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Donna Lee
"Donna Lee" is a bebop jazz standard attributed to Charlie Parker, although Miles Davis has also claimed authorship. Written in A-flat, it is based on the chord changes of the jazz standard "(Back Home Again in) Indiana". Beginning with an unusual half-bar rest, "Donna Lee" is a very complex, fast-moving chart with a compositional style based on four-note groups over each change. Authorship "Donna Lee" was originally attributed to Charlie Parker on the original 78-rpm recordingsChambers (1998), p. 61 and was copyrighted under his name in 1947. However, in various interviews and publications since, Miles Davis has claimed to be the composer. Among these is a statement Davis made in his autobiography: "I wrote a tune for the album called 'Donna Lee', which was the first tune of mine that was ever recorded. But when the record came out, it listed Bird arkeras the composer. It wasn't Bird's fault, though. The record company just made a mistake."Davis (1989), p. 103 Recordings "Donn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bebop
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Birth Of The Cool
''Birth of the Cool'' is a compilation album by American jazz trumpeter and bandleader Miles Davis, released in February 1957 by Capitol Records. It compiles eleven tracks recorded by Davis's nonet for the label over the course of three sessions during 1949 and 1950. Featuring unusual instrumentation and several notable musicians, the music consisted of innovative arrangements influenced by classical music techniques such as polyphony, and marked a major development in post-bebop jazz. As the title suggests, these recordings are considered seminal in the history of cool jazz. Most of them were originally released in the 10-inch 78-rpm format and are all approximately three minutes long. Background From 1944 to 1948, Miles Davis played in Charlie Parker's quintet. Davis recorded several albums worth of material with Parker during this period, including Parker's Sessions for the Savoy and Dial labels. Davis' first records released under his own name were recorded with Parker' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Bailey
Steve Bailey is an American bassist. He is the chair of the bass department at Berklee College of Music. Career Bailey began playing bass guitar at age 12 and started playing fretless bass after he ran over his fretted Stuart Spector with his car. He started playing double bass after hearing Stanley Clarke playing with Return to Forever. He has been a faculty member at Coastal Carolina University and the University of North Carolina Wilmington. He was also a faculty member at Hollywood's BIT for 10 years. He is a co-founder of Victor Wooten's Bass/Nature Camp, which helps to teach bassists of all ranges. Thebassvault.com is also a joint project with Bailey and Wooten. He is an avid tennis player and surfer. Bailey has worked with Ernestine Anderson, Bass Extremes, David Benoit, Tab Benoit, Michel Camilo, Larry Carlton, Paquito D'Rivera, Chris Duarte, Bryan Duncan, Brandon Fields, Dave Liebman, Dizzy Gillespie, Scott Henderson, Carol Kaye, Kitaro, T Lavitz, James Moody, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tito Puente
Ernest Anthony Puente Jr. (April 20, 1923 – June 1, 2000), commonly known as Tito Puente, was an American musician, songwriter, bandleader, and record producer of Puerto Rican descent. He is best known for dance-oriented mambo and Latin jazz compositions from his 50-year career. His most famous song is "Oye Como Va". Puente and his music have appeared in films including ''The Mambo Kings'' and Fernando Trueba's ''Calle 54''. He guest-starred on television shows, including ''Sesame Street'' and ''The Simpsons'' two-part episode " Who Shot Mr. Burns?". Early life Tito Puente was born on April 20, 1923, at Harlem Hospital Center in the New York borough of Manhattan, the son of Ernest and Felicia Puente, Puerto Ricans living in New York City's Spanish Harlem. His family moved frequently, but he spent the majority of his childhood in Spanish Harlem. Puente's father was the foreman at a razorblade factory. As a child, he was described as hyperactive, and after neighbors complaine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warne Marsh
Warne Marion Marsh (October 26, 1927 – December 18, 1987) was an American tenor saxophonist. Born in Los Angeles, his playing first came to prominence in the 1950s as a protégé of pianist Lennie Tristano and earned attention in the 1970s as a member of Supersax. Biography Marsh came from an affluent artistic background: his father was Hollywood cinematographer Oliver T. Marsh (1892–1941), and his mother Elizabeth was a violinist. He was the nephew of actresses Mae Marsh and Marguerite Marsh and film editor Frances Marsh. He was tutored by Lennie Tristano. Marsh was often recorded in the company of other Cool School musicians, and remained one of the most faithful to the Tristano philosophy of improvisation – the faith in the purity of the long line, the avoidance of licks and emotional chain-pulling, the concentration on endlessly mining the same small body of jazz standards. While Marsh was a generally cool-toned player, the critic Scott Yanow notes that Marsh played w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ryan Kisor
Ryan Kisor (born April 12, 1973) is an American jazz trumpeter. A native of Sioux City, Iowa, Kisor learned trumpet from his father, Larry Kisor, and started playing in a local dance band (the Eddie Skeets Orchestra) at age ten. Kisor began classical trumpet lessons at age 12, met Clark Terry when he was 15 (attending his summer jazz camp), and played with all-star high school bands. In 1990, Kisor won the Thelonious Monk Institute's trumpet contest at the age of 17; Nicholas Payton and Marcus Printup were among the other contestants that year. HIs younger brother Justin Kisor is also an accomplished jazz artist (trumpet) who he has performed numerous concerts and had record releases with Kisor. Following this he was signed by Columbia Records, who released his first two albums, 1992's ''Minor Mutiny'' and 1993's ''On the One''. Following this, Kisor entered the Manhattan School of Music, where he was a student of Lew Soloff among others. He has played in New York with the Min ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clifford Brown
