Do You Want To Dance
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Do You Want To Dance
"Do You Want to Dance" is a song written by American singer Bobby Freeman and recorded by him in 1958. It reached number No. 5 on the United States Billboard Hot 100, ''Billboard'' Top 100 Sides Pop music, pop chart and No. 2 on the Hot R&B/Hip-Hop Songs, ''Billboard'' R&B chart. Cliff Richard and the Shadows' version of the song reached No. 2 in the United Kingdom in 1962, despite being a B-side. The Beach Boys' version reached No. 12 as "Do You Wanna Dance?" in the United States in 1965, and a 1972 cover by Bette Midler ("Do You Want to Dance?") reached No. 17. A different song called "Do You Wanna Dance?" was a UK hit for Barry Blue in 1973. Bobby Freeman version San Francisco-born teenager Bobby Freeman had been a member of doo-wop groups the Romancers and the Vocaleers. When asked by a local DJ if he had written any songs, he wrote several and recorded them as solo demo (music), demos. These included "Do You Want to Dance", which was heard by a visiting record label execu ...
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Bobby Freeman
Robert Thomas Freeman (June 13, 1940 – January 23, 2017)"Bobby Freeman"
Ace Records.co.uk. Retrieved February 13, 2017.
was an American rock, and R&B singer, songwriter and record producer from San Francisco, best known for his two Top Ten hits, the first in 1958 on called "

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Jerry Garcia
Jerome John Garcia (August 1, 1942 – August 9, 1995) was an American musician best known for being the principal songwriter, lead guitarist, and a vocalist with the rock band Grateful Dead, which he co-founded and which came to prominence during the counterculture of the 1960s. Although he disavowed the role, Garcia was viewed by many as the leader of the band. He was inducted into the Rock and Roll Hall of Fame in 1994 as a member of the Grateful Dead. As one of its founders, Garcia performed with the Grateful Dead for the band's entire 30-year career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders–Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old & In the Way, the Garcia/ Grisman and Garcia/Kahn acoustic duos, Legion of Mary, and New Riders of the Purple Sage (which he co-founded with John Dawson and David Nelson). He also released several solo albums, and contributed to a number of ...
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B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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It'll Be Me (Jerry Lee Lewis Song)
"It'll Be Me" is a song written by Jack Clement, first released in April 1957 by Jerry Lee Lewis, as B-side to his single " Whole Lot of Shakin' Going On" (Sun 267). Jerry Lee Lewis The song was written by Clement with the intention that it be the follow-up A-side to Jerry Lee Lewis' first local hit, "Crazy Arms". According to Clement, "We were working on a song I'd written called "It'll Be Me", and I was in the control room and getting tired of it, so I went out there and said, 'Why don't we get off of this? We'll come back to it later, Jerry. Let's cut something else...'." Band member J. W. Brown suggested that Lewis play another song that had been going down well in live performances, "Whole Lotta Shakin' Going On". When the single was released, "It'll Be Me" was used as the B-side. Another (slower and shorter) version of the song, from a later recording session, was released in May 1958 on his first album ''Jerry Lee Lewis''. Cliff Richard and the Shadows Cliff Richard ...
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The Young Ones (song)
"The Young Ones" is a single by Cliff Richard and the Shadows. The song, written by Sid Tepper and Roy C. Bennett, is the title song to the 1961 film '' The Young Ones'' and its soundtrack album. With advance orders of over 500,000, it was released in January 1962 on the Columbia (EMI) label and went straight to No. 1 in the UK Singles Chart. It was the first British single to do so since Elvis Presley's " It's Now or Never" in November 1960. It held that position for six weeks and spent 20 weeks in the chart. It has sold 1.06 million copies in the UK, and 2.6m worldwide. "The Young Ones" was also included on Cliff Richard and the Shadows No. 1 EP '' Hits from the Young Ones''. Personnel * Cliff Richard – lead vocals * Hank Marvin – lead guitar * Bruce Welch – rhythm guitar * Jet Harris – bass guitar * Tony Meehan – drums Chart performance In popular culture In the 1980s, it became the theme song to the alternative comedy sitcom '' The Young Ones''. See also *Lis ...
