Dissolve (film)
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Dissolve (film)
In the post-production process of film editing and video editing, a dissolve (sometimes called a lap dissolve) is a type of film transition in which one sequence fades over another. The terms fade-out (also called fade to black) and fade-in are used to describe a transition to and from a blank image. This is in contrast to a cut, where there is no such transition. A dissolve overlaps two shots for the duration of the effect, usually at the end of one scene and the beginning of the next, but may be used in montage sequences also. Generally, but not always, the use of a dissolve is held to indicate that a period of time has passed between the two scenes. Also, it may indicate a change of location or the start of a flashback. Creation of effect In film, this effect is usually created with an optical printer by controlled double exposure from frame to frame. In linear video editing or a live television production, the same effect is created by interpolating voltages of the video ...
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A2o Dissolve
A, or a, is the first letter and the first vowel of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''a'' (pronounced ), plural ''aes''. It is similar in shape to the Ancient Greek letter alpha, from which it derives. The uppercase version consists of the two slanting sides of a triangle, crossed in the middle by a horizontal bar. The lowercase version can be written in two forms: the double-storey a and single-storey ɑ. The latter is commonly used in handwriting and fonts based on it, especially fonts intended to be read by children, and is also found in italic type. In English grammar, " a", and its variant " an", are indefinite articles. History The earliest certain ancestor of "A" is aleph (also written 'aleph), the first letter of the Phoenician alphabet, which consisted entirely of consonants (for that reason, it is also called an abjad to distinguish it f ...
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Jump Cut
A jump cut is a cut (transition), cut in film editing in which a single continuous sequential shot of a subject is broken into two parts, with a piece of footage being removed in order to render the effect of jumping forward in time. Camera positions of the subject in the remaining pieces of footage of the sequence should vary only slightly in order to achieve the effect. It is a manipulation of temporal space using the duration of a single shot, and fracturing the duration to move the audience ahead. This kind of cut abruptly communicates the passing of time as opposed to the more seamless dissolve heavily used in films predating Jean-Luc Godard's ''Breathless (1960 film), Breathless'', which made extensive use of jump cuts and popularized the technique during the 1960s. For this reason, jump cuts are considered a violation of classical continuity editing, which aims to give the appearance of continuous time and space in the story-world by de-emphasizing editing, but are sometimes ...
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Articles Containing Video Clips
Article often refers to: * Article (grammar), a grammatical element used to indicate definiteness or indefiniteness * Article (publishing), a piece of nonfictional prose that is an independent part of a publication Article may also refer to: Government and law * Article (European Union), articles of treaties of the European Union * Articles of association, the regulations governing a company, used in India, the UK and other countries * Articles of clerkship, the contract accepted to become an articled clerk * Articles of Confederation, the predecessor to the current United States Constitution *Articles of Impeachment, Article of Impeachment, a formal document and charge used for impeachment in the United States * Articles of incorporation, for corporations, U.S. equivalent of articles of association * Articles of organization, for limited liability organizations, a U.S. equivalent of articles of association Other uses * Article, an HTML element, delimited by the tags and * Ar ...
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Blend Modes
A blend is a mixture of two or more different things or substances; e.g., a product of a Blender, mixer or blender. Blend Blend may also refer to: * Blend word, a word formed from parts of other words * Blend (album), ''Blend'' (album), a 1996 album by BoDeans * Blend (cigarette), a Swedish brand * Blend (textile), Textile product made out of a mixture of two or more fibers * .blend (file format), a file format used by the open-source 3D application Blender * Consonant blend, a group of consonants which have no intervening vowel * Polymer blend, a member of a class of materials analogous to metal alloys * Microsoft Blend, Microsoft Blend for Visual Studio (formerly Microsoft Expression Blend), a user interface design tool for WPF and Silverlight * Blend modes in digital image editing, used to determine how two layers are blended into each other * The Blend (Sirius XM), a satellite radio channel * Mashup (music) Blended Blended may refer to: * Blended (film), ''Blended'' (film), ...
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Georges Méliès
Marie-Georges-Jean Méliès (; ; 8 December 1861 – 21 January 1938) was a French illusionist, actor, and film director. He led many technical and narrative developments in the earliest days of cinema. Méliès was well known for the use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, dissolves, and hand-painted colour. He was also one of the first filmmakers to use storyboards. His films include '' A Trip to the Moon'' (1902) and ''The Impossible Voyage'' (1904), both involving strange, surreal journeys somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy. The 2011 film ''Hugo'' was inspired by the life and work of Méliès. Early life and education Marie-Georges-Jean Méliès was born 8 December 1861 in Paris, son of Jean-Louis Méliès and his Dutch wife, Johannah-Catherine Schuering. His father h ...
