Die Ersten Menschen
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Die Ersten Menschen
''Die ersten Menschen'' ''(The first humans)'' is an opera in two acts by Rudi Stephan. For the libretto the composer chose poetry of the same name by Otto Borngräber. The opera was premiered at the Oper Frankfurt on 1 July 1920. History The poet Otto Borngräber wrote ''Die ersten Menschen'', subtitled "Erotisches Mysterium" (Erotic mystery) in 1908. The play is based on the characters from the biblical Genesis creation narrative. When it was premiered in Munich in 1912, it caused a scandal and was banned in the Kingdom of Bavaria. Rudi Stephan set the text to music as an opera in two acts. He began in 1909 and completed it in 1914, shortly before World War I. The premiere was planned at the Oper Frankfurt for the winter 1915; however, by then the composer had died at the Eastern Front. The opera was finally premiered on 1 July 1920, conducted by Ludwig Rottenberg. The critics received the