Doepfer Musikelektronik
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Doepfer Musikelektronik
Doepfer Musikelektronik GmbH is a German manufacturer of audio hardware, mostly synthesizer modules (modular synthesizer), based in Gräfelfing, Upper Bavaria and founded by Dieter Döpfer. The product range covers analog modular systems, MIDI controllers, MIDI hardware sequencers, MIDI-to-CV/Gate/Sync Interfaces, MIDI master keyboards and special MIDI equipment. Dieter Döpfer began developing audio hardware with a Voltage Controlled Phaser module for the Formant, a do-it-yourself-kit analog synthesizer from ''Elektor'' magazine in 1977. Several legendary modular synths followed while Döpfer also focused on the development of MIDI equipment during the 1980s. In 1992, Doepfer Musikelektronik GmbH released the MIDI analog sequencer MAQ16/3 which was designed in cooperation with Kraftwerk. In the beginning, the company had direct sales and interested musicians would receive a demonstration by visiting other customers since the modular systems were deemed too difficult for typical ...
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Modular Synthesizer
Modular synthesizers are synthesizers composed of separate modules for different functions. The modules can be connected together by the user to create a patch. The outputs from the modules may include audio signals, analog control voltages, or digital signals for logic or timing conditions. Typical modules are voltage-controlled oscillators, voltage-controlled filters, voltage-controlled amplifiers and envelope generators. History The first modular synthesizer was developed by German engineer Harald Bode in the late 1950s. The 1960s saw the introduction of the Moog synthesizer and the Buchla Modular Electronic Music System, created around the same period. The Moog was composed of separate modules which created and shaped sounds, such as envelopes, noise generators, filters, and sequencers, connected by patch cords. The Japanese company Roland released the Roland System 100 in 1975, followed by the System 700 in 1976 and the System 100m in 1979. In the late 1970s, mod ...
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Doepfer A-100
The Doepfer A-100 is an analog modular synthesizer system introduced by German audio manufacturer Doepfer in 1995. Although only 10 module types were at time of release, it currently has more than 120 modules plus several different enclosures and accessories. Design A-100 modules are designed to be rackmounted, each being 3U tall and a multiple of 2HP wide, and a variety of cases are available to house them. This type of racking system, Eurorack, has been adopted by many other manufacturers of synthesiser modules. Modules are patched using standard mono miniature (3.5 mm) leads. This combination of 3U height, multiples of 2HP width, and 3.5 mm leads is known more generally as the Eurorack standard, and is in contrast to the older combination of 5U height and 6.35 mm width pioneered by Moog. Other companies such as Analogue Solutions, Analogue Systems, Roland, Moog and Cwejman have also adopted the Eurorack standard, making it relatively easy to integrate thei ...
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Modular Synthesizers
Modular synthesizers are synthesizers composed of separate modules for different functions. The modules can be connected together by the user to create a patch. The outputs from the modules may include audio signals, analog control voltages, or digital signals for logic or timing conditions. Typical modules are voltage-controlled oscillators, voltage-controlled filters, voltage-controlled amplifiers and envelope generators. History The first modular synthesizer was developed by German engineer Harald Bode in the late 1950s. The 1960s saw the introduction of the Moog synthesizer and the Buchla Modular Electronic Music System, created around the same period. The Moog was composed of separate modules which created and shaped sounds, such as envelopes, noise generators, filters, and sequencers, connected by patch cords. The Japanese company Roland released the Roland System 100 in 1975, followed by the System 700 in 1976 and the System 100m in 1979. In the late 1970s, ...
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Synthesizer Manufacturing Companies Of Germany
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 1964, ...
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Future Music
''Future Music'' (stylised as ''FutureMusic'') is a monthly magazine published by Future plc in the UK. It was founded in 1992 and is aimed primarily at record producers working in the electronic music field. ''Future Music'' includes hardware and software reviews, tutorials, royalty-free samples and loops, and music by electronic artists. The magazine also has reviews of commercial releases within the electronic genre, regularly naming its "Album of the Month". Interviewees have included Aphex Twin, Grimes and Gary Numan, who appeared on the cover of the first issue. ''Future Music'' content has been reprinted by outlets including ''The Fader'', ''Amiga Format'' and Loopmasters. The journalist and broadcaster Dave Haslam characterised ''Future Music'' as "a specialist mag for techno boffins". Matt Feeney in ''The Lance'' recommended the publication as one of the best within electronic music, saying, "''Future Music'' magazine is... intended not so much for the fans of electronic ...
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MS-404
The Doepfer MS-404 is a MIDI analog synthesizer made by the German audio manufacturer Doepfer. History In summer 1994 Dieter Doepfer's main intention was to create an analog synth for his personal pleasure and he created a simple clone of the Roland TB-303. The MS-404 launched in December 1994. It was a monophonic MIDI controlled analog synthesizer with a 24db resonant filter. At first, 50 to 100 items were planned for the market launch, but then they received almost 500 orders in the first two months in 1995. At the end of 1997 Doepfer had sold 3000 items. Also in 1997 approximately 100 limited edition synths (featuring a green faceplate) were sold as a 25th anniversary special for Music Store of Cologne, Germany. The last MS-404 was sold in March 2001, as the amount of inquiries was falling (from 100 items per month to hardly 10 items per month at the end of 2000). Doepfer still offers technical support for the unit. Further reading *{{cite magazine, title=Doepfer MS-404, page ...
