|
Dimitrij (opera)
''Dimitrij'' is a Czech-language grand opera in four acts by Antonín Dvořák ( B. 127, Op. 64), set to a libretto by Marie Červinková-Riegrová, with a plot derived from Ferdinand Mikovec's ''Dimitr Ivanovič'', itself based upon Friedrich Schiller's incomplete ''Demetrius''. The work was first performed in Prague in 1882. Composition and performance history The libretto was originally written for Karel Šebor to set, but he proved highly unwilling to do so, so Červinková-Riegrová offered her work to Dvořák, who proved much more enthusiastic, but requested many modifications to the libretto as it stood, including the introduction of more opportunities for ensembles. The form of the opera was largely in imitation of Eugène Scribe. Dvořák began composition during May 1881, with an interruption in October 1881 to write a string quartet for the Hellmesberger Quartet. After an initial failed attempt, the Quartet Movement in F major, the String Quartet No. 11 was comple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on or around dramatic historic events. The term is particularly applied (sometimes specifically used in its French language equivalent grand opéra, ) to certain productions of the Paris Opéra from the late 1820s to around 1850; 'grand opéra' has sometimes been used to denote the Paris Opéra itself. The term 'grand opera' is also used in a broader application in respect of contemporary or later works of similar monumental proportions from France, Germany, Italy, and other countries. It may also be used colloquially in an imprecise sense to refer to 'serious opera without spoken dialogue'. Origins Paris at the turn of the 19th century drew in many composers, both French and foreign, and especially those of opera. Several Italians working ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martina Arroyo
Martina Arroyo (born February 2, 1937) is an American operatic soprano who had a major international opera career from the 1960s through the 1980s. She was part of the first generation of black opera singers to achieve wide success. Arroyo first rose to prominence at the Zurich Opera between 1963 and 1965, and then was one of the Metropolitan Opera's leading sopranos between 1965 and 1978. During those years at the Metropolitan Opera, she was also a regular presence at the world's opera houses, performing on the stages of La Scala, Covent Garden, the Opéra National de Paris, the Teatro Colón, the Deutsche Oper Berlin, the Vienna State Opera, the Lyric Opera of Chicago, and the San Francisco Opera. She is best known for her performances of the Italian spinto repertoire, and in particular, her portrayals of Verdi and Puccini heroines. Her last opera performance was in 1991, after which she has devoted her time to teaching singing on the faculties of various universities in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marina Mniszech
Marina Mniszech, ( pl, Maryna Mniszech; russian: Марина Мнишек, Marina Mnishek, ) also known in Russian lore as Marinka the Witch ( 1588 – 24 December 1614) was a Polish noblewoman who became the Tsaritsa of Russia during the Time of Troubles. A devout Catholic, she hoped to convert Russia's population to Catholicism. Life Marina Mniszech was a daughter of Jadwiga Tarło and Polish Voivode-Governor of Sandomierz Jerzy Mniszech, who was one of the organizers of the Dimitriads, which were instigated by the appearance of a man who claimed to be Ivan the Terrible's son. Marina Mniszech's marriage to False Dmitriy I provided an opportunity for the Polish magnates to control their protégé. Mniszech met False Dmitry I around 1604 or 1605, at the court of one of the Commonwealth magnates, and agreed to marry him. In return for her hand Dmitri promised her Pskov and Novgorod, and her father Smolensk and Severia. After the death of Boris Godunov, Dmitri captured Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called " countertenors". The Italian terms "contralto" and " alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
False Dmitri I
False Dmitry I ( rus, Лжедмитрий I, Lzhedmitriy I) (or Pseudo-Demetrius I) reigned as the Tsar of Russia from 10 June 1605 until his death on 17 May 1606 under the name of Dmitriy Ivanovich ( rus, Дмитрий Иванович). According to historian Chester S.L. Dunning, Dmitry was "the only Tsar ever raised to the throne by means of a military campaign and popular uprisings". He was the first, and most successful, of three "pretenders" (russian: самозванцы (sing.: самозванец), samozvanets) who claimed during the Time of Troubles to be the youngest son of Ivan the Terrible, tsarevich Dmitry Ivanovich, who supposedly escaped a 1591 assassination attempt when he was eight years old. It is generally believed that the real Dmitry of Uglich died in Uglich in 1591. False Dmitry claimed that his mother, Maria Nagaya, anticipated the assassination attempt ordered by Boris Godunov and helped him escape to a monastery in the Tsardom of Russia, and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irma Reichová
Irma Reichová (14 March 1859 – 5 June 1930) was a Czech operatic soprano who had an active career appearing in European opera houses during the latter half of the nineteenth century. A dramatic soprano, she was admired for both her musical and acting talent. She is best remembered for appearing in the world premieres of a number of operas by Antonín Dvořák and Bedřich Smetana. Biography Born Irma Keszlerová in Křivoklát, Reichová first sang publicly in 1874 at a festival honoring the building of a railway bridge near his hometown. Her local priest, , together with Prince Emil Furstenberg, were so amazed by her voice that they advised her parents to enroll her in singing lessons. Her family accordingly sent her to Prague where she studied under František Pivoda, the Director of the Prague School of Singing. She made her first public appearance in Prague as Senta in a concert version of Richard Wagner's ''Der fliegende Holländer''. Shortly thereafter she was sup ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Xenia Borisovna
Xenia Borisovna Godunova (russian: Ксения Борисовна Годунова) (1582–1622) was a Russian Tsarevna, daughter of Tsar Boris Godunov, and sister of Tsar Feodor II of Russia. Life She was described as very beautiful and well educated, with an average height, a white and ruddy face, with black wavy hair and large black eyes. Among her fiancés were: * Prince Gustav of Sweden, who arrived in Moscow in 1600, but the engagement was broken because of his dissolute life. * John, Prince of Schleswig-Holstein, arrived in 1602, but fell ill and died before the marriage. Xenia remained a maiden until her father's death in 1605, when her brother Feodor become a Tsar. Some months later, when the Time of Troubles started, her mother and her brother, Feodor, were killed by order of False Dmitriy I. She was spared, but False Dmitriy raped her and kept her in his palace as a concubine lasting five months. Before the arrival of his bride Marina Mniszech, Xenia was sent to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the aver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vasili IV Of Russia
Vasili IV Shuisky (russian: Василий IV Иванович Шуйский, ''Vasiliy IV Ivanovich Shuyskiy'', c. 155212 September 1612) was Tsar of Russia between 1606 and 1610 after the murder of False Dmitri I. His rule coincided with the Time of Troubles. He was the only member of House of Shuisky to become Tsar and the last member of the Rurikid dynasty to rule as tsar. Life He was a son of Ivan Andreyevich Shuisky. Born Prince Vasili Ivanovich Shuisky, he descended from sovereign princes of Nizhny Novgorod and was a 20th-generation male-line descendant of the 9th-century Varangian prince Rurik. Vasili Ivanovich was one of the leading boyars of the Tsardom of Russia during the reigns of Feodor I () and Boris Godunov (). In the court intrigues of the Time of Troubles (1598–1613), Vasily and his younger brother Dmitry Shuisky usually acted together and fought as one. It was Shuisky who, in obedience to the secret orders of Tsar-to-be Boris, went to Ugli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
