Doctor Faustus Lights The Lights
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Doctor Faustus Lights The Lights
''Doctor Faustus Lights the Lights'' (1938) is a libretto for an opera by the American Modernism, modernist playwright and poet Gertrude Stein. The text has become a rite of passage for avant-garde theatre artists from the United States: La MaMa Experimental Theatre Club, Judson Poets Theatre, Judson Poets' Group, The Living Theatre, Richard Foreman, Robert Wilson (director), Robert Wilson, and The Wooster Group have all produced the piece. Background Stein wrote the piece during what critics often refer to as the final or narrative period of her playwriting career. From 1932 onwards, she had begun to rediscover and reintegrate stories into her dramatic writing, an element hitherto she had worked to exclude. In a letter to Carl Van Vechten, Stein identified her work on this piece as a breakthrough: "I have been struggling with this problem of dramatic narrative and in ''Doctor Faustus Lights the Lights'' I think I got it."Ryan (1984, 55). Despite her newfound use for narrative, ...
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Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ...
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Faust
Faust is the protagonist of a classic German legend based on the historical Johann Georg Faust ( 1480–1540). The erudite Faust is highly successful yet dissatisfied with his life, which leads him to make a pact with the Devil at a crossroads, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. "Faust" and the adjective "Faustian" imply sacrificing spiritual values for power, knowledge, or material gain. The Faust of early books—as well as the ballads, dramas, movies, and puppet-plays which grew out of them—is irrevocably damned because he prefers human knowledge over divine knowledge: "he laid the Holy Scriptures behind the door and under the bench, refused to be called doctor of theology, but preferred to be styled doctor of medicine". Plays and comic puppet theatre loosely based on this legend were popular throughout ...
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Libretti By Gertrude Stein
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a very detailed description of the ballet's story, scene by sce ...
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