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Wipe (transition)
300px, Examples of various wipe transitions In filmmaking, a wipe is a type of film transition where one shot replaces another by travelling from one side of the frame to another or with a special shape. If the wipe proceeds from two opposite edges of the screen toward the center or vice versa, it is known as a barn door wipe (named for its similarity to a pair of doors opening or closing). The following are some specific styles of wipes: * An iris slow is a wipe that takes the shape of a growing or shrinking circle. It has been frequently used in animated short films, such as those in the ''Looney Tunes'' and ''Merrie Melodies'' cartoon series, to signify the end of a story. When used in this manner, the iris wipe may be centered on a certain focal point and may be used as a device for a "parting shot" joke, a fourth wall-breaching wink by a character, or other purposes. Optional graphic (i.e. rips) occasionally overlay it to achieve a certain effect like an iris tearing trans ...
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Offscreen
The terms offscreen, off camera, and offstage refer to fictional events in theatre, television, or film which are not seen on stage or in frame, but are merely heard by the audience, or described (or implied) by the characters or narrator. Offscreen action often leaves much to the audience's imagination. As a narrative mode and stylistic device, it may be used for a number of dramatic effects. Like a deleted scene, it may also be used to save time in storytelling, to circumvent technical or financial constraints of a production, or to meet content rating standards. Uses In ancient Greek drama, events were often recounted to the audience by a narrator, rather than being depicted on the stage. Offscreen voice-over narration continues to be a common tool for conveying information authoritatively. Charlie Chaplin made use of offscreen action to humorous effect. In a deleted scene in ''Shoulder Arms'' (1918), Chaplin's character is berated by an abusive wife who is never seen on cam ...
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Fade (audio Engineering)
In audio engineering, a fade is a gradual increase or decrease in the level of an audio signal. The term can also be used for film cinematography or theatre lighting in much the same way (see fade (filmmaking) and fade (lighting)). A recorded song may be gradually reduced to silence at its end (fade-out), or may gradually increase from silence at the beginning (fade-in). Fading-out can serve as a recording solution for pieces of music that contain no obvious ending. Both fades and crossfades are very valuable since they allow the engineer to quickly and easily make sure that the beginning and the end of any audio is smooth, without any prominent glitches.Langford, S. 2014. Digital Audio Editing. Burlington: Focal Press. pp. 47-57. It is necessary that there is a clear section of silence prior to the audio. Fade-ins and -outs can also be used to change the characteristics of a sound, such as to soften the attack in vocals where very plosive (‘b’, ‘d’, and ‘p’) s ...
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Crossfade (audio Engineering)
In audio engineering, a fade is a gradual increase or decrease in the level of an audio signal. The term can also be used for film cinematography or theatre lighting in much the same way (see fade (filmmaking) and fade (lighting)). A Sound recording and reproduction, recorded song may be gradually reduced to silence at its end (fade-out), or may gradually increase from silence at the beginning (fade-in). Fading-out can serve as a recording solution for pieces of music that contain no obvious ending. Both fades and crossfades are very valuable since they allow the engineer to quickly and easily make sure that the beginning and the end of any audio is smooth, without any prominent glitches.Langford, S. 2014. Digital Audio Editing. Burlington: Focal Press. pp. 47-57. It is necessary that there is a clear section of silence prior to the audio. Fade-ins and -outs can also be used to change the characteristics of a sound, such as to soften the Envelope (music)#ADSR, attack in voca ...
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French New Wave
French New Wave (french: La Nouvelle Vague) is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The New Wave is often considered one of the most influential movements in the history of cinema. The term was first used by a group of French film critics and cinephiles associated with the magazine '' Cahiers du cinéma'' in the late 1950s and 1960s. These critics rejected the ''Tradition de qualité'' ("Tradition of Quality") of mainstream French cinema, which emphasized craft over innovation and old works over experimentation. This was apparent in a manifesto-like 1954 essay by François Truffaut, ''Une certaine tenda ...
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Continuity Editing
Continuity editing is the process, in film and video creation, of combining more-or-less related shots, or different components cut from a single shot, into a sequence to direct the viewer's attention to a pre-existing consistency of story across both time and physical location. Often used in feature films, continuity editing, or "cutting to continuity", can be contrasted with approaches such as montage, with which the editor aims to generate, in the mind of the viewer, new associations among the various shots that can then be of entirely different subjects, or at least of subjects less closely related than would be required for the continuity approach. When discussed in reference to classical Hollywood cinema, it may also be referred to as classical continuity. Common techniques of continuity editing Continuity editing can be divided into two categories: temporal continuity and spatial continuity. Within each category, specific techniques will work against a sense of continuity. ...
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Orson Welles
George Orson Welles (May 6, 1915 – October 10, 1985) was an American actor, director, producer, and screenwriter, known for his innovative work in film, radio and theatre. He is considered to be among the greatest and most influential filmmakers of all time. While in his 20s, Welles directed high-profile stage productions for the Federal Theatre Project, including an adaptation of ''Macbeth'' with an entirely African-American cast and the political musical '' The Cradle Will Rock''. In 1937, he and John Houseman founded the Mercury Theatre, an independent repertory theatre company that presented a series of productions on Broadway through 1941, including ''Caesar'' (1937), an adaptation of William Shakespeare's ''Julius Caesar''. In 1938, his radio anthology series ''The Mercury Theatre on the Air'' gave Welles the platform to find international fame as the director and narrator of a radio adaptation of H. G. Wells's novel ''The War of the Worlds'', which caused s ...
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