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Doula Mouriki
Doula Mouriki ( el, Ντούλα Μουρίκη, 1934–1991) was a Greek Byzantinologist and art historian. She made important contributions to the study of Byzantine art in Greece. Education Doula Mouriki was born in 1934 at Ampelokepi (near Aigio). She earned degrees in history and archaeology in 1956 from the University of Athens. From 1956 to 1957, she received a scholarship to visit the École pratique des hautes études and the Collège de France, where she studied under André Grabar and Paul Lemerle. Afterwards, she returned to the University of Athens to earn a degree in French literature in 1958. In the early 1960s, Mouriki was first hired as a temporary staff member by the National Archaeological Museum of Athens and shortly thereafter as a principal research assistant under Manolis Hatzidakis at the Byzantine and Christian Museum. She later attended Princeton University, studying with Kurt Weitzmann. At Princeton, Mouriki earned an MFA in 1968 and a PhD in 1970, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Athens
The National and Kapodistrian University of Athens (NKUA; el, Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών, ''Ethnikó ke Kapodistriakó Panepistímio Athinón''), usually referred to simply as the University of Athens (UoA), is a public university in Athens, Greece."''The EEC’s assessment is that University of Athens is worthy of merit. Educate faculty in the need for QA and evaluation. The successful process of self-evaluation can be replicated. An impartial, genuine, honest, open, effective and constructive strategic planning and communication between the Institution and the state needs to be implemented in order to put in place measures for its longer term viability and tradition of excellence. We conclude by pointing out that the recommendations indicated in our report are intended as ways to improve an already excellent Institution. The culture of excellence in research and teaching that the Institution has established for itself wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosmas Indicopleustes
Cosmas Indicopleustes ( grc-x-koine, Κοσμᾶς Ἰνδικοπλεύστης, lit=Cosmas who sailed to India; also known as Cosmas the Monk) was a Greek merchant and later hermit from Alexandria of Egypt. He was a 6th-century traveller who made several voyages to India during the reign of emperor Justinian. His work '' Christian Topography'' contained some of the earliest and most famous world maps.''Encyclopædia Britannica'', 2008, O.Ed, Cosmas Indicopleustes. Cosmas was a pupil of the East Syriac Patriarch Aba I and was himself a follower of the Church of the East. Voyage Around AD 550, while a monk in the retirement of a Sinai cloister, Cosmas wrote the once-copiously illustrated '' Christian Topography'', a work partly based on his personal experiences as a merchant on the Red Sea and Indian Ocean in the early 6th century. His description of India and Ceylon during the 6th century is invaluable to historians. Cosmas seems to have personally visited the Kingdom of Axum in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kingdom Of Georgia
The Kingdom of Georgia ( ka, საქართველოს სამეფო, tr), also known as the Georgian Empire, was a medieval Eurasian monarchy that was founded in circa 1008 AD. It reached its Golden Age of political and economic strength during the reign of King David IV and Queen Tamar the Great from 11th to 13th centuries. Georgia became one of the pre-eminent nations of the Christian East and its pan-Caucasian empire and network of tributaries stretching from Eastern Europe to Anatolia and northern frontiers of Iran, while also maintaining religious possessions abroad, such as the Monastery of the Cross in Jerusalem and the Monastery of Iviron in Greece. It was the principal historical precursor of present-day Georgia. Lasting for several centuries, the kingdom fell to the Mongol invasions in the 13th century, but managed to re-assert sovereignty by the 1340s. The following decades were marked by the Black Death, as well as numerous invasions under the lea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Empire Under The Palaiologos Dynasty
The Byzantine Empire was ruled by the Palaiologos dynasty in the period between 1261 and 1453, from the restoration of Byzantine rule to Constantinople by the usurper Michael VIII Palaiologos following its recapture from the Latin Empire, founded after the Fourth Crusade (1204), up to the Fall of Constantinople to the Ottoman Empire. Together with the preceding Nicaean Empire and the contemporary '' Frankokratia'', this period is known as the late Byzantine Empire. From the start, the regime faced numerous problems.Mango, p. 255 The Turks of Asia Minor had begun conducting raids and expanding into Byzantine territory in Asia Minor by 1263, just two years after the enthronment of the first Palaiologos emperor Michael VIII. Anatolia, which had formed the very heart of the shrinking empire, was systematically lost to numerous Turkic ''ghazis'', whose raids evolved into conquering expeditions inspired by Islamic zeal, the prospect of economic gain, and the desire to seek refuge from t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Mosaics
Byzantine mosaics are mosaics produced from the 4th to 15th centuries in and under the influence of the Byzantine Empire. Mosaics were some of the most popular and historically significant art forms produced in the empire, and they are still studied extensively by art historians. Although Byzantine mosaics evolved out of earlier Hellenistic and Roman practices and styles, craftspeople within the Byzantine Empire made important technical advances and developed mosaic art into a unique and powerful form of personal and religious expression that exerted significant influence on Islamic art produced in Umayyad and Abbasid Caliphates and the Ottoman Empire. In addition, Byzantine mosaics went on to influence artists in the Norman Kingdom of Sicily, in the Republic of Venice, and, carried by the spread of Orthodox Christianity, in Bulgaria, Serbia, Romania and Russia. In the modern era, artists across the world have drawn inspiration from their focus on simplicity and symbolism, as well ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle Byzantine Art
Byzantine art comprises the body of Christian Greek artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise. Many Eastern Orthodox states in Eastern Europe, as well as to some degree the Islamic states of the eastern Mediterranean, preserved many aspects of the empire's culture and art for centuries afterward. A number of contemporary states with the Byzantine Empire were culturally influenced by it without actually being part of it (the "Byzantine commonwealth"). These included the Rus, as well as some non-Orthodox states like the Republic of Venice, which separated from the Byzantine Empire in the 10th century, and the Kingdom of Sicily, which had close ties to the Byzantine Empire and h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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