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Atari ST
The Atari ST is a line of personal computers from Atari Corporation and the successor to the Atari 8-bit family. The initial model, the Atari 520ST, had limited release in April–June 1985 and was widely available in July. It was the first personal computer with a bitmapped color GUI, using a version of Digital Research's GEM (desktop environment), GEM from February 1985. The Atari 1040ST, released in 1986 with 1 MB of RAM, was the first home computer with a cost-per-kilobyte of less than US$1. "ST" officially stands for "Sixteen/Thirty-two", referring to the Motorola 68000's 16-bit computing, 16-bit external bus and 32-bit computing, 32-bit internals. The system was designed by a small team led by Shiraz Shivji. Alongside the Macintosh, Amiga, Apple IIGS, and Acorn Archimedes, the ST is part of a mid-1980s generation of computers with 16- or 32-bit processors, 256 Kilobyte, KB or more of RAM, and computer mouse, mouse-controlled graphical user interfaces. The ST was ...
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Commodore 64
The Commodore 64, also known as the C64, is an 8-bit home computer introduced in January 1982 by Commodore International (first shown at the Consumer Electronics Show, January 7–10, 1982, in Las Vegas). It has been listed in the Guinness World Records as the highest-selling single computer model of all time, with independent estimates placing the number sold between 12.5 and 17 million units. Volume production started in early 1982, marketing in August for . Preceded by the VIC-20 and Commodore PET, the C64 took its name from its of RAM. With support for multicolor sprites and a custom chip for waveform generation, the C64 could create superior visuals and audio compared to systems without such custom hardware. The C64 dominated the low-end computer market (except in the UK and Japan, lasting only about six months in Japan) for most of the later years of the 1980s. For a substantial period (1983–1986), the C64 had between 30% and 40% share of the US market and two mil ...
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Sampler (musical Instrument)
A sampler is an electronic or digital musical instrument which uses sound recordings (or " samples") of real instrument sounds (e.g., a piano, violin, trumpet, or other synthesizer), excerpts from recorded songs (e.g., a five-second bass guitar riff from a funk song) or found sounds (e.g., sirens and ocean waves). The samples are loaded or recorded by the user or by a manufacturer. These sounds are then played back by means of the sampler program itself, a MIDI keyboard, sequencer or another triggering device (e.g., electronic drums) to perform or compose music. Because these samples are usually stored in digital memory, the information can be quickly accessed. A single sample may often be pitch-shifted to different pitches to produce musical scales and chords. Often samplers offer filters, effects units, modulation via low frequency oscillation and other synthesizer-like processes that allow the original sound to be modified in many different ways. Most samplers have Mult ...
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Doepfer Ms404
Doepfer Musikelektronik GmbH is a German manufacturer of audio hardware, mostly synthesizer modules (modular synthesizer), based in Gräfelfing, Upper Bavaria and founded by Dieter Döpfer. The product range covers analog modular systems, MIDI controllers, MIDI hardware sequencers, MIDI-to-CV/Gate/Sync Interfaces, MIDI master keyboards and special MIDI equipment. Dieter Döpfer began developing audio hardware with a Voltage Controlled Phaser module for the Formant, a do-it-yourself-kit analog synthesizer from ''Elektor'' magazine in 1977. Several legendary modular synths followed while Döpfer also focused on the development of MIDI equipment during the 1980s. In 1992, Doepfer Musikelektronik GmbH released the MIDI analog sequencer MAQ16/3 which was designed in cooperation with Kraftwerk. In the beginning, the company had direct sales and interested musicians would receive a demonstration by visiting other customers since the modular systems were deemed too difficult for typical ...
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Gräfelfing
Gräfelfing is a municipality in the district of Munich, in Bavaria, Germany. It is located 1 km west of Munich. The name "Gräfelfing" first appears as "Grevolvinga", which as per one hypothesis could possibly name a tribe leader named "grey wolf" ("*Grevol" -> German "grau(er)" -> English "grey"; "*vinga" -> German "Wolf" -> English "wolf"). Gräfelfing is ranked 5th of the wealthiest municipalities in Germany (2021). Transport The municipality has two railway stations: and . Both are served by the Munich S-Bahn The Munich S-Bahn (german: S-Bahn München) is an Railway electrification system, electric rail transit system in Munich, Germany. "S-Bahn" is the German abbreviation for ''Stadtschnellbahn'' (literally, "urban rapid rail"), and the Munich S-Bahn .... References Munich (district) {{Munichdistrict-geo-stub ...
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Kraftwerk
Kraftwerk (, "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1974 and Karl Bartos in 1975, expanding the band to a quartet. On commercially successful albums such as ''Autobahn'' (1974), '' Trans-Europe Express'' (1977), ''The Man-Machine'' (1978), and ''Computer World'' (1981), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylized image including matching suits. Following the release of '' Electric Café'' (1986), Flür left the group in 1987, f ...
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