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Diocesan Museum Of Sacred Art (Arezzo)
The Diocesan museum of sacred art in Arezzo (also known as MuDAS) was founded in 1963 but opened regularly to the public only in 1985, and was housed in several rooms above the sacristy of the Cathedral of San Donato. In 2011 it was relocated to the first floor of the bishop's residence. The museum exhibits works of art and liturgical items, from the 12th to the 19th centuries, that come from the cathedral and other churches in the diocesan territory, significant for their religious and cultural significance to Arezzo and the surrounding area. Highlights of the museum include several works of Giorgio Vasari and the ''Pace di Siena''. The museum is accessible to the disabled, offers space for teaching, temporary exhibitions, and restoration. Works The museum occupies five rooms and offers an itinerary focusing on history, art, and devotional practices of the region, the Diocese of Arezzo-Cortona-Sansepolcro. First room The first room contains the oldest works among which are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arezzo
Arezzo ( , , ) , also ; ett, ππππππ, Aritim. is a city and ''comune'' in Italy and the capital of the province of the same name located in Tuscany. Arezzo is about southeast of Florence at an elevation of above sea level. As of 2022, the population was about 97,000. Known as the city of gold and of the high fashion, Arezzo was home to artists and poets such as Giorgio Vasari, Guido of Arezzo and Guittone d'Arezzo and in its province to Renaissance artist Michelangelo. In the artistic field, the city is famous for the frescoes by Piero della Francesca inside the Basilica of San Francesco, and the crucifix by Cimabue inside the Basilica of San Domenico. The city is also known for the important Giostra del Saracino, a game of chivalry that dates back to the Middle Ages. History Described by Livy as one of the ''Capita Etruriae'' (Etruscan capitals), Arezzo (''Aritim'' in Etruscan) is believed to have been one of the twelve most important Etruscan citiesβ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Della Robbia
Luca della Robbia (, also , ; 1399/1400β1482) was an Italian Renaissance sculptor from Florence. Della Robbia is noted for his colorful, Tin-glazed pottery, tin-glazed terracotta statuary, a technique which he invented and passed on to his nephew Andrea della Robbia and great-nephews Giovanni della Robbia and Girolamo della Robbia. Though a leading sculptor in stone, he worked primarily in terracotta after developing his technique in the early 1440s. His large workshop produced both cheaper works cast from molds in multiple versions, and more expensive one-off individually modeled pieces. The vibrant, polychrome glazes made his creations both more durable and expressive. His work is noted for its charm rather than the drama of the work of some of his contemporaries. Two of his famous works are ''The Nativity'' () and ''Madonna and Child'' (). In stone his most famous work is also his first major commission, the choir gallery, ''Cantoria'' in the Florence Cathedral (1431β143 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Religious Museums In Italy
Religion is usually defined as a social system, social-cultural system of designated religious behaviour, behaviors and practices, morality, morals, beliefs, worldviews, religious text, texts, sacred site, sanctified places, prophecy, prophecies, ethics in religion, ethics, or religious organization, organizations, that generally relates humanity to supernatural, transcendence (religion), transcendental, and spirituality, spiritual elements; however, there is no scholarly consensus over what precisely constitutes a religion. Different religions may or may not contain various elements ranging from the Divinity, divine, Sacred, sacred things, faith,Tillich, P. (1957) ''Dynamics of faith''. Harper Perennial; (p. 1). a supernatural being or supernatural beings or "some sort of ultimacy and transcendence that will provide norms and power for the rest of life". Religious practices may include rituals, sermons, commemoration or veneration (of deities or saints), sacrifices, festivals, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzolo Sull'Oglio
Palazzolo sull'Oglio (Brescian and Bergamasque: ; locally ) is a city and ''comune'' in the Province of Brescia, in the region of Lombardy in northern Italy. It is located south of Lake Iseo, bordering the Province of Bergamo, and has a population of 20,208. It is the fifth largest city in the Province, after Brescia, Desenzano del Garda, Montichiari and Lumezzane. History The town was founded on the banks of the river Oglio. The first references to the name "Palazzolo" date to 830 AD. Palazzolo was a fundamental industrial centre of Italy at the end of the 19th century (Marzoli, Lanfranchi, Italcementi, Ferrari) and the city was known as the small Italian Manchester. On 24 August 1954, the town was celebrated as a city with a presidential decree. The Tower of the People, the symbol of the city, was built between 1813 and 1830 and today is the highest round tower in Italy, with its 85 meters and 7 meters of statue on top. The Roman bridge, in the city centre, is the oldest buildin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milan
Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city has 3.26 million inhabitants. Its continuously built-up urban area (whose outer suburbs extend well beyond the boundaries of the administrative metropolitan city and even stretch into the nearby country of Switzerland) is the fourth largest in the EU with 5.27 million inhabitants. According to national sources, the population within the wider Milan metropolitan area (also known as Greater Milan), is estimated between 8.2 million and 12.5 million making it by far the largest metropolitan area in Italy and one of the largest in the EU.* * * * Milan is considered a leading alpha global city, with strengths in the fields of art, chemicals, commerce, design, education, entertainment, fashion, finance, healthcar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Benvenuti
Pietro Benvenuti (8 January 1769 β 3 February 1844) was an Italian neoclassical painter. Biography Born in Arezzo in Tuscany, he was influenced by the style of Jacques-Louis David. He was a student of the Academy of Fine Arts of Florence, then studied in Rome, 1792β1803, where he formed an informal academy with his friend of long standing, Vincenzo Cammuccini, and Luigi Sabatelli. He returned to practice in Arezzo. With a group of collaborators and students Benvenuti was commissioned in 1811β12 to decorate the new rooms in Palazzo Pitti, where he painted a series of mythologic scenes for the ''Salon of Hercules'' on the Greek demigod. Another prestigious commission, from the restored Grand Duke of Tuscany, Leopold II, was to fresco the dome of the Capella Medicea at the San Lorenzo, depicting eight grand subjects, taken from the Old and the New Testament, the four Prophets and the four Evangelists. Under his guidance, Carlo Lasinio engraved the Luca Giordano frescoes in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santi Di Tito
Santi di Tito (5 December 1536 β 25 July 1603) was one of the most influential and leading Italian painters of the proto-Baroque style β what is sometimes referred to as "Counter-Maniera" or Counter-Mannerism. Biography He was born in Florence, then its own city-state. There is little documentation to support the alleged training under Bronzino or Baccio Bandinelli. From 1558 to 1564, he worked in Rome on frescoes in Palazzo Salviati and the Sala Grande of the Belvedere (''Homage of the People'') alongside Giovanni de' Vecchi and NiccolΓ² Circignani. He acquired a classical trait, described as ''Raphaelesque'' by S. J. Freedberg. This style contrasted with the reigning ornate Roman painterliness of Federico and Taddeo Zuccari or their Florentine equivalents: Vasari, Alessandro Allori, and Bronzino. After returning to Florence in 1564, he joined the Accademia del Disegno. He contributed two conventionally Mannerist paintings for the Duke's study and laboratory, the Stud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
