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Drapery Painters
Drapery is a general word referring to cloths or textiles (Old French , from Late Latin ). It may refer to cloth used for decorative purposes – such as around windows – or to the trade of retailing cloth, originally mostly for clothing, formerly conducted by drapers. Drape Drape (draping or fabric drape) is the property of different textile materials how they fold, fall, or hang over a three-dimensional body. Draping depends upon the fiber characteristics and the flexibility, looseness, and softness of the material. Draped garments follow the form of the human body beneath them. Art In art history, drapery refers to any cloth or textile depicted, which is usually clothing. The schematic depiction of the folds and woven patterns of loose-hanging clothing on the human form, with ancient prototypes, was reimagined as an adjunct to the female form by Greek vase-painters and sculptors of the earliest fifth century and has remained a major source of stylistic formulas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krishna
Krishna (; sa, कृष्ण ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme god in his own right. He is the god of protection, compassion, tenderness, and love; and is one of the most popular and widely revered among Indian divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar. The anecdotes and narratives of Krishna's life are generally titled as ''Krishna Leela''. He is a central character in the ''Mahabharata'', the '' Bhagavata Purana'', the ''Brahma Vaivarta Purana,'' and the '' Bhagavad Gita'', and is mentioned in many Hindu philosophical, theological, and mythological texts. They portray him in various perspectives: as a god-child, a prankster, a model lover, a divine hero, and the universal supreme being. Quote: "Krsna's various appearances as a di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prince William, Duke Of Cumberland
Prince William Augustus, Duke of Cumberland (15 April 1721 Old_Style_and_New_Style_dates">N.S..html" ;"title="Old_Style_and_New_Style_dates.html" ;"title="/nowiki> N.S.">Old_Style_and_New_Style_dates.html"_;"title="/nowiki>Old_Style_and_New_Style_dates">N.S./nowiki>_–_31_October_1765)_was_the_third_and_youngest_son_of_George_II_of_Great_Britain.html" ;"title="Old Style and New Style dates">N.S.">Old_Style_and_New_Style_dates.html" ;"title="/nowiki>N.S./nowiki>_–_31_October_1765)_was_the_third_and_youngest_son_of_George_II_of_Great_Britain">King_George_II_of_N.S./nowiki>_–_31_October_1765)_was_the_third_and_youngest_son_of_George_II_of_Great_Britain">King_George_II_of_Kingdom_of_Great_Britain">Great_Britain_and_Kingdom_of_Ireland.html" "title="Kingdom_of_Great_Britain.html" "title="Old Style and New Style dates">N.S./nowiki> – 31 October 1765) was the third and youngest son of George II of Great Britain">King George II of Kingdom of Great Britain">Great Britain and King ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Hudson (painter)
Thomas Hudson (1701–1779) was an English portrait painting, portrait painter. Life Hudson was born in Devon in 1701. His exact birthplace is unknown. He studied under Jonathan Richardson (painter), Jonathan RichardsonJonathon Richardson London - National Portrait Gallery, accessed January 2010 in London and against his wishes, married Richardson's daughter at some point before 1725. Hudson was most prolific between 1740 and 1760 and, from 1745 until 1755 was the most successful London portraitist. He had many assistants, and employed the specialist drapery painter Joseph Van Aken. Joshua Reynolds, Joseph Wright of Derby, Joseph Wright and the drapery painter Peter Toms (painter), Peter Toms were his students. Hudson visited the Low Countries in 1748 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benin Bronze
The Benin Bronzes are a group of several thousand metal plaques and sculptures that decorated the royal palace of the Kingdom of Benin, in what is now Edo State, Nigeria. Collectively, the objects form the best examples of Benin art and were created from the thirteenth century by artists of the Edo people. Apart from the plaques, other sculptures in brass or bronze include portrait heads, jewelry, and smaller pieces. Many of the dramatic sculptures date to the thirteenth century, and a large part of the collection dates to the fifteenth and sixteenth centuries. It is believed that two "golden ages" in Benin metal workmanship occurred during the reigns of Esigie ( 1550) and of Eresoyen (1735–1750), when their workmanship achieved its highest quality. Most of the plaques and other objects were looted by British forces during the Benin Expedition of 1897 as imperial control was being consolidated in Southern Nigeria. About two hundred pieces were taken to the British Museum in L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chōgen (monk)
(1121-1206), also known as , was a Japanese Buddhist monk. From 1181 he devoted twenty-five years of his life to the endowment and rebuilding of Tōdai-ji after its destruction in war. Sources A contemporary record known as the ''Benevolent Deeds of Namu-Amidabutsu'' provides the fullest evidence for Chōgen's life and career. This may be supplemented by diaries such as the of Fujiwara no Kanezane; temple records; documents including ''Solicitation for Funds by Chōgen in Genkyū 2''; and inscriptions including one on stone dating to 1202 from Kawachi Province recording his repair of irrigation channels first constructed by Gyōki Bosatsu. By the time of the illustrated ''Tōdaiji Daibutsu engi'' of the 1530s, which includes a scene of Chōgen at sea conveying logs for the great rebuilding, invocation of his memory could include a "mixture of fact and fable". Biography Born most likely in Kyoto in 1121, Chōgen was initiated into religious life at the Shingon centre of Dai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anglo-Saxon Art
