|
Drone Doom
Drone metal or drone doom is a style of heavy metal that melds the slow tempos and heaviness of doom metal with the long-duration tones of drone music. Drone metal is sometimes associated with post-metal or experimental metal. Characteristics Typically, the electric guitar is performed with a large amount of reverb or audio feedback while vocals may or may not be present. Songs often lack beat or rhythm in the traditional sense and are typically very long. The experience of a drone metal performance has been compared by novelist John Wray in ''The New York Times'' to listening to an Indian raga in the middle of an earthquake. Wray also states, "It's hard to imagine any music being heavier or, for that matter, very much slower." A pioneer band of drone metal called Sunn O))) has indicated a kinship with sound sculpture. Jan Tumlir indicates a "sustained infra-sound rumble of sub-bass—so-called brown noise". History Precursors Early guitar-produced drone effects go as far ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doom Metal
Doom metal is an extreme subgenre of heavy metal music that typically uses slower tempos, low-tuned guitars and a much "thicker" or "heavier" sound than other heavy metal genres.K. Kahn-Harris, ''Extreme Metal: Music and Culture on the Edge'' (Berg Publishers, 2007), , p. 31. Both the music and the lyrics are intended to evoke a sense of despair, dread, and impending doom. The genre is strongly influenced by the early work of Black Sabbath, who formed a prototype for doom metal. During the first half of the 1980s, a number of bands such as Witchfinder General and Pagan Altar from England, American bands Pentagram, Saint Vitus, the Obsessed, Trouble, and Cirith Ungol, and Swedish band Candlemass defined doom metal as a distinct genre. Characteristics Instrumentation The electric guitar, bass guitar, and drum kit are the most common instruments used to play doom metal (although keyboards are sometimes used), but its structures are rooted in the same scales as in blues ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cluster II (album)
''Cluster II'' is the second full-length album by German electronic music act Cluster, released in 1972 by record label Brain. Production It is their first album with the band reduced to a duo; Conny Plank, who was credited as a member on the first album, decided to concentrate on production and engineering. Plank is still credited as a composer together with Hans-Joachim Roedelius and Dieter Moebius on all tracks. ''Cluster II'' was recorded at Star-Studio in Hamburg, Germany in January 1972. It was Cluster's first release for legendary krautrock label Brain, a relationship which would last until 1975 and include the subsequent album ''Zuckerzeit'' as well as the first two Harmonia albums, a group which included both remaining members of Cluster and Michael Rother of Neu!. Content ''Cluster II'' continued the transition away from the discordant, proto- industrial sound of Kluster towards a more electronic sound. It was the first album to feature relatively short tracks ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minimalist Music
In visual arts, music and other media, minimalism is an art movement that began in post–World War II in Western art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with minimalism include Donald Judd, Agnes Martin, Dan Flavin, Carl Andre, Robert Morris, Anne Truitt and Frank Stella. The movement is often interpreted as a reaction against abstract expressionism and modernism; it anticipated contemporary postminimal art practices, which extend or reflect on minimalism's original objectives. Minimalism in music often features repetition and gradual variation, such as the works of La Monte Young, Terry Riley, Steve Reich, Philip Glass, Julius Eastman and John Adams. The term ''minimalist'' often colloquially refers to anything or anyone that is spare or stripped to its essentials. It has accordingly been used to describe the plays and novels of Samuel Beckett, the films of Robert Bresson, the stories of Raymond Carv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melvins
Melvins (sometimes The Melvins) are an American rock band formed in 1983 in Montesano, Washington. Their early work was key to the development of both grunge and sludge metal. Initially, they performed as a trio but later also sometimes appeared as a quartet, with either two drummers or two bassists. Since 1984, vocalist and guitarist Buzz Osborne and drummer Dale Crover have been constant members. The band was named after a supervisor at a Thriftway in Montesano, where Osborne also worked as a clerk; "Melvin" was disliked by other employees, and the band's members felt it to be an appropriately ridiculous name. History Early years (1983–1987) Melvins were formed in early 1983 by Buzz Osborne (guitar, vocals), Matt Lukin (bass), and Mike Dillard (drums) who all went to Montesano Jr./Sr. High School in Montesano, Washington. In the beginning they played Jimi Hendrix and Who covers, and also began playing fast hardcore punk. When Dillard left the band, Dale Crover too ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sludge Metal
Sludge metal (also known as sludge or sludge doom) is an extreme subgenre of heavy metal music that originated through combining elements of doom metal and hardcore punk. It is typically harsh and abrasive, often featuring shouted vocals, heavily distorted instruments and sharply contrasting tempos. The Melvins from the US state of Washington produced the first sludge metal albums in the mid-late 1980s. Characteristics The key characteristics of both sludge and doom metal are a slow tempo combined with down-tuned, heavily- distorted guitars to deliver the heaviest feel that is possible. The drummer must be able to lead the band through the slow parts of a piece with an accurate time feel, which is much harder to achieve when compared with playing faster pieces. Sludge metal includes sections of the aggression, shouted vocals and occasional fast tempos of hardcore punk. As ''The New York Times'' wrote on The Melvins, "The shorthand term for the kind of rock descending from ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-grunge
Post-grunge is a derivative of grunge that has a less abrasive or intense tone than traditional grunge. Originally, the term was used almost pejoratively to label mid-1990s rock bands such as Bush, Candlebox and Collective Soul that emulated the original sound of grunge. In the late 1990s, post-grunge morphed into a more clearly defined style that married the sound and aesthetic of grunge with a less intense and abrasive tone, rising to prominence that lasted in the 2000s. Bands such as , Live, Bush, Puddle of Mudd, Breaking Benjamin, Three Days Grace, Default, Creed, Collective Soul, Shinedown, Candlebox, Seether, and Matchbox Twenty all achieved mainstream success. Characteristics During the 1990s, a post-grunge sound emerged that emulated the attitudes and music of grunge, particularly its thick, distorted guitars, but with a less intense and less abrasive tone. Unlike a lot of early grunge bands, post-grunge bands often worked through major record labels and incorpor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olympia, Washington
