Diptych Of Philip De Croÿ With The Virgin And Child
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Diptych Of Philip De Croÿ With The Virgin And Child
The ''Diptych of Philip de Croÿ with The Virgin and Child'' consists of a pair of small oil-on-oak panels painted c. 1460 by the Netherlandish artist Rogier van der Weyden. While the authorship and dating of both works are not in doubt, it is believed but not proven that they were created as wings of a devotional diptych and that at some unknown time the panels were broken apart. A diptych panel fitting the description of the Mary wing was described in a 1629 inventory of paintings owned by Alexandre d'Arenberg, a descendant of Philip I de Croÿ (1435–1511).Campbell, 110 Both have been approximately dated to 1460 and are now in Antwerp and San Marino, CA respectively. The reverse of de Croÿ's portrait is inscribed with the family crest and the title used by the sitter from 1454 to 1461. The right hand panel depicts Philip I de Croÿ, chamberlain to Philip the Good and comte de Chimay from 1472 until his death, possibly at battle, in 1482. De Croÿ would have been around ...
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Huntington Library
The Huntington Library, Art Museum and Botanical Gardens, known as The Huntington, is a collections-based educational and research institution established by Henry E. Huntington (1850–1927) and Arabella Huntington (c.1851–1924) in San Marino, California, United States. In addition to the library, the institution houses an extensive art collection with a focus on 18th- and 19th-century European art and 17th- to mid-20th-century American art. The property also includes approximately of specialized botanical landscaped gardens, most notably the "Japanese Garden", the "Desert Garden", and the "Chinese Garden" (Liu Fang Yuan). History As a landowner, Henry Edwards Huntington (1850–1927) played a major role in the growth of Southern California. Huntington was born in 1850, in Oneonta, New York, and was the nephew and heir of Collis P. Huntington (1821–1900), one of the famous "Big Four" railroad tycoons of 19th century California history. In 1892, Huntington relocated to ...
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Madonna And Child Rogier Van Der Weyden Crop
Madonna Louise Ciccone (; ; born August 16, 1958) is an American singer-songwriter and actress. Widely dubbed the "Queen of Pop", Madonna has been noted for her continual reinvention and versatility in music production, songwriting, and visual presentation. She has pushed the boundaries of artistic expression in mainstream music, while continuing to maintain control over every aspect of her career. Her works, which incorporate social, political, sexual, and religious themes, have generated both controversy and critical acclaim. A prominent cultural figure crossing both the 20th and 21st centuries, Madonna remains one of the most "well-documented figures of the modern age", with a broad amount of scholarly reviews and literature works on her, as well as an academic mini subdiscipline devoted to her named Madonna studies. At 20 years old, Madonna moved to New York City in 1978 to pursue a career in modern dance. After performing as a drummer, guitarist, and vocalis ...
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Madonna Of Chancellor Rolin
The ''Madonna of Chancellor Rolin'' is an oil painting by the Early Netherlandish master Jan van Eyck, dating from around 1435. It is kept in the Musée du Louvre, Paris, and was commissioned by Nicolas Rolin, aged 60, chancellor of the Duchy of Burgundy, whose votive portrait takes up the left side of the picture, for his parish church, ''Notre-Dame-du-Chastel'' in Autun, where it remained until the church burnt down in 1793. After a period in Autun Cathedral, it was moved to the Louvre in 1805. Description The scene depicts the Virgin Mary crowned by a hovering Angel while she presents the Infants Jesus to Rolin. It is set within a spacious loggia with a rich decoration of columns and bas-reliefs. In the background is a landscape with a city on a river, probably intended to be Autun in Burgundy, Rolin's hometown. A wide range of well detailed palaces, churches, an island, a towered bridge, hills and fields is portrayed, subject to a uniform light. Perhaps some of the Chancell ...
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Jan Van Eyck
Jan van Eyck ( , ; – July 9, 1441) was a painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art. According to Vasari and other art historians including Ernst Gombrich, he invented oil painting, Gombrich, The Story of Art, page 240 though most now regard that claim as an oversimplification. The surviving records indicate that he was born around 1380 or 1390, most likely in Maaseik (then Maaseyck, hence his name), Limburg, which is located in present-day Belgium. He took employment in The Hague around 1422, when he was already a master painter with workshop assistants, and was employed as painter and ''valet de chambre'' to John III the Pitiless, ruler of the counties of Holland and Hainaut. After John's death in 1425, he was later appointed as court painter to Philip the Good, Duke of Burgundy, and worked in Lille before moving to B ...
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Nicolas Rolin
Nicolas Rolin (1376–1462) was a leading figure in the history of Burgundy and France, becoming chancellor to Philip the Good (Philip III, Duke of Burgundy). Born into a bourgeois family in Autun, Rolin's first marriage in 1398 was part of a triple marriage of his widowed mother to a bourgeois of Beaune, accompanied by the marriages of her two sons to two daughters of the bridegroom, Perrenet Le Mairet. However all three of these brides were dead within a few years. He next married Marie des Landes, before 1407, a marriage which paved the way for his entry to the bourgeoisie of Paris. In 1422, Rolin was made chancellor by Philip the Good, a post he held for more than forty years as one of the principal architects of the monarch's success. Rolin is closely linked with John the Fearless who was godfather to his third son. In 1421, Nicolas Rolin married Guigone de Salins (1403–1470) and together they established the Hospices de Beaune. Rolin was one of the participants in dr ...
