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Drama (Bananarama Album)
''Drama'' is the ninth studio album by English musical duo Bananarama, released on 14 November 2005 by A&G Records. It features eleven newly recorded tracks, along with a remix of their 1986 single "Venus" (done by Soft Cell's Marc Almond) and a 2005 remix of their 1982 single "Really Saying Something", an underground bootleg club hit produced by Solasso. ''Drama'' is a comeback of sorts for Bananarama members Keren Woodward and Sara Dallin and is their first album to be released in their native UK since 1993. The album's first single " Move in My Direction" debuted on the UK Singles Chart at number 14, also becoming their first UK top-40 entry since 1993. The second single, "Look on the Floor (Hypnotic Tango)", also reached the UK top 40, and climbed to number two on the US Hot Dance Club Play chart as an import, becoming Bananarama's biggest US dancefloor hit since "Venus" two decades earlier. The album mostly incorporates dance-pop and Eurodance musical styles, with some syn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bananarama
Bananarama are an English pop duo from London, formed as a trio in 1980 by friends Sara Dallin, Siobhan Fahey and Keren Woodward. Fahey left the group in 1988 and was replaced by Jacquie O'Sullivan until 1991, when the trio became a duo. Their success on both pop and dance charts saw them listed in the ''Guinness World Records'' for achieving the world's highest number of chart entries by an all-female group. Between 1982 and 2009, they had 30 singles reach the Top 50 of the UK Singles Chart. The group's UK top-10 hits include " It Ain't What You Do..." (1982), "Really Saying Something" (1982), "Shy Boy" (1982), " Na Na Hey Hey Kiss Him Goodbye" (1983), " Cruel Summer" (1983), " Robert De Niro's Waiting..." (1984), " Love in the First Degree" (1987), "I Want You Back" in 1988 and charity track "Help!" in 1989. In 1986, they had a U.S. number one with another of their UK top-10 hits, a cover of "Venus". In total, they had 11 singles reach the US ''Billboard'' Hot 100 (1983†... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keren Woodward
Keren Jane Woodward (born 2 April 1961) is an English singer and, with Sara Dallin and Siobhan Fahey, a founding member of the girl group Bananarama. In 1986, the trio reached number one on the US ''Billboard'' Hot 100 with their version of "Venus". Woodward and Dallin are the only constant members of Bananarama, and both have been a part of the group for over 40 years since 1979. Early life Woodward is a classically-trained pianist; she sang in choirs and performed in amateur dramatics with Dallin, whom she has known since childhood. After leaving school, Woodward worked at the BBC in Portland Place, London. Career Woodward formed Bananarama with Dallin and Fahey, releasing their first single " Aie a Mwana" in 1981. They went on to have a string of UK top-ten hits and top the American charts in 1986 with "Venus". Fahey left the band in 1988, to be replaced by Jacquie O'Sullivan, who left in 1991. Woodward and Dallin performed as a duo from 1991 to 2017. They briefly reunit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zentveld & Oomen
The Dutch DJs, Hugo Zentveld (a.k.a. DJ Renegade) and Aldwin Oomen, are behind a number of dance production projects, including Angel City, Boombastic, and Nightbreed. Angel City Angel City is a dance project by Zentveld and Oomen, led by British recording artist Lara McAllen. The majority of their songs are dance covers. The group were signed to Ministry of Sound record labels Boss Records and Data Records. Their hit "Do You Know (I Go Crazy)" sampled the instrumental track "Children" by Robert Miles, as well as the lyrics from " Do You Know" by Michelle Gayle. It was their biggest hit, peaking at number eight on the UK Singles Chart. Their hit "Touch Me" sampled the lyrics from Cathy Dennis Catherine Roseanne Dennis (born 25 March 1969)Gregory, Andy (2002) ''International Who's Who in Popular Music 2002'', Europa; , p. 133 is a British singer, songwriter, record producer and actress. She was the vocalist for D Mob, which had the su ...' hit, "Touch Me (All Night Long)". ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lovefreekz
Lovefreekz is the alias of English electronic record producer Mark Hadfield. In 2004 his single "Shine", re-creating a sample of the Electric Light Orchestra's 1979 track "Shine a Little Love", became an international club hit, reaching number 22 on the ''Billboard'' Hot Dance Airplay chart in its 2 April 2005 issue during its four-week run. The single was also featured in episode five of series one of ''How I Met Your Mother'' in a scene where Marshall is dancing to the song in a nightclub. The track also reached Number 6 in the UK Singles Chart.Guinness Book of British Hit Singles ''British Hit Singles & Albums'' (originally known as ''The Guinness Book of British Hit Singles'' and ''The Guinness Book of British Hit Albums'') was a music reference book originally published in the United Kingdom by the publishing arm of t ... - 19th Edition - Discography Singles References Lovefreekz Lovefreekz English dance musicians Living people Year of birth missing (living peo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robbie Van Leeuwen
