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Drums And Wires
''Drums and Wires'' is the third studio album by the English rock band XTC, released in 1979 on Virgin Records. It is a more pop-orientated affair than the band's previous, ''Go 2'' (1978), and was named for its emphasis on guitars ("wires") and expansive-sounding drums. The album was their first issued in the United States and their first recorded with guitarist Dave Gregory, who had replaced keyboardist Barry Andrews earlier in 1979. It features a mix of pop, art rock, new wave and punk styles with much rhythmic interplay between XTC's two guitarists. Bassist Colin Moulding's dissatisfaction with XTC's "quirky" reputation inspired the group to take a more accessible approach, starting with the non-album single "Life Begins at the Hop". ''Drums and Wires'' was recorded in four weeks at the newly built Town House studio in London with producer Steve Lillywhite and engineer Hugh Padgham, who were beginning to develop their signature gated reverb production technique, as demo ...
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Townhouse Studios
The Town House (also known as Townhouse Studios) was a recording studio located at 150 Goldhawk Road, Shepherd's Bush in London, built in 1978 under the direction of Richard Branson for Virgin Records. The studios changed ownership and eventually ceased operation in 2008, with luxury apartments now in its place. Artists that recorded at The Town House included Elton John, Queen, Phil Collins, Philip Bailey, The Jam, Asia, Bryan Ferry, Coldplay, Muse, Duran Duran, Jamiroquai, Kylie Minogue, Oasis, XTC, Robbie Williams, Peter Gabriel, and Joan Armatrading. Studio Two's "Stone Room" was an especially popular place to record drum sounds during the 1980s, directly as a result of producer Hugh Padgham's treatment of the drums on Phil Collins' "In the Air Tonight". History The Town House was originally managed by Barbara Jeffries as part of the Virgin Studios Group. The Goldhawk Road facility had three recording rooms, numbered One, Two, and Four, with the Townhouse Three designation ...
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Gated Reverb
Gated reverb or gated ambience is an audio processing technique that combines strong reverb and a noise gate. The effect is often associated with the sound of 1980s British popular music. It was developed in 1979 by producer Steve Lillywhite and engineer Hugh Padgham while working on Peter Gabriel's self-titled third solo album, after Phil Collins played drums without using cymbals at London's Townhouse Studios. The effect is known for demonstrating in Collins' hit song "In the Air Tonight". The effect is typically applied to recordings of drums (or live sound reinforcement of drums in a PA system) to make the hits sound powerful and "punchy" while keeping the overall mix clean and transparent sounding. Unlike many reverberation or delay effects, the gated reverb effect does not try to emulate any kind of reverb that occurs in nature. In addition to drums, the effect has occasionally been applied to vocals. History Producer Steve Lillywhite claimed he first experimented the "a ...
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Swindon
Swindon () is a town and unitary authority with borough status in Wiltshire, England. As of the 2021 Census, the population of Swindon was 201,669, making it the largest town in the county. The Swindon unitary authority area had a population of 233,410 as of 2021. Located in South West England, the town lies between Bristol, 35 miles (56 kilometres) to its west, and Reading, equidistant to its east. Recorded in the 1086 Domesday Book as ''Suindune'', it was a small market town until the mid-19th century, when it was selected as the principal site for the Great Western Railway's repair and maintenance works, leading to a marked increase in its population. The new town constructed for the railway workers produced forward-looking amenities such as the UK’s first lending library and a ‘cradle-to-grave' health care centre that was later used as a blueprint for the NHS. After the Second World War, the town expanded dramatically again, as industry and people moved out from L ...
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XTC Live
XTC were an English rock band formed in Swindon in 1972. Fronted by songwriters Andy Partridge (guitars, vocals) and Colin Moulding (bass, vocals), the band gained popularity during the rise of punk and new wave in the 1970s, later playing in a variety of styles that ranged from angular guitar riffs to elaborately arranged pop. Partly because the group did not fit into contemporary trends, they achieved only sporadic commercial success in the UK and US, but attracted a considerable cult following. They have since been recognised for their influence on post-punk, Britpop and later power pop acts. Partridge and Moulding first met in the early 1970s and subsequently formed a glam outfit with drummer Terry Chambers. The band's name and line-up changed frequently, and it was not until 1975 that the band was known as XTC. In 1977, the group debuted on Virgin Records and were subsequently noted for their energetic live performances and their refusal to play conventional punk rock, i ...
