K. When capitalized, the beat is emphasized, and when lower-case, it is played less emphatically. These basic sounds can be combined with other sounds: *Sak or slap (S) (sometimes called 'pa'), produced with the dominant hand. Similar to the doom except the fingers are cupped to capture the air, making a loud terminating sound. The hand remains on the drum head to prevent sustain. *Trill (l), produced by lightly tapping three fingers of one hand in rapid succession on the rim *Roll or (rash, r), produced by a rapid alternat ...
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Goblet Drum
The goblet drum (also chalice drum, tarabuka, tarabaki, darbuka, darabuka, derbake, debuka, doumbek, dumbec, dumbeg, dumbelek, toumperleki, tumbak, or zerbaghali; arz, دربوكة / Romanized: ) is a single-head membranophone with a goblet-shaped body. It is most commonly used in the traditional music of Egypt, where it is considered the National symbol of Egyptian Shaabi Music. The instrument is also featured in traditional music from West Asia, North Africa, South Asia, and Eastern Europe. The African djembe is also a goblet membranophone. This article focuses on the Middle Eastern and North African goblet drum. History The origin of the term ''Darbuka'' probably lies in the Arabic word "daraba" ("to strike"). Goblet drums have been around for thousands of years and were used in Mesopotamian and Ancient Egyptian cultures. They were also seen in Babylonia and Sumer from as early as 1100 BCE. On Sulawesi, large goblet drums are used as temple instruments and placed on the ...
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Ayyoub
Ayoub is the Arabic name of the biblical figure Job. Ayoub or Ayyoub or Ayub or Ayoob and other variants is also a given name and a surname. Eyüp is the Turkish variant of the same name. Ejub is the Bosnian variant of the same name. Given name Ayoub * Ayoub Abdellaoui (born 1993), Algerian footballer * Ayoub Azzi (born 1989), Algerian footballer * Ayoub Baninosrat, Iranian wrestler * Ayoub Barzani, Kurdish writer and critic * Ayoub Boukhari (born 1997), Dutch footballer of Moroccan descent * Ayoub El Jamal (born 1992), Moroccan director and filmmaker *Ayoub El Kaabi (born 1993), Moroccan footballer * Ayoub Latrèche (born 1989), Algerian footballer * Ayoub Odisho (born 1960), Iraqi Assyrian footballer *Ayoub Ouadrassi (born 1991), Moroccan footballer * Ayoub Al-Mas (born 1978), Emirati swimmer * Ayoub Mousavi (born 1995), Iranian weightlifter * Ayoub Murshid Ali Saleh, Yemeni citizen held in extrajudicial detention in the U.S. Guantanamo Bay detainment camps, in Cuba * Ayoub Po ...
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Ayyoub
Ayoub is the Arabic name of the biblical figure Job. Ayoub or Ayyoub or Ayub or Ayoob and other variants is also a given name and a surname. Eyüp is the Turkish variant of the same name. Ejub is the Bosnian variant of the same name. Given name Ayoub * Ayoub Abdellaoui (born 1993), Algerian footballer * Ayoub Azzi (born 1989), Algerian footballer * Ayoub Baninosrat, Iranian wrestler * Ayoub Barzani, Kurdish writer and critic * Ayoub Boukhari (born 1997), Dutch footballer of Moroccan descent * Ayoub El Jamal (born 1992), Moroccan director and filmmaker *Ayoub El Kaabi (born 1993), Moroccan footballer * Ayoub Latrèche (born 1989), Algerian footballer * Ayoub Odisho (born 1960), Iraqi Assyrian footballer *Ayoub Ouadrassi (born 1991), Moroccan footballer * Ayoub Al-Mas (born 1978), Emirati swimmer * Ayoub Mousavi (born 1995), Iranian weightlifter * Ayoub Murshid Ali Saleh, Yemeni citizen held in extrajudicial detention in the U.S. Guantanamo Bay detainment camps, in Cuba * Ayoub Po ...
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Beledi
Baladi ( ar, بلدي ' relative-adjective 'of town', 'local', 'rural', comparable to English ''folk'', with a lower-class connotation) can refer to an Egyptian musical style, the folk style of Egyptian bellydance (Raqs Baladi), or the Masmoudi Sogheir rhythm, which is frequently used in baladi music. It is also sometimes spelled in English as 'beledi' or 'baladee'. In Egypt, the term ''baladi'' does not only apply to local music and dance, and can also apply to many other things that are considered native, rural, rustic or traditional, for example ' baladi bread' or 'Aish Baladi". It is also applied to kinds of food and mostly to fruits and vegetables coming from rural villages. Baladi music and dance ''Baladi'' means 'of the country' and is a style of Egyptian folk dance from the early 20th century which is still very popular. Thus, ''Egyptian Beledi'' means 'of the country of Egypt'. It came about when farmers moved to the city and began dancing in small spaces. Egyptians ...
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Chiftitelli
The Tsifteteli ( el, τσιφτετέλι; tr, ), is a rhythm and dance of Anatolia and the Balkans. In Turkish the word means "double stringed", taken from the violin playing style that is practiced in this kind of music. There are suggestions that the dance existed in ancient Greece, known as the Aristophanic dance Cordax, even though such a thesis is not fully evident. Furthermore, it is historically never spotted in Greece before the Greek-Turkish population exchange of 1923, and no dance in native Greek tradition shows similarities with the specific dance.Tsifteteli - kordax
''Hē L ...
