Dow Jones And The Industrials
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Dow Jones And The Industrials
Dow Jones and the Industrials were a new wave band from West Lafayette, Indiana, from 1979 until 1981. During this time, they released a split LP with the Gizmos, entitled "Hoosier Hysteria", and a self-titled 7-inch EP, both released in the year 1980 alone. A track of theirs, "Ladies With Appliances", was also featured on the "Red Snerts" compilation. Originally, the band consisted of Greg Horn on guitar and vocals, Chris Clark on bass and vocals, Tim North on drums, and Brad Garton (known by his nickname as "Mr. Science") on keyboards. The use of the keyboard, and the band's flirtation with electronic sounds, meant that Dow Jones and the Industrials hinted towards the post-punk sound of bands that would follow them. In 1981, the band's track "Ladies With Appliances" was featured on the Red Snerts compilation released by Gulcher Records. By this time, Chris Clark had left, to be replaced by Jenny Sweeny on bass. Brad Garton had also left the group. He appeared as "Mr. Science" o ...
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West Lafayette, Indiana
West Lafayette () is a city in Wabash Township, Tippecanoe County, Indiana, United States, about northwest of the state capital of Indianapolis and southeast of Chicago. West Lafayette is directly across the Wabash River from its sister city, Lafayette. As of the 2020 census, its population was 44,595. It is the most densely populated city in Indiana and is home to Purdue University. History Augustus Wylie laid out a town in 1836 in the Wabash River floodplain south of the present Levee. Due to regular flooding of the site, Wylie's town was never built. The present city was formed in 1888 by the merger of the adjacent suburban towns of Chauncey, Oakwood, and Kingston, located on a bluff across the Wabash River from Lafayette, Indiana. The three towns had been small suburban villages which were directly adjacent to one another. Kingston was laid out in 1855 by Jesse B. Lutz. Chauncey was platted in 1860 by the Chauncey family of Philadelphia, wealthy land speculators. Ch ...
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New Wave Music
New wave is a loosely defined music genre that encompasses pop-oriented styles from the late 1970s and the 1980s. It was originally used as a catch-all for the various styles of music that emerged after punk rock, including punk itself. Later, critical consensus favored "new wave" as an umbrella term involving many popular music styles of the era, including power pop, synth-pop, ska revival, and more specific forms of punk rock that were less abrasive. It may also be viewed as a more accessible counterpart of post-punk. Common characteristics of new wave music include a humorous or quirky pop approach, the use of electronic sounds, and a distinctive visual style in music videos and fashion. In the early 1980s, virtually every new pop/rock act – and particularly those that employed synthesizers – were tagged as "new wave". Although new wave shares punk's do-it-yourself philosophy, the artists were more influenced by the styles of the 1950s along with the lighter s ...
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Post-punk
Post-punk (originally called new musick) is a broad genre of punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire, Magazine, Pere Ubu, Joy Division, Talking Heads, Devo, Gang of Four, the Slits, the Cure, and the Fall. The movement was closely related to the development of ...
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Gulcher Records
Gulcher Records is an independent record label founded in Bloomington, Indiana by Bob Richert in the mid-1970s, as one of the earliest small independent labels and fanzines in the area. They have released music for acts such as John Cougar Mellencamp, The Gizmos, Kurt Vile, Dancing Cigarettes, Magik Markers, Dow Jones and the Industrials, MX-80, Hypocrite in a Hippy Crypt, Home Blitz, and Handglops. The label's releases have been reviewed in media publications such as ''Rolling Stone'', ''Spin'', and Pitchfork Media. The label is currently in Orlando, Florida. See also * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphabetically, b ... External links Official Gulcher Site * American independent record labels Indie rock record labels Alternative rock record label ...
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Tone Set
Tone Set was an American synth-pop duo formed by musicians Galen Herod and Greg Horn in 1981 from Tempe, Arizona, who first met each other by working at the local station KAET. The duo's early sound was very minimalist in style, as evident by their instrumental 1982 debut ''Cal's Ranch''. Later on, their music became increasingly pop-oriented, as shown by their follow-up ''Calibrate'', which was released by self-released in February 1983 through their own Pegna Records imprint. Although the band received local radio airplay, as well as having the music video for the track "Life Is Busy" played on MTV MTV (Originally an initialism of Music Television) is an American cable channel that launched on August 1, 1981. Based in New York City, it serves as the flagship property of the MTV Entertainment Group, part of Paramount Media Networks, a di ... and Cinemax, the band met little to no fanfare. Tone Set would eventually cease to exist later in 1983, with both members goin ...
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The Gizmos
The Gizmos were an American punk band formed in Bloomington, Indiana, United States, in 1976. The original band was made up of Ken Highland, Eddie Flowers, Ted Niemiec and the members of a group called Cerberus; Rich Coffee, Dave Sulak, Rick Czajka, and Jim DeVries. The Gizmos released three 7-inch EPs on Gulcher Records in 1976, 1977, and 1978. In late 1977 the band broke up. Then, Ted Niemiec recruited new members to form a new version of the Gizmos. This version of the band released one EP, "Never Mind The Sex Pistols Here's The Gizmos". After Niemiec left the band, new member Dale Lawrence carried on using the band name with new members. After the Gizmos Ken Highland later relocated to Boston, Massachusetts, where he has been in a long string of garage-oriented bands over the years, including Club Linehan a Go-Go, the Hopelessly Obscure, Johnny & the Jumper Cables, the Kenne Highland Clan, the Goody Goody Gumdrops, and the Vatican Sex Kittens. Eddie Flowers and Rich Coff ...
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Brad Garton
Brad Garton (born 1957) is an American composer and computer musician who is professor of music at Columbia University. He has written, or helped to write, a number of computer music applications, including Real-Time Cmix, music synthesis and signal processing language for real time composition. He received his doctorate in composition from Princeton University. Garton is director of the Computer Music Center, Columbia University, formerly the Columbia-Princeton Electronic Music Center. Garton grew up in Columbus, Indiana. His father, Robert, has served more than 30 years as a Republican in the Indiana state Senate, including a long term as Senate President Pro Tem. Garton majored in pharmacy as a Purdue University student, but spent much of his time on music. Billing himself as "Mr. Science", Garton provided sound effects and keyboards for the band Dow Jones and the Industrials Dow Jones and the Industrials were a new wave band from West Lafayette, Indiana, from 197 ...
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Synth-pop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and t ...
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Punk Rock Groups From Indiana
Punk or punks may refer to: Genres, subculture, and related aspects * Punk rock, a music genre originating in the 1970s associated with various subgenres * Punk subculture, a subculture associated with punk rock, or aspects of the subculture such as: ** Punk fashion ** Punk ideologies ** Punk literature ** Punk visual art Writing genres * Cyberpunk derivatives, subgenres of speculative fiction with universes built on one particular technology that is extrapolated to a highly sophisticated level, a gritty transreal urban style, or a particular approach to social themes ** Cyberpunk, a science fiction subgenre with a computers-focused setting *** Biopunk *** Nanopunk *** Postcyberpunk ** Steampunk, a science fiction subgenre that incorporates technology and aesthetic designs inspired by 19th-century industrial steam-powered machinery *** Atompunk *** Clockpunk *** Dieselpunk ** Splatterpunk, a movement within horror fiction in the 1980s, distinguished by its graphic, often go ...
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