Olympia is the capital of the U.S. state of Washington and the county seat and largest city of Thurston County. It is southwest of the state's most populous city, Seattle, and is a cultural center of the southern Puget Sound region. European settlers claimed the area in 1846, with the Treaty of Medicine Creek initiated in 1854, followed by the Treaty of Olympia in 1856. Olympia was incorporated as a town on January 28, 1859, and as a city in 1882. It had a population of 55,605 at the time of the 2020 census, making it the state's 23rd-largest city. Olympia borders Lacey to the east and Tumwater to the south. History The site of Olympia had been home to Lushootseed-speaking peoples known as the Steh-Chass (or Stehchass, later part of the post-treaty Squaxin Island Tribe) for thousands of years. Other Native Americans regularly visited the head of Budd Inlet and the Steh-Chass, including the other ancestor tribes of the Squaxin, as well as the Nisqually, Puyallup, Che ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Earth (American Band)
Earth is an American experimental rock band based in Olympia, Washington, formed in 1989 and led by the guitarist Dylan Carlson. Earth's music is nearly all instrumental, and can be divided into two distinct stages. Their early work is characterized by distortion, droning, minimalism, and lengthy, repetitive song structures. Owing to their 1993 debut album '' Earth 2'', Earth is recognized as a pioneer of drone metal. The band resurfaced in the early 2000s, with their later output reducing the distortion and incorporating elements of country, jazz rock, and folk. Biography Dylan Carlson founded the band in 1989 along with Slim Moon and Greg Babior, taking the title "Earth" from Black Sabbath's prior name. Carlson has remained the core of the band's line-up throughout its changes. Carlson was a close friend of Kurt Cobain, who sang lead vocals in the song "Divine and Bright", from a demo included on the re-release of the live album '' Sunn Amps and Smashed Guitars''. Becau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunn2
Sunn (stylized in all lowercase) amplifiers was a brand of musical instrument amplifiers based in Tualatin, Oregon, United States. History In early 1963, the Kingsmen, a band based in Portland, Oregon, became known for their hit version of the song "Louie, Louie". After its hit single, the band soon embarked on a 50-state national tour. Because the band was used to playing small hops and school dances, many of the members found themselves ill-equipped with the amplifiers that they were currently using. Bassist Norm Sundholm discovered that his bass amp was not nearly powerful enough to play larger concert halls. Sundholm enlisted the help of his brother Conrad to help solve his problem. By 1964, the Sundholm brothers had designed a high-powered concert bass amplifier. The early Sunn amplifiers relied heavily on tube amplifiers designed by David Hafler and preamps sold by the Dynaco Hi-fi company, with many of the first units actually containing power amplifier chassis sold b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Krupps
Die Krupps () ("The Krupps") is a German industrial metal/ EBM band, formed in 1980 by Jürgen Engler and Bernward Malaka in Düsseldorf. The band has had a diverse range of musical influences over time, including the percussive industrial ''Stahlwerksynfonie'' (1981) then to a more synth-pop styled '' Volle Kraft voraus!'' (1982) and '' Entering the Arena'' (1985), with the latter album featuring their first English-language material. The band later established itself as an industrial metal band, releasing four albums predominantly in this genre, from 1992 to 1997 with each labelled 1 to 4. The band has released additional albums since 1997, including the predominantly electro-industrial '' Als wären wir für immer'' (2010) and '' The Machinists of Joy'' (2013), before revisiting the metal sound they had pursued in the 90s with '' V – Metal Machine Music''. History Early years (1980–1985) The band's name translates as "The Krupps" and comes from the Krupp dynasty, o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lou Reed
Lewis Allan Reed (March 2, 1942October 27, 2013) was an American musician, songwriter, and poet. He was the guitarist, singer, and principal songwriter for the rock band the Velvet Underground and had a solo career that spanned five decades. Although not commercially successful during its existence, the Velvet Underground became regarded as one of the most influential bands in the history of underground and alternative rock music. Reed's distinctive deadpan voice, poetic and transgressive lyrics, and experimental guitar playing were trademarks throughout his long career. Having played guitar and sung in doo-wop groups in high school, Reed studied poetry at Syracuse University under Delmore Schwartz, and had served as a radio DJ, hosting a late-night avant garde music program while at college. After graduating from Syracuse, he went to work for Pickwick Records in New York City, a low-budget record company that specialized in sound-alike recordings, as a songwriter and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metal Machine Music
''Metal Machine Music'' (subtitled ''*The Amine β Ring'') is the fifth studio album by American rock musician Lou Reed. It was recorded on a three-speed Uher machine and was mastered/engineered by Bob Ludwig. It was released as a double album in July 1975 by RCA Records, but taken off the market three weeks later. A radical departure from the rest of his catalog, the ''Metal Machine Music'' album features no songs or recognizably structured compositions, eschewing melody and rhythm for modulated feedback and noise music guitar effects, mixed at varying speeds by Reed. Also in 1975, RCA released a Quadrophonic version of the ''Metal Machine Music'' recording that was produced by playing it back both forward and backward, and by flipping the tape over. The album cost Reed's reputation in the music industry while simultaneously opening the door for some of his later, more experimental material and has generally been panned by critics since its release. In 2008, Reed, Ulric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Lou Reed")