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Double Tonic
A double tonic is a chord progression, melodic motion, or shift of level consisting of a, "regular back-and-forth motion," in melody similar to Bruno Nettl's pendulum type though it uses small intervals, most often a whole tone though may be almost a semitone to a minor third (see pendular thirds). van der Merwe, Peter (1989). ''Origins of the Popular Style: The Antecedents of Twentieth-Century Popular Music'', p.205. Oxford: Clarendon Press. . It is extremely common in African music ("Mkwaze mmodzi"), Asian music, and European music, including:van der Merwe (1989), p.206 * European Middle Ages music such as " Sumer is Icumen in" * Elizabethan popular music such as "The Woods so Wild" and " Dargason" *Classical music featuring the regular alternation of tonic-dominant *Alternating ' discords' such as in Debussy or Stravinsky *Gustav Mahler has also used this kind of musical pendulum motion *" Scottish" and European music such as " Donald MacGillavry" *Sea shanties and other work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord Progression
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of Western popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the common chord progression I–vi–ii–V, are usually expressed by Roman numerals in Classical music theory. In many styles of popular and traditional music, chord progressions are expressed using the name and " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Woods So Wild
"Will Yow Walke the Woods soe Wylde" is the title of a song from the Tudor era, popularly believed to have been a favourite of Henry VIII. The complete text of the song has not survived, but contained the short refrain: :'Shall I go walk the wood so wild, wandering, wandering, here and there'. The melody of the song can be found in several compositions of the period, and would appear to have been popular with composers, perhaps because of its sprightly melody in the Lydian mode, or because it evoked a pastoral mood in the minds of contemporary listeners. Variations The song gave rise to two important keyboard works of the late Tudor era: * The first was by William Byrd. Byrd constructed 14 variations on the melody, starting with a simple 'rustic' presentation of the theme with a drone accompaniment and concluding with a richly polyphonic final variation. Byrd's composition appears in several manuscripts including two of the most important collections of keyboard music of the Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of The United States
The music of the United States reflects the country's multi-ethnic population through a diverse array of styles. It is a mixture of music influenced by the music of Europe, Indigenous peoples, West Africa, Latin America, Middle East, North Africa, amongst many other places. The country's most internationally renowned genres are traditional pop, jazz, blues, country, bluegrass, rock, rock and roll, R&B, pop, hip hop, soul, funk, gospel, disco, house, techno, ragtime, doo-wop, folk music, americana, boogaloo, tejano, reggaeton, surf, and salsa. American music is heard around the world. Since the beginning of the 20th century, some forms of American popular music have gained a near global audience. Native Americans were the earliest inhabitants of the land that is today known as the United States and played its first music. Beginning in the 17th century, settlers from the United Kingdom, Ireland, Spain, Germany, and France began arriving in large numbers, bringing wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Football Chant
A football chant or terrace chant is form of vocalisation performed by supporters of association football, typically during football matches. Football chanting is an expression of collective identity, most often used by fans to express their pride in the team or encourage the home team, and they may be sung to celebrate a particular player or manager. Fans may also use football chants to slight the opposition, and many fans sing songs about their club rivals, even when they are not playing them. Sometimes the chants are spontaneous reactions to events on the pitch. Football chants can be simple, consisting of a few loud shouts or spoken words, but more often they are short lines of lyrics and sometimes longer songs. They are typically performed repetitively, sometimes accompanied by handclapping, but occasionally they may be more elaborate involving musical instruments, props or choreographed routines. They are often adaptations of popular songs, using their tunes as the basis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drunken Sailor
"Drunken Sailor", also known as "What Shall We Do with a/the Drunken Sailor?" or "Up She Rises", is a traditional sea shanty, listed as No. 322 in the Roud Folk Song Index. It was sung onboard sailing ships at least as early as the 1830s, and it shares its tune with the traditional Irish folk song "'' Óró sé do bheatha abhaile''". The song's lyrics vary, but usually contain some variant of the question, "What shall we do with a drunken sailor, early in the morning?" In some styles of performance, each successive verse suggests a method of sobering or punishing the drunken sailor. In other styles, further questions are asked and answered about different people. "Drunken Sailor" was revived as a popular song among non-sailors in the 20th century, and grew to become one of the best-known songs of the shanty repertoire among mainstream audiences. It has been performed and recorded by many musical artists and appeared regularly in popular culture. History Origin and melody T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Work Song
