Dreamer In Concert
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Dreamer In Concert
''Dreamer In Concert'' is a 2011 live album by Stacey Kent. This was Kent's first live album, and was recorded at the La Cigale theatre in Paris. Reception John Fordham writing in ''The Guardian'' gave the album three stars out of five and commented that the loudest sounds on the album are "the audience cheering" and praised Kent's vocal abilities, highlighting her "expressive delicacy at low volumes, flexible phrasing and instinctive dialogues with her saxophonist husband, Jim Tomlinson". Fordham commented that "But Kent's rare and almost defiant sustained note at the close of the French-language Samba Saravah, a gritty robustness on If I Were a Bell, and the occasional Madeleine Peyroux-like elision on The Best Is Yet to Come give this set extra intrigue – even if devotees of edgier jazz will grumble that it's like having chocolate poured in your ear." Writing for the ''Jazz Times'', Christopher Loudon also positively reviewed ''Dreamer in Concert'' saying that "...it's hard ...
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Stacey Kent
Stacey Kent (born March 27, 1965) is an American jazz singer from South Orange, New Jersey. Kent was nominated for a Grammy Award and was awarded the Chevalier de l' Ordre des Arts et des Lettres (Order of Arts and Letters) by the French Minister of Culture in 2009. She is married to saxophonist, composer Jim Tomlinson, who produces Kent's albums and writes songs for her with his lyricist partner, novelist Kazuo Ishiguro. Early life and education Stacey Kent was born in South Orange, New Jersey. Her paternal grandfather was Russian and grew up in France. After graduating from Sarah Lawrence College, she traveled to England to study music at the Guildhall School of Music and Drama in London, where she met saxophonist Jim Tomlinson, whom she married on August 9, 1991. Career In the 1990s, she began her professional career singing at Café Bohème in London's Soho. After two or three years, she began opening for established acts at Ronnie Scott's Jazz Club in London. In 1995 ...
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Frank Loesser
Frank Henry Loesser (; June 29, 1910 – July 28, 1969) was an American songwriter who wrote the music and lyrics for the Broadway musicals ''Guys and Dolls'' and ''How to Succeed in Business Without Really Trying'', among others. He won a Tony Award for ''Guys and Dolls'' and shared the Pulitzer Prize for Drama for ''How to Succeed''. He also wrote songs for over 60 Hollywood films and Tin Pan Alley, many of which have become standards, and was nominated for five Academy Awards for best song, winning once for Baby, It's Cold Outside. Early years Frank Henry Loesser was born to a Jewish family in New York City to Henry Loesser, a pianist,Frank Loesser biography
pbs.org, accessed December 5, 2008
and Julia Ehrlich. He grew up in a house on West 107th Street in M ...
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Vinícius De Moraes
Marcus Vinícius da Cruz e Mello Moraes (19 October 1913 – 9 July 1980), better known as Vinícius de Moraes () and nicknamed O Poetinha ("The little poet"), was a Brazilian poet, diplomat, lyricist, essayist, musician, singer, and playwright. With his frequent and diverse musical partners, including Antônio Carlos Jobim, his lyrics and compositions were instrumental in the birth and introduction to the world of bossa nova music. He recorded numerous albums, many in collaboration with noted artists, and also served as a successful Brazilian career diplomat. Early life Moraes was born in Gávea, a neighbourhood of Rio de Janeiro, to Clodoaldo da Silva Pereira Moraes, a public servant, and Lidia Cruz, a housewife and amateur pianist. In 1916, his family moved to Botafogo, where he attended Afrânio Peixoto Primary School. Fleeing the 18 of the Copacabana Fort revolt, his parents moved to Governador Island while Moraes remained at his grandfather's home in Botafogo to finis ...
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Pierre Barouh
Pierre Barouh (born Élie Pierre Barouh; 19 February 1934 – 28 December 2016) was a French writer-composer-singer best known for his work on Claude Lelouch's film ''A Man and a Woman'' as an actor and the lyricist/singer for Francis Lai's music score. Early life and music Barouh was born in Paris and along with his brother, Albert, and sister, was raised in Levallois-Perret. Their parents were Turkish-Jewish stallholders selling fabrics. During the Second World War, their parents hid them from the Nazis; Pierre and his sister in Montournais and Albert in la Limouzinière. During these years Élie, baptised Pierre, lived at La Grèlerie, the home of Hilaire and Marie Rocher, who had two sons. From this time, he drew inspiration for songs like "À bicyclette", "Des ronds dans l'eau" and "Les Filles du dimanche". After the war, he was briefly a sports journalist for Paris-Presse-Intransigeant and also played for the national volleyball B team in the 1950s. He spent some months ...
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Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as "I Got Rhythm", "Embraceable You", " The Man I Love" and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is an important source for studying t ...
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George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera ''Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershwin inq ...
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They Can't Take That Away From Me
"They Can't Take That Away from Me" is a 1937 popular song with music by George Gershwin and lyrics by Ira Gershwin. It was introduced by Fred Astaire in the 1937 film ''Shall We Dance'' and gained huge success. Overview The song is performed by Astaire on the lonely foggy deck of a ferry from New Jersey to Manhattan. It is sung to Ginger Rogers, who remains silent listening throughout. No dance sequence follows, which was unusual for the Astaire-Rogers numbers. Astaire and Rogers did dance to it later in their last movie ''The Barkleys of Broadway'' (1949) in which they played a married couple with marital issues. The song, in the context of ''Shall We Dance'', notes some of the things that Peter (Astaire) will miss about Linda (Rogers). The lyrics include "the way you wear your hat, the way you sip your tea", and "the way you hold your knife, the way we danced till three". Each verse is followed by the line "no, no, they can't take that away from me". The basic meaning of the s ...