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Glaze (painting Technique)
A glaze is a thin transparent or semi-transparent layer on a painting which modifies the appearance of the underlying paint layer. Glazes can change the chroma, value, hue and texture of a surface. Glazes consist of a great amount of binding medium in relation to a very small amount of pigment. Drying time will depend on the amount and type of paint medium used in the glaze. The medium, base, or vehicle is the mixture to which the dry pigment is added. Different media can increase or decrease the rate at which oil paints dry. Often, because a paint is too opaque, painters will add a medium like linseed oil or alkyd to the paint to make them more transparent and pliable for the purposes of glazing. While these media are usually liquids, there are solid and semi-solid media used in the making of paints as well. For example, many classical oil painters have also been known to use ground glass and semi-solid resins to increase the translucency of their paint. Oil painting In oil pain ...
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Verdigris
Verdigris is the common name for blue-green, copper-based pigments that form a patina on copper, bronze, and brass. The technical literature is ambiguous as to its chemical composition. Some sources refer to "neutral verdigris" as copper(II) acetate monohydrate () and to "blue verdigris" as . Another source describes it as a basic copper carbonate (()2), and, when near the sea, basic copper chloride (Cu2(OH)3Cl). Still other sources describe verdigris as .(Cu(OH)2)n where n varies from 0 to 3. The alchemical symbol for verdigris is 🜨 (unicode U+1F728). Etymology The name ''verdigris'' comes from the Middle English ''vertegrez'', from the Old French ''verte grez'', meaning ''vert d'aigre'', "green ade by action ofvinegar". The modern French writing of this word is ''vert-de-gris'' ("green of grey"), sounding like the older name ''verdet gris'' ("grey greenish"), itself a deformation of ''verte grez''. It was used as a pigment in paintings and other art objects (as green col ...
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Tassel
A tassel is a finishing feature in fabric and clothing decoration. It is a universal ornament that is seen in varying versions in many cultures around the globe. History and use In the Hebrew Bible, the Lord spoke to Moses instructing him to tell the Israelites to make tassels (Hebrew tzitzit) on the corners of their garments, to help them to remember all the commandments of the Lord and to keep them (Numbers 15:37-40), and as a sign of holiness. The religious Hebrew tassel, however, bears little resemblance to the decorative one which appeared and eventually became popular in Europe, especially France and Spain. In the West, tassels were originally a series of windings of thread or string around a suspending string until the desired curvature was attained. Later, turned wooden moulds, which were either covered in simple wrappings or much more elaborate coverings called ''satinings'', were used. This involved an intricate binding of bands of filament silk vertically around the ...
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Doublet (clothing)
A doublet (/ˈdʌblɪt/; derived from the Ital. ''giubbetta'') is a man's snug-fitting jacket that is shaped and fitted to the man's body. The garment was worn in Spain, and spread to the rest of Western Europe, from the late Middle Ages up to the mid-17th century. The doublet was hip length or waist length and worn over the shirt or drawers. Until the end of the 15th century, the doublet was usually worn under another layer of clothing such as a gown, mantle, overtunic or jerkin when in public. Originally it was a mere stitched and quilted lining ("doubling"), worn under a hauberk or cuirass to prevent bruising and chafing. Doublets were sometimes opened to the waistline in a deep V. The edges might be left free or laced across the shirt front. If there was space left it might be filled with a stomacher. By the 1520s, the edges of the doublet more frequently met at the center front. Then, like many other originally practical items in the history of men's wear, from the late 15 ...
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Brighton
Brighton () is a seaside resort and one of the two main areas of the City of Brighton and Hove in the county of East Sussex, England. It is located south of London. Archaeological evidence of settlement in the area dates back to the Bronze Age, Roman and Anglo-Saxon periods. The ancient settlement of "Brighthelmstone" was documented in the ''Domesday Book'' (1086). The town's importance grew in the Middle Ages as the Old Town developed, but it languished in the early modern period, affected by foreign attacks, storms, a suffering economy and a declining population. Brighton began to attract more visitors following improved road transport to London and becoming a boarding point for boats travelling to France. The town also developed in popularity as a health resort for sea bathing as a purported cure for illnesses. In the Georgian era, Brighton developed as a highly fashionable seaside resort, encouraged by the patronage of the Prince Regent, later King George IV, who spent ...
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Halo (religious Iconography)
A halo (from the Greek , ; also known as a nimbus, aureole, glory, or gloriole) is a crown of light rays, circle or disk of light that surrounds a person in art. It has been used in the iconography of many religions to indicate holy or sacred figures, and has at various periods also been used in images of rulers and heroes. In the religious art of Ancient Greece, Ancient Rome, Christianity, Hinduism, and Buddhism among other religions, sacred persons may be depicted with a halo in the form of a circular glow, or flames in Asian art, around the head or around the whole body—this last one is often called a mandorla. Halos may be shown as almost any colour or combination of colours, but are most often depicted as golden, yellow or white when representing light or red when representing flames. Ancient Mesopotamia Sumerian religious literature frequently speaks of (loaned into Akkadian as ), a "brilliant, visible glamour which is exuded by gods, heroes, sometimes by kings, an ...
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