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Norrie Paramor
Norman William Paramor (15 May 1914 – 9 September 1979), known professionally as Norrie Paramor, was a British record producer, composer, arranger, pianist, bandleader, and orchestral conductor. He is best known for his work with Cliff Richard and the Shadows, both together and separately, steering their early careers and producing and arranging most of their material from the late 1950s to the early 1970s. Paramor was a composer of studio albums, theatrical productions, and film scores. Producer Although the term "producer" was not in circulation at the time Paramor started producing records (the usual term being Artiste and Repertoire Manager, or A&R man), he effectively began this role in 1952 when he became Recording Director for EMI's Columbia Records. As well as being producer for Cliff Richard and the Shadows, he produced records for Ruby Murray, Eddie Calvert, Michael Holliday, Helen Shapiro, Frank Ifield, Frankie Vaughan, the Mudlarks, the Avons, and Ricky Val ...
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Columbia Graphophone
Columbia Graphophone Co. Ltd. was one of the earliest gramophone companies in the United Kingdom. Founded in 1917 as an offshoot of the American Columbia Phonograph Company, it became an independent British-owned company in 1922 in a management buy-out after the parent company went into receivership. In 1925 it acquired a controlling interest in its American parent company to take advantage of a new electrical recording process. The British firm also controlled the US operations from 1925 until 1931. That year Columbia Graphophone in the UK merged with the Gramophone Company (which sold records under the HMV label) to form EMI. At the same time, Columbia divested itself of its American branch, which was eventually absorbed by Columbia Broadcasting System (CBS) in 1938. As Columbia Records, it became a successful British label in the 1950s and 1960s, and was eventually replaced by the newly created EMI Records, as part of a label consolidation. This in turn was absorbed by th ...
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EMI Studios
Abbey Road Studios (formerly EMI Recording Studios) is a recording studio at 3 Abbey Road, St John's Wood, City of Westminster, London, England. It was established in November 1931 by the Gramophone Company, a predecessor of British music company EMI, which owned it until Universal Music Group (UMG) took control of part of it in 2013. It is ultimately owned by UMG subsidiary Virgin Records Limited (until 2013 by EMI Records Limited, nowadays known as Parlophone Records and owned by UMG's competitor Warner Music Group). The studio's most notable client was the Beatles, who used the studio – particularly its Studio Two room – as the venue for many of the innovative recording techniques that they adopted throughout the 1960s. In 1976, the studio was renamed from EMI in honour of their final recorded album, ''Abbey Road''. In 2009, Abbey Road came under threat of sale to property developers. In response, the British Government protected the site, granting it English Heritag ...
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The Shadows
The Shadows (originally known as the Drifters) were an English instrumental rock group, who dominated the British popular music charts in the late 1950s and early 1960s, in the pre- Beatles era. They served as the backing band for Cliff Richard from 1958 to 1968, and have joined him for several reunion tours. The Shadows have had 69 UK chart singles from the 1950s to the 2000s, 35 credited to the Shadows and 34 to Cliff Richard and the Shadows. The group, who were in the forefront of the UK beat-group boom, were the first backing band to emerge as stars. As pioneers of the four-member instrumental format, the band consisted of lead guitar, rhythm guitar, bass guitar and drums. Their range covers pop, rock, surf rock and ballads with a jazz influence. The core members from 1958 to present are guitarists Hank Marvin and Bruce Welch and drummer Brian Bennett (who has been with the group since 1961) with various bassists and occasionally keyboardists through the years. Along wi ...
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Cliff Richard
Sir Cliff Richard (born Harry Rodger Webb; 14 October 1940) is an Indian-born British musican, singer, producer, entrepreneur and philanthropist who holds both British and Barbadian citizenship. He has total sales of over 21.5 million singles in the United Kingdom and is the third-top-selling artist in UK Singles Chart history, behind the Beatles and Elvis Presley. Richard was originally marketed as a rebellious rock and roll singer in the style of Presley and Little Richard. With his backing group, the Shadows, he dominated the British popular music scene in the pre-Beatles period of the late 1950s to early 1960s. His 1958 hit single "Move It" is often described as Britain's first authentic rock and roll song. In the early 1960s, he had a prosperous screen career with films including '' The Young Ones'', '' Summer Holiday'' and '' Wonderful Life'' and his own television show at the BBC. Increased focus on his Christian faith and subsequent softening of his music led t ...
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