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Vivo Sonhando
"Vivo Sonhando" (a.k.a. "Dreamer", translated literally as "I Live Dreaming") is a bossa nova song from 1962 with words and music by Antônio Carlos Jobim. English lyrics were added later by Gene Lees. In 1990, for a Brazilian album project, Susannah McCorkle received permission from Jobim to compose new lyrics in English, entitling her version, "Living on Dreams." The first recording of "Vivo Sonhando" was by Os Cariocas in 1963. Jobim recorded an instrumental version the same year for his debut album, '' The Composer of Desafinado Plays'', and recorded a vocal version in English on his 1980 album, ''Terra Brasilis.'' Recorded versions * Os Cariocas - ''Mais Bossa Com Os Cariocas'' (1963) * Antônio Carlos Jobim - '' The Composer of Desafinado Plays'' (1963), ''Terra Brasilis'' (1980) * Marcos Valle - ''Samba "Demais"'' (1963) * Leny Andrade - ''A Arte Maior de Leny Andrade'' (1963) * Eumir Deodato – ''Inútil Paisagem – As Maiores Composições de Antonio Carlos Jobim'' ...
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Carolyn Leigh
Carolyn Leigh (August 21, 1926 – November 19, 1983) was an American lyricist for Broadway, film, and popular songs. She is best known as the writer with partner Cy Coleman of the pop standards "Witchcraft" and "The Best Is Yet to Come". With Johnny Richards, she wrote the million-seller " Young at Heart" for the film of the same name, starring Frank Sinatra. Biography Leigh was born to a Jewish familyTampa Jewish Federation: "Jews in the News: Mike Nichols, Yael Grobglas and Dominic Fumusa"
retrieved March 18, 2017 , "''The musical was penned by five Jewish theater legends, all now deceased. Lyrics by: BETTY COMDEN, ADOLPH GREENE, and CAROLYN LEIGH — with music by: MARK CHARLAP and JULE STYNE.''"
in the < ...
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Cy Coleman
Cy Coleman (born Seymour Kaufman; June 14, 1929 – November 18, 2004) was an American composer, songwriter, and jazz pianist. Life and career Coleman was born Seymour Kaufman in New York City, United States, to Eastern European Jewish parents, and was raised in the Bronx. His mother, Ida (née Prizent) was an apartment landlady and his father was a brickmason.Berkvist, Rober"Cy Coleman, Composer Whose Jazz-Fired Musicals Blazed on Broadway, Dies at 75" ''The New York Times'', November 20, 2004. He was a child prodigy who gave piano recitals at venues such as Steinway Hall, Town Hall, and Carnegie Hall between the ages of six and nine.Jones, Kennet"Cy Coleman, a Master of the Show Tune, Is Dead at 75", Playbill.com, November 19, 2004. Before beginning his fabled Broadway career, he led the Cy Coleman Trio, which made many recordings and was a much-in-demand club attraction. Despite the early classical and jazz success, Coleman decided to build a career in popular music. His f ...
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The Best Is Yet To Come
"The Best Is Yet to Come" is a 1959 song composed by Cy Coleman to lyrics by Carolyn Leigh. It is associated with Frank Sinatra, who recorded it on his 1964 album ''It Might as Well Be Swing'' accompanied by Count Basie under the direction of Quincy Jones. It was the last song Sinatra sang in public, on February 25, 1995, and the words "The Best is Yet to Come" are etched on Sinatra's tombstone. Although Sinatra made it popular, the song was written for and introduced by Tony Bennett. Before it was recorded by Sinatra, the song's debut was sung and played by Cy Coleman on Hugh Hefner's ''Playboy's Penthouse'' variety show. Notable recordings *Tony Bennett (''I Left My Heart in San Francisco (album), I Left My Heart in San Francisco'') (1962) *Tony Bennett and Diana Krall (''Duets: An American Classic'') (2006) *Tony Bennett and Diana Krall in ''Tony Bennett: An American Classic''. Documentary directed by Rob Marshall (2006) *Michael Bublé (''Call Me Irresponsible (album), Ca ...
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Waters Of March
"Waters of March" ( pt, "Águas de março" ) is a Brazilian song composed by Antônio Carlos Jobim (1927–1994) in 1972. Jobim wrote both the Portuguese and English lyrics. The lyrics, originally written in Portuguese, do not tell a story, but rather present a series of images that form a collage; nearly every line starts with "É..." (" tis..."). In 2001, "Águas de março" was named as the all-time best Brazilian song in a poll of more than 200 Brazilian journalists, musicians and other artists conducted by Brazil's leading daily newspaper, ''Folha de S.Paulo''. It was also voted by the Brazilian edition of ''Rolling Stone'' as the second greatest Brazilian song. The inspiration for "Águas de março" came from Rio de Janeiro's rainiest month. March is typically marked by sudden storms with heavy rains and strong winds that cause flooding in many places around the city. The lyrics and the music have a constant downward progression much like the water torrent from those rains f ...
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