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Maqsoum
Maqsoum (Egyptian slang: ''Maasoum'') is a derivative form of the traditional Egyptian Baladi genre, an urban folk rhythmic style. The only difference is the accent on the second beat of maqsoum. Difference between baladi and maqsoum The basic structure of the baladi rhythm, played on the darbuka, is as follows: 1 & 2 & 3 & 4 & D-D---T-D---T--- (Dum Dum ... Tek Dum ... Tek ...) While the basic structure of the maqsoum rhythm, played on the same instrument, is as follows: 1 & 2 & 3 & 4 & D-T---T-D---T--- (Dum Tek ... Tek Dum ... Tek ...) Where capital letters represent the stressed beats. Dum is the dominant hand on the middle of the tabla, Tek either the dominant or the non-dominant hand on the rim of the tabla. See also *Bellydance *Dumbek rhythms *Music of Egypt *Egyptian music Music has been an integral part of Egyptian culture since antiquity in Egypt. Egyptian music had a significant impact on the development of ancient Greek music, and via the Greeks it was impor ...
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Saidi
A Ṣa‘īdī (, Coptic: ⲣⲉⲙⲣⲏⲥ ''Remris'') is a person from Upper Egypt (, Coptic: ⲙⲁⲣⲏⲥ ''Maris''). Etymology The word literally means "from Ṣa‘īd" (i.e. Upper Egypt), and can also refer to a form of music originating there, or to the dialect spoken by Sa‘idis. The Arabic word ''Ṣa‘īd'', as a geographical term, means "highland, upland, plateau". The suffix "-i" denotes the adjective. The word ''Ṣa‘īdi'' is pronounced in the dialect itself as or and the plural is or , while pronounced in Egyptian Arabic (Northern Egyptian) as and the plural is . In the Sahidic (Upper Egyptian) dialect of Coptic, the name for a person from Upper Egypt is (pronounced rem/rīs) meaning "person of the South" or (pronounced rem/pma/rīs or rem/ma/rīs) "person of (the) place of the south (i.e. Upper Egypt)". Stereotypes and jokes Ṣa‘īdis and their dialect are the subject of numerous Egyptian stereotypes and ethnic jokes, mainly from the uppe ...
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Iqa'
Rhythms in Arabic music are rich and very diverse, as they cover a huge region and peoples from Northern Africa to Western Asia. Rhymes are mainly analysed by means of rhythmic units called ''awzan'' and ''iqa'at''. Wazn and Iqa' A rhythmic pattern or cycle in Arabic music is called a "wazn" ( ar, وزن; plural أوزان / ''awzān''), literally a " measure", also called ''darb'', ''mizan'' in Arabic language, also has other names like '' usul'' as is in Ottoman classical music) for example. A ''Wazn'' is performed on the goblet drum (tarabuka), frame drum ( riqq or tar), and kettle drums (naqqarat). A ''wazn'' is only used in musical genres with a fixed rhythmic-temporal organization including recurring measures, motifs, and meter or pulse. It consists of two or more regularly recurring time segments, each time segment consisting of at least two beats (''naqarāt'', plural of ''naqrah''). There are approximately one hundred different cycles used in the repertoire of Arabic ...
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Rhythm In Arabic Music
Rhythms in Arabic music are rich and very diverse, as they cover a huge region and peoples from Northern Africa to Western Asia. Rhymes are mainly analysed by means of rhythmic units called ''awzan'' and ''iqa'at''. Wazn and Iqa' A rhythmic pattern or cycle in Arabic music is called a "wazn" ( ar, وزن; plural أوزان / ''awzān''), literally a " measure", also called ''darb'', ''mizan'' in Arabic language, also has other names like '' usul'' as is in Ottoman classical music) for example. A ''Wazn'' is performed on the goblet drum (tarabuka), frame drum ( riqq or tar), and kettle drums (naqqarat). A ''wazn'' is only used in musical genres with a fixed rhythmic-temporal organization including recurring measures, motifs, and meter or pulse. It consists of two or more regularly recurring time segments, each time segment consisting of at least two beats (''naqarāt'', plural of ''naqrah''). There are approximately one hundred different cycles used in the repertoire of ...
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Egyptian Music
Music has been an integral part of Egyptian culture since antiquity in Egypt. Egyptian music had a significant impact on the development of ancient Greek music, and via the Greeks it was important to early European music well into the Middle Ages. Due to the thousands of years long dominance of Egypt over its neighbors, Egyptian culture, including music and musical instruments, was very influential in the surrounding regions; for instance, the instruments claimed in the Bible to have been played by the ancient Hebrews are all Egyptian instruments as established by Egyptian archaeology. Egyptian modern music is considered as a main core of Middle Eastern and Oriental music as it has a huge influence on the region due to the popularity and huge influence of Egyptian cinema and music industries, owing to the political influence Egypt has on its neighboring countries, as well as Egypt producing the most accomplished musicians and composers in the region, specially in the 20th centur ...
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Belly Dance
Belly dance (Egyptian Arabic: رقص بلدي, translated: Dance of the Country/Folk Dance, romanized: Raks/Raas Baladi) is a dance that originates in Egypt. It features movements of the hips and torso. It has evolved to take many different forms depending on the country and region, both in costume and dance style; with the Egyptian styles and costumes being the most recognized worldwide due to Egyptian cinema. The Egyptian style with its traditional Egyptian rhymes is popular worldwide with many schools around the globe now practicing it. Names and terminology "Belly dance" is a translation of the French term ''danse du ventre''. The name first appeared in 1864 in a review of the Orientalist painting ''The Dance of the Almeh'' by Jean-Léon Gérôme. The first known use of the term "belly dance" in English is in reference to the Middle Eastern dancers who performed at the Exposition Universelle in Paris in 1893. The informal, social form of the dance is known as '' Raq ...
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