A work song is a piece of music closely connected to a form of work, either sung while conducting a task (usually to coordinate timing) or a song linked to a task which might be a connected narrative, description, or protest song. Definitions and categories Records of work songs are as old as historical records, and anthropological evidence suggests that most agrarian societies tend to have them. Most modern commentators on work songs have included both songs sung while working as well as songs about work since the two categories are seen as interconnected. Norm Cohen divided collected work songs into domestic, agricultural or pastoral, sea shanties, African-American work songs, songs and chants of direction, and street cries. Ted Gioia further divided agricultural and pastoral songs into hunting, cultivation and herding songs, and highlighted the industrial or proto-industrial songs of cloth workers (see Waulking song), factory workers, seamen, lumberjacks, cowboys and miner ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sea Shanty
A sea shanty, chantey, or chanty () is a genre of traditional Folk music, folk song that was once commonly sung as a work song to accompany rhythmical labor aboard large Merchant vessel, merchant Sailing ship, sailing vessels. The term ''shanty'' most accurately refers to a specific style of work song belonging to this historical Musical repertoire, repertoire. However, in recent, popular usage, the scope of its definition is sometimes expanded to admit a wider range of repertoire and characteristics, or to refer to a "maritime work song" in general. From Latin ''cantare'' via French ''chanter'', the word ''shanty'' emerged in the mid-19th century in reference to an appreciably distinct genre of work song, developed especially on merchant vessels, that had come to prominence in the decades prior to the American Civil War although found before this. Shanty songs functioned to synchronize and thereby optimize labor, in what had then become larger vessels having smaller crews and o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Scotland
Scotland is internationally known for its traditional music, which remained vibrant throughout the 20th century and into the 21st, when many traditional forms worldwide lost popularity to pop music. In spite of emigration and a well-developed connection to music imported from the rest of Europe and the United States, the music of Scotland has kept many of its traditional aspects; indeed, it has itself influenced many forms of music. Many outsiders associate Scottish folk music almost entirely with the Great Highland Bagpipe, which has long played an important part in Scottish music. Although this particular form of bagpipe developed exclusively in Scotland, it is not the only Scottish bagpipe. The earliest mention of bagpipes in Scotland dates to the 15th century although they are believed to have been introduced to Britain by the Roman armies. The ''pìob mhór'', or Great Highland Bagpipe, was originally associated with both hereditary piping families and professional pipers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Igor Stravinsky
Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: ''The Firebird'' (1910), ''Petrushka'' (1911), and ''The Rite of Spring'' (1913). The last transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a revolutionary who pushed the boundaries of musical design. His "Russian phase", which continued with works such as '' Renard'', ''L'Histoire du soldat,'' and ''Les noces'', was followed in the 1920s by a period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Debussy
(Achille) Claude Debussy (; 22 August 1862 – 25 March 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. Born to a family of modest means and little cultural involvement, Debussy showed enough musical talent to be admitted at the age of ten to France's leading music college, the Conservatoire de Paris. He originally studied the piano, but found his vocation in innovative composition, despite the disapproval of the Conservatoire's conservative professors. He took many years to develop his mature style, and was nearly 40 when he achieved international fame in 1902 with the only opera he completed, '' Pelléas et Mélisande''. Debussy's orchestral works include ''Prélude à l'après-midi d'un faune'' (1894), ''Nocturnes'' (1897–1899) and ''Images'' (1905–1912). His music was to a considerable extent a r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consonance And Dissonance
In music, consonance and dissonance are categorizations of simultaneous or successive Sound, sounds. Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness, unpleasantness, or unacceptability, although there is broad acknowledgement that this depends also on familiarity and musical expertise. The terms form a structural dichotomy in which they define each other by mutual exclusion: a consonance is what is not dissonant, and a dissonance is what is not consonant. However, a finer consideration shows that the distinction forms a gradation, from the most consonant to the most dissonant. In casual discourse, as German composer and music theorist Paul Hindemith stressed, "The two concepts have never been completely explained, and for a thousand years the definitions have varied". The term ''sonance'' has been proposed to encompass or refer indistinctly to the terms ''consonance'' and ''dissonance' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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