Disco Volante (Mr. Bungle Album)
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Disco Volante (Mr. Bungle Album)
''Disco Volante'' ( Italian for ''Flying Saucer'') is the second studio album by American experimental rock band Mr. Bungle. It was released on October 10, 1995, through Warner Bros., and is their most experimental album, mixing elements from such varied styles as death metal, jazz, arabic music, musique concrète, easy listening and even klezmer or tango. Background The album's title refers to the name of the yacht of the same name featured in the James Bond film '' Thunderball'', literally meaning "Flying Saucer" in Italian. Mr. Bungle had previously covered the film's theme song live and in studio, but it was never officially released. ''Disco Volante'' would be founding member Theo Lengyel's final album with the band, leaving shortly after the tour due to "artistic differences". Band member Danny Heifetz would later comment, "I miss him. He added a huge chemical imbalance that helped us on the road. He hates us and rightfully so. The music changed, plain and simple. Ver ...
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Experimental Music
Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include Indeterminacy in music, indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may also approach a hybrid of disparate styles or incorporate unorthodox and unique elements. The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing Indeterminacy (music), indeterminacy techniques and seeking unknown outcomes. In France, as early as 1953, Pierre Schaeffer had ...
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James Bond
The ''James Bond'' series focuses on a fictional British Secret Service agent created in 1953 by writer Ian Fleming, who featured him in twelve novels and two short-story collections. Since Fleming's death in 1964, eight other authors have written authorised Bond novels or novelisations: Kingsley Amis, Christopher Wood, John Gardner, Raymond Benson, Sebastian Faulks, Jeffery Deaver, William Boyd, and Anthony Horowitz. The latest novel is ''With a Mind to Kill'' by Anthony Horowitz, published in May 2022. Additionally Charlie Higson wrote a series on a young James Bond, and Kate Westbrook wrote three novels based on the diaries of a recurring series character, Moneypenny. The character—also known by the code number 007 (pronounced "double-oh-seven")—has also been adapted for television, radio, comic strip, video games and film. The films are one of the longest continually running film series and have grossed over US$7.04 billion in total at the box office ...
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Peter Thomas (composer)
Peter Thomas (1 December 1925 – 17 May 2020) was a German composer and arranger with an active career of more than 50 years. He was known for his TV and film soundtracks such as '' Raumpatrouille'', the Edgar Wallace movies film series, and the Jerry Cotton film series. Life Thomas was born in Breslau, Silesia. In the 1950s, he played as a musician for the RIAS broadcaster, typically live. The restored Brandenburg Gate in Berlin was re-opened in 2002 with a live version of the main theme of the '' Raumpatrouille'' soundtrack. In his directorial debut, '' Confessions of a Dangerous Mind'' (2002), actor George Clooney used three tracks of Peter Thomas' music originally composed for Edgar Wallace movies of the 1960s (in their original mono versions). The 1990s avant-garde band Mr. Bungle performed his piece "Love In Space" on several dates of their 1995/1996 tour for ''Disco Volante''. UK Plunderphonics and avant-garde band, The Perrinormal, name Peter Thomas as one of th ...
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Joe Meek
Robert George "Joe" Meek (5 April 1929 – 3 February 1967) was an English record producer, sound engineer and songwriter who pioneered space age and experimental pop music. He also assisted in the development of recording practices like overdubbing, sampling and reverberation. Meek is considered one of the most influential sound engineers of all time, being one of the first to develop ideas such as the recording studio as an instrument, and becoming one of the first producers to be recognised for his individual identity as an artist. Charting singles Meek produced for other artists include "Johnny Remember Me" (John Leyton, 1961), "Just Like Eddie" ( Heinz, 1963), "Angela Jones" ( Michael Cox, 1960), "Have I the Right?" (the Honeycombs, 1964), and "Tribute to Buddy Holly" ( Mike Berry, 1961). The Tornados' instrumental "Telstar" (1962), written and produced by Meek, became the first record by a British rock group to reach number one in the US Hot 100. It also spent five we ...
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Mike Patton
Michael Allan Patton (born January 27, 1968) is an American singer, producer, film composer and voice actor, best known as the lead vocalist of the alternative metal band Faith No More. Noted for his vocal proficiency, diverse singing techniques, wide range of projects, style-transcending influences, eccentric public image and contempt for the music industry, Patton has earned critical praise and influenced many contemporary singers. Patton is also co-founder and lead vocalist of Mr. Bungle, and has played with Tomahawk, Fantômas, Moonchild Trio, Kaada/Patton, Dead Cross, Lovage, Mondo Cane, and Peeping Tom. Consistent collaborators through his varied career include avant-garde jazz saxophonist John Zorn, hip hop producer Dan the Automator and classical violinist Eyvind Kang. He has worked as a producer or co-producer with artists such as Merzbow, The Dillinger Escape Plan, Sepultura, Melvins, Melt-Banana, and Kool Keith. He co-founded Ipecac Recordings with Greg Werckma ...