Anglo-Saxon art covers art produced within the Anglo-Saxon period of English history, beginning with the Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of England, whose sophisticated art was influential in much of northern Europe. The two periods of outstanding achievement were the 7th and 8th centuries, with the metalwork and jewellery from Sutton Hoo and a series of magnificent illuminated manuscripts, and the final period after about 950, when there was a revival of English culture after the end of the Viking invasions. By the time of the Conquest the move to the Romanesque style is nearly complete. The important artistic centres, in so far as these can be established, were concentrated in the extremities of England, in Northumbria, especially in the early period, and Wessex and Kent near the south coast. Anglo-Saxon art survives mostly in illuminated manuscripts, Anglo-S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bamberg Apocalypse
The Bamberg Apocalypse (Bamberg State Library, Msc.Bibl.140) is an 11th-century richly illuminated manuscript containing the pictorial cycle of the Book of Revelation and a Gospel Lectionary of the books of pericopes. This medieval illuminated manuscript was created during the Ottonian dynasty; it is unknown whether it was commissioned by Otto III or Henry II. It was completed sometime between 1000 and 1020. There is proof that Henry II donated this illuminated manuscript in 1020 to Collegiate Abbey of St. Stephan, on the occasion of its inauguration. The Bamberg Apocalypse is now located in the Bamberg State Library. History Origin The date of completion is between 1000 and 1020. The Bamberg Apocalypse was created at the scriptorium at Reichenau. Theme The theme of this illuminated manuscript is the Apocalypse and commentaries on the Apocalypse by Beatus. Even though apocalyptic motifs are found in Early Christian art, there is no evidence of any existing apocalyptic ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Witan
The Witan () was the king's council in Anglo-Saxon England from before the seventh century until the 11th century. It was composed of the leading magnates, both ecclesiastic and secular, and meetings of the council were sometimes called the Witenagemot. Its primary function was to advise the king on subjects such as promulgation of laws, judicial judgments, approval of charters transferring land, settlement of disputes, election of archbishops and bishops and other matters of major national importance. The witan also had to elect and approve the appointment of a new king. Its membership was composed of the most important noblemen, including ealdormen, thegns, and senior clergy. Terminology The terms and are increasingly avoided by modern historians, although few would go as far as Geoffrey Hindley, who described as an "essentially Victorian" coinage. ''The Blackwell Encyclopaedia of Anglo-Saxon England'' prefers 'King's Council', but adds that it was known in Old English as t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mithraeum
A Mithraeum , sometimes spelled Mithreum and Mithraion ( grc, Μιθραίον), is a Mithraic temple, erected in classical antiquity by the worshippers of Mithras. Most Mithraea can be dated between 100 BC and 300 AD, mostly in the Roman Empire. The Mithraeum was either an adapted natural cave or cavern, or a building imitating a cave. Where possible, the Mithraeum was constructed within or below an existing building, such as the Mithraeum found beneath the Basilica of San Clemente in Rome. While most Mithraea are underground, some feature openings in the ceiling to allow light to enter, a reminder of the connection to the universe and the passage of time. The site of a Mithraeum may also be identified by its singular entrance or vestibule, which stands across from an apse at the back of which stands an altar on a pedestal, often in a recess, and its "cave", called the ''Spelaeum'' or ''Spelunca'', with raised benches along the side walls for the ritual meal. Many mithraea th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mithras
Mithraism, also known as the Mithraic mysteries or the Cult of Mithras, was a Roman mystery religion centered on the god Mithras. Although inspired by Iranian worship of the Zoroastrian divinity (''yazata'') Mithra, the Roman Mithras is linked to a new and distinctive imagery, with the level of continuity between Persian and Greco-Roman practice debated. The mysteries were popular among the Imperial Roman army from about the 1st to the 4th-century CE. Worshippers of Mithras had a complex system of seven grades of initiation and communal ritual meals. Initiates called themselves ''syndexioi'', those "united by the handshake". They met in underground temples, now called ''mithraea'' (singular ''mithraeum''), which survive in large numbers. The cult appears to have had its center in Rome, and was popular throughout the western half of the empire, as far south as Roman Africa and Numidia, as far as Roman Dacia, as far north as Roman Britain, and to a lesser extent in Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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