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Dinos Giannopoulos
In the typology of ancient Greek pottery, the ''dinos'' (plural ''dinoi'') is a mixing bowl or cauldron. ''Dinos'' means "drinking cup," but in modern typology is used (wrongly) for the same shape as a ''lebes'', that is, a bowl with a spherical body meant to sit on a stand. It has no handles and no feet. The Dinos Painter, one of the ancient Greek artists known for vase painting, takes his name from the type of vase characteristic of his work.Sparkes, ''Greek Pottery'', p. 115. Dinos were used for mixing water and wine, as it was considered rude to drink straight out of the goblet, at the time. See also * Dinos of the Gorgon Painter * Ancient Greek vase painting * Pottery of ancient Greece Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exe ... References Ancient Greek pot sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dinos Animals Louvre Cp11243
In the Typology of Greek vase shapes, typology of ancient Greek pottery, the ''dinos'' (plural ''dinoi'') is a mixing bowl or cauldron. ''Dinos'' means "drinking cup," but in modern typology is used (wrongly) for the same shape as a ''lebes'', that is, a bowl with a spherical body meant to sit on a stand. It has no handles and no feet. The Dinos Painter, one of the ancient Greek artists known for Pottery of ancient Greece, vase painting, takes his name from the type of vase characteristic of his work.Sparkes, ''Greek Pottery'', p. 115. Dinos were used for mixing water and wine, as it was considered rude to drink straight out of the goblet, at the time. See also * Dinos of the Gorgon Painter * Ancient Greek vase painting * Pottery of ancient Greece References Ancient Greek pot shapes {{Greece-archaeology-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Typology Of Greek Vase Shapes
The pottery of ancient Greece has a long history and the form of Greek vase shapes has had a continuous evolution from Minoan pottery down to the Hellenistic period. As Gisela Richter puts it, the forms of these vases find their "happiest expression" in the 5th and 6th centuries BC, yet it has been possible to date vases thanks to the variation in a form’s shape over time, a fact particularly useful when dating unpainted or plain black-gloss ware. The task of naming Greek vase shapes is by no means a straightforward one (by convention the term "vase" has a very broad meaning in the field, covering anything that is a vessel of some sort). The endeavour by archaeologists to match vase forms with those names that have come down to us from Greek literature began with Theodor Panofka’s 1829 book ''Recherches sur les veritables noms des vases grecs'', whose confident assertion that he had rediscovered the ancient nomenclature was quickly disputed by Gerhard and Letronne. A few surv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lebes
The lebes (Greek 'λέβης', plural ''lebetes'') is a type of ancient Greek cauldron, normally in bronze. It is a deep bowl with a rounded bottom. It was often supported by a sacrificial tripod. In classical times, a foot was attached and it was typically used as a cooking pot. Variants Tripod lebes The tripod lebes is characterized by two round vertical handles and by three strut-supported legs. All were separately cast then riveted to the cauldron. Artefactual evidence indicates the tripod lebes was not used as a mixing bowl, even long after it lost its role as a cooking pot. Lebes gamikos The lebes gamikos (pl. lebetes gamikoi), or ''nuptial lebes'', appears to have been a part of pre-wedding purification ceremonies, and was often made in pottery. It may have stood by the bride's door and was probably used in ritual sprinkling of the bride with water. Lebetes gamikoi stood on variously long or short bases and each typically was painted with a scene of a wedding procession ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dinos Painter
The Dinos Painter was an Attic red-figure vase painter who was active during the second half of the 5th century BC. The Dinos Painter stood in the tradition of the Kleophon Painter, but was less serious. One or few figures are depicted as the centre of an event; the frieze-like depiction of the course of the event seen in earlier styles is absent. His paintings initiate the "Rich Style" of the following generation; he already uses an increased amount of white to stress details. The technique of using white to depict Eros and furniture is an innovation of the Dinos Painter; a generation later it formed part of the standard repertoire. Most of the works attributed to the Dinos Painter are on large vases. He is named after one of his chief works, a vase in Berlin depicting Dionysos reclining. Although most of the Dinos Painter’s vases were found in Italy, Sicily, and Athens, his works were also found as far afield as Spain and Syria. Out of the eighteen vases found in Athens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pottery Of Ancient Greece
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy.John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds), ''The Oxford Companion to Archaeology, Vol 1: Ache-Hoho'', Second Edition, 641–644. Oxford & New York: Oxford University Press. , p. 641. There were a multit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dinos Of The Gorgon Painter
The ''Dinos of the Gorgon Painter'' (french: Dinos du Peintre de la Gorgone) is an important example of ancient Greek pottery, produced at Athens around 580 BC. It entered the Louvre's collection in 1861, with the purchase of Giampietro Campana's collection (Inv. E 874). This masterpiece, which is decorated with Gorgons, is the source of the name the anonymous painter who decorated it and is therefore known as the Gorgon Painter. Origin The ''dinos'', a banqueting vessel of large dimensions in which water was mixed into the wine, consisted of two parts: the bowl and the stand for it to rest on. The whole ensemble only rarely survives, but is the inspiration for examples in bronze which are encountered more often. While there is no doubt that this example was made in an Athenian workshop, the location of its discovery remains uncertain, though the fact that it was in Campana's collection suggests that it was acquired in clandestine excavations in Etruria. It is very unlikely tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Vase Painting
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy.John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds), ''The Oxford Companion to Archaeology, Vol 1: Ache-Hoho'', Second Edition, 641–644. Oxford & New York: Oxford University Press. , p. 641. There were a multit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