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Rave
A rave (from the verb: '' to rave'') is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines. While some raves may be small parties held at nightclubs or private homes, some raves have grown to immense size, such as the large festivals and events ...
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Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbr ...
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Middle Eastern Music
The various nations of the region include the Arabic-speaking countries of the Middle East, the Iranian traditions of Persia, the Jewish music of Israel and the diaspora, Armenian music, Kurdish music, Azeri Music, the varied traditions of Cypriot music, the music of Turkey, traditional Assyrian music, Coptic ritual music in Egypt as well as other genres of Egyptian music in general, and the Andalusian (Muslim Spain) music very much alive in the greater Middle East (North Africa), all maintain their own traditions. It is widely regarded that some Middle-Eastern musical styles have influenced Central Asia, as well as Spain, and the Balkans. Throughout the region, religion has been a common factor in uniting peoples of different languages, cultures and nations. The predominance of Islam allowed a great deal of Arabic, and Byzantine influence to spread through the region rapidly from the 7th century onward. The Arabic scale is strongly melodic, based on various maqamat (sing. maq ...
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Noise Music
Noise music is a genre of music that is characterised by the expressive use of noise within a musical context. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect. Noise music can feature acoustically or electronically generated noise, and both traditional and unconventional musical instruments. It may incorporate live machine sounds, non-musical vocal techniques, physically manipulated audio media, processed sound recordings, field recording, computer-generated noise, stochastic process, and other randomly produced electronic signals such as distortion, feedback, static, hiss and hum. There may also be emphasis on high volume levels and lengthy, continuous pieces. More generally noise music may contain aspects such as improvisation, extended technique, cacophony ...
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Electroacoustic Music
Electroacoustic music is a genre of popular and Western art music in which composers use technology to manipulate the timbres of acoustic sounds, sometimes by using audio signal processing, such as reverb or harmonizing, on acoustical instruments. It originated around the middle of the 20th century, following the incorporation of electric sound production into compositional practice. The initial developments in electroacoustic music composition to fixed media during the 20th century are associated with the activities of the at the ORTF in Paris, the home of musique concrète, the Studio for Electronic Music in Cologne, where the focus was on the composition of '' elektronische Musik,'' and the Columbia-Princeton Electronic Music Center in New York City, where tape music, electronic music, and computer music were all explored. Practical electronic music instruments began to appear in the early 20th century. Tape music Tape music is an integral part of '' musique concrète'' ...
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Exotica
Exotica is a musical genre, named after the 1957 Martin Denny album of the same name that was popular during the 1950s to mid-1960s with Americans who came of age during World War II. The term was coined by Simon "Si" Waronker, Liberty Records co-founder board chairman. The musical colloquialism ''exotica'' means tropical ersatz, the non-native, pseudo experience of insular Oceania, Southeast Asia, Hawaii, the Amazon basin, the Andes, the Caribbean and tribal Africa. Denny described the musical style as "a combination of the South Pacific and the Orient...what a lot of people imagined the islands to be like...it's pure fantasy though." While the South Seas forms the core region, exotica reflects the "musical impressions" of every place from standard travel destinations to the mythical "shangri-las" dreamt of by armchair safari-ers. History Les Baxter's album ''Ritual of the Savage'' (''Le Sacre du Sauvage'') was released in 1952 and would become a cornerstone of exotica. Thi ...
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Trey Spruance
Preston Lea "Trey" Spruance III (born August 14, 1969) is an American composer, producer, and musician who co-founded the experimental rock band Mr. Bungle. He is also leader of the multi-genre outfit Secret Chiefs 3. Originally a guitarist and trumpeter, in the early 90s Spruance began playing vintage electronic organs, analog synthesizers, saz, santur, electric sitar, tar, and various other string and percussion instruments. In the mid 90s he founded Forking Paths Studio where his production techniques were applied to Mr. Bungle and Secret Chiefs 3 records among many others. Since 2007 Spruance's Secret Chiefs 3 has been a very active live entity, performing well over 500 shows in more than 50 countries. Spruance's playing and composition style is influenced by many diverse genres of music, such as surf rock, Anatolian folk, death metal, film music, Afghan rebab music, ska, funk, space rock, jazz and Japanoise. Musique concrète and foley work also play a large role in his ...
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