Robbie van Leeuwen (born 29 October 1944) is a Dutch musician who was a guitarist, sitarist, background vocalist and main songwriter for Dutch bands, including The Motions and Shocking Blue. In 1967 he played guitar on the only single ever released by "The Six Young Riders" titled "Let the Circle Be Unbroken". As of January 2021, he is the only surviving member of Shocking Blue's best known four-piece lineup. Career In 1970 he was in the band Shocking Blue, which had a No. 1 hit with the single "Venus". In 1974 he left Shocking Blue and released the successful single "Long Hot Summer" with his new band Galaxy-Lin. He was the founder and main composer for this band which released two albums: "Galaxy Lin" in 1974 and "G" in 1975. The singer was Rudy Bennett, with whom van Leeuwen had already collaborated in another band, called The Motions. Galaxy-Lin disbanded in 1976. Together with Rick van der Linden, van Leeuwen founded "Mistral" in 1977. This group scored three hits during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Higgins (producer)
Brian Thomas Higgins (born 1966) is an English record producer, who has written and produced albums and tracks for several successful pop music singers and groups, including Girls Aloud, S Club 7, Sugababes, and The Saturdays, through his Xenomania production team. A key collaborator with Higgins is Miranda Cooper, who shares co-writing credits in nearly all Xenomania-written tracks. His musical style has been described as part electro, part power pop, more basic pop, with elements of new wave, rave, and dance found in many of his collaborations in the more than 15 years he has been in the music industry. Early career Higgins hails from Whitehaven, Cumbria, on the edge of the Lake District of England. The second eldest of 5 children, his father was a general practitioner. Influenced by the band ®tm (Registered Trade Mark) in the early eighties, he then played keyboards in a band called Despatch, which included former members of ®tm. In the late 1980s, he moved to East Grin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Top Electronic Albums
Top Dance/Electronic Albums, Dance/Electronic Albums (formerly Top Electronic Albums) is a music chart published weekly by ''Billboard'' magazine which ranks the top-selling electronic music albums in the United States based on sales compiled by Nielsen SoundScan. The chart debuted on the issue dated June 30, 2001 under the title Top Electronic Albums, with the first number-one title being the original soundtrack to the film ''Lara Croft: Tomb Raider''. It originally began as a fifteen-position chart and has since expanded to twenty-five positions. Top Electronic Albums features full-length albums by artists who are associated with electronic music genres (house, techno, IDM, trance, etc.) as well as pop-oriented dance music and electronic-leaning hip hop. Also eligible for this chart are remix albums by otherwise non-electronic-based artists and DJ-mixed compilation albums and film soundtracks which feature a majority of electronic or dance music. In 2019, ''Billboard'' adde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Download
A music download (commonly referred to as a digital download) is the digital transfer of music via the Internet into a device capable of decoding and playing it, such as a personal computer, portable media player, MP3 player or smartphone. This term encompasses both legal downloads and downloads of copyrighted material without permission or legal payment. According to a Nielsen report, downloadable music accounted for 55.9 percent of all music sales in the US in 2012."All music sales" refers to albums plus track equivalent albums. A track equivalent album equates to 10 tracks. By the beginning of 2011, Apple's iTunes Store alone made 1.1 billion of revenue in the first quarter of its fiscal year. Music downloads are typically encoded with modified discrete cosine transform (MDCT) audio data compression, particularly the Advanced Audio Coding (AAC) format used by iTunes as well as the MP3 audio coding format. Online music store Paid downloads are sometimes encoded with d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Albums Chart
The Official Albums Chart is a list of albums ranked by physical and digital sales and (from March 2015) audio streaming in the United Kingdom. It was published for the first time on 22 July 1956 and is compiled every week by the Official Charts Company (OCC) on Fridays (previously Sundays). It is broadcast on BBC Radio 1 (top 5) and found on the OCC website as a Top 100 or on UKChartsPlus as a Top 200, with positions continuing until all sales have been tracked in data only available to industry insiders. However, even though number 100 was classed as a hit album (as in the case of The Guinness Book of British Hit Albums) in the 1980s until January 1989, since the compilations were removed this definition was changed to Top 75 with follow-up books such as The Virgin Book of British Hit Albums book only including this data. As of 2021, the OCC still only tracks how many UK Top 75s album hits and how many weeks in Top 75 albums chart each artist has achieved. To qualify for the Offi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synth-pop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance-pop
Dance-pop is a popular music subgenre that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions. Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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