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Thomas Dolby
Thomas Morgan Robertson (born 14 October 1958), known by the stage name Thomas Dolby, is an English musician, producer, composer, entrepreneur and teacher. Dolby came to prominence in the 1980s, releasing hit singles including " She Blinded Me with Science" (1982) and "Hyperactive!" (1984). He has also worked as a producer and as a session musician. In the 1990s, Dolby founded Beatnik, a Silicon Valley software company whose technology was used to play internet audio and later ringtones, most notably on Nokia phones. He was also the music director for the TED Conference. On the faculty at the Peabody Institute at Johns Hopkins University since 2014, Dolby leads Peabody's Music for New Media program, which enrolled its first students in the fall of 2018. Early life Dolby was born Thomas Morgan Robertson in London, England, to (Theodosia) Cecil, ''née'' Spring Rice (1921–1984) and Martin Robertson (1911–2004), an internationally distinguished professor of classical G ...
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White Music
''White Music'' is the first studio album by the English band XTC, released on 20 January 1978. It was the follow-up to their debut, '' 3D EP'', released three months earlier. ''White Music'' reached No. 38 in the UK Albums Chart and spawned the single "Statue of Liberty", which was banned by the BBC for the lyric "In my fantasy I sail beneath your skirt". In April 1978, the group rerecorded " This Is Pop" as their third single. Originally titled ''Black Music'', referring to black comedy, the title was changed at the suggestion of both Virgin Records and the band's manager. The resultant title, ''White Music'', refers to white noise. Composition In 2014, ''Stereogum'' described the album as a "collection of scratchy, hyperactive post-punk". The track "Radios in Motion" has become one of the band's better-known songs. In a 2009 interview, Andy Partridge stated, "We couldn't think of any better way to start off our first album than with the 'kick the door in', breezy opener we ...
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Paste (magazine)
''Paste'' is a monthly music and entertainment digital magazine, headquartered in Atlanta, Georgia, with studios in Atlanta and Manhattan, and owned by Paste Media Group. The magazine began as a website in 1998. It ran as a print publication from 2002 to 2010 before converting to online-only. History The magazine was founded as a quarterly in July 2002 and was owned by Josh Jackson, Nick Purdy, and Tim Regan-Porter. In October 2007, the magazine tried the " Radiohead" experiment, offering new and current subscribers the ability to pay what they wanted for a one-year subscription to ''Paste''. The subscriber base increased by 28,000, but ''Paste'' president Tim Regan-Porter noted the model was not sustainable; he hoped the new subscribers would renew the following year at the current rates and the increase in web traffic would attract additional subscribers and advertisers. Amidst an economic downturn, ''Paste'' began to suffer from lagging ad revenue, as did other magazi ...
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Pitchfork (website)
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously rev ...
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Dub Music
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p.2 Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, the application of studio effects such as echo and reverb, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), and the occasional dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26-44, "Electronic Music in Jamaica" Wesleyan University Press Dub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others beginning in the ...
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Take Away / The Lure Of Salvage
''Take Away'' and ''The Lure of Salvage'' are sides one and two, respectively, of the debut record by English musician Andy Partridge (credited as "Mr. Partridge"). Co-produced with John Leckie, the LP was released in February 1980 by Virgin Records and consists of dub remixes of tracks originally recorded by Partridge's band XTC. Background Each track on ''Take Away / The Lure of Salvage'' is derived from a song released on the band's first three albums and related B-sides, except "Commerciality (Signal Ad)", which is a remix of the ''White Music'' outtake "Refrigeration Blues". The back cover reads: Partridge recruited Leckie after feeling guilty that the band had not re-hired him to produce their third album, '' Drums and Wires'' (1979). The pair worked on the remixes for a week while enjoying and deriving inspiration from late night horror films being shown in London's West End, including ''Alien'' (1979). Partridge's wife Marianne was recruited for handclaps and other n ...
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UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coin ...
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