Clifford Benjamin Brown (October 30, 1930 – June 26, 1956) was an American jazz trumpeter and composer. He died at the age of 25 in a car accident, leaving behind four years' worth of recordings. His compositions "Sandu", "Joy Spring", and "Daahoud" have become jazz standards. Brown won the '' DownBeat'' magazine Critics' Poll for New Star of the Year in 1954; he was inducted into the ''DownBeat'' Hall of Fame in 1972. Early career Brown was born into a musical family in Wilmington, Delaware. His father organized his four sons, including Clifford, into a vocal quartet. Around age ten, Brown started playing trumpet at school after becoming fascinated with the shiny trumpet his father owned. At age thirteen, his father bought him a trumpet and provided him with private lessons. In high school, Brown received lessons from Robert Boysie Lowery and played in "a jazz group that Lowery organized", making trips to Philadelphia. Brown briefly attended Delaware State University as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nick Brignola
Nicholas Thomas "Nick" Brignola (July 17, 1936 – February 8, 2002) was an American jazz baritone saxophonist. Biography Brignola was born on July 17, 1936 in Troy, New York. He was born into a musical family in which his father played the tuba and his uncle played the banjo. As a mostly self-taught musician, he developed his facility on all of his instruments using unconventional techniques, which gave his playing an unmatched fluidity. At the age of 11 he began playing the clarinet and in years to come he picked up the alto and tenor saxophones as well as the flute. At the age of 20 he dropped his alto saxophone off to be repaired, and the only horn the shop had to loan him was the baritone sax. After that, the baritone sax became his main, but not only instrument. While studying education at Ithaca College in New York, Brignola and some of his fellow students made a recording, which won a Down Beat Magazine award for the best college group of the year. The award afforded th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Lacy (saxophonist)
Steve Lacy (born Steven Norman Lackritz; July 23, 1934 – June 4, 2004) was an American jazz saxophonist and composer recognized as one of the important players of soprano saxophone. Coming to prominence in the 1950s as a progressive dixieland musician, Lacy went on to a long and prolific career. He worked extensively in experimental jazz and to a lesser extent in free improvisation, but Lacy's music was typically melodic and tightly-structured. Lacy also became a highly distinctive composer, with compositions often built out of little more than a single questioning phrase, repeated several times. The music of Thelonious Monk became a permanent part of Lacy's repertoire after a stint in the pianist's band, with Monk's works appearing on virtually every Lacy album and concert program; Lacy often partnered with trombonist Roswell Rudd in exploring Monk's work. Beyond Monk, Lacy performed the work of jazz composers such as Charles Mingus, Duke Ellington and Herbie Nichols; unlik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Braxton
Anthony Braxton (born June 4, 1945) is an American experimental composer, educator, music theorist, improviser and multi-instrumentalist who is best known for playing saxophones, particularly the alto. Braxton grew up on the South Side of Chicago, Illinois, and was a key early member of the Association for the Advancement of Creative Musicians. He received great acclaim for his 1969 double- LP record ''For Alto'', the first full-length album of solo saxophone music. A prolific composer with a vast body of cross-genre work, the MacArthur Fellow and NEA Jazz Master has released hundreds of recordings and compositions. During six years signed to Arista Records, the diversity of his output encompassed work with many members of the AACM, including duets with co-founder and first president Muhal Richard Abrams; collaborations with electronic musician Richard Teitelbaum; a saxophone quartet with Julius Hemphill, Oliver Lake and Hamiet Bluiett; compositions for four orchestras; and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karrin Allyson
Karrin Allyson (pronounced ''KAR-in''; born Karrin Allyson Schoonover on July 27, 1963) is an American jazz vocalist. She has been nominated for five Grammy Awards and has received positive reviews from several prominent sources, including the ''New York Times'', which has called her a "singer with a feline touch and impeccable intonation." Early life and education Karrin Allyson was born in Great Bend, Kansas; her father was a Lutheran minister and her mother was a psychotherapist, teacher, and classical music, classical pianist.McNally, Owe"Karrin Allyson Performs Feb. 20 at West Hartford Town Hall."''Hartford Courant''. February 16, 2010. She grew up in Omaha, Nebraska, and spent her last year of high school in San Francisco. In her youth, she studied classical piano, sang at her local church and in musical theatre, and also began songwriting. Allyson attended the University of Nebraska at Omaha on a classical piano scholarship; she majored in classical piano and minored in F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pat Metheny
Patrick Bruce Metheny ( ; born August 12, 1954) is an American jazz guitarist and composer. He is the leader of the Pat Metheny Group and is also involved in duets, solo works, and other side projects. His style incorporates elements of progressive and contemporary jazz, latin jazz, and jazz fusion. Metheny has three gold albums and 20 Grammy Awards and is the only person to win Grammys in 10 categories. He is the younger brother of jazz flugelhornist Mike Metheny. Biography Early years and education Metheny was born in Lee's Summit, Missouri. His father Dave played trumpet, his mother Lois sang, and his maternal grandfather Delmar was a professional trumpeter. Metheny's first instrument was trumpet, which he was taught by his brother, Mike. His brother, father, and grandfather played trios together at home. His parents were fans of Glenn Miller and swing music. They took Metheny to concerts to hear Clark Terry and Doc Severinsen, but they had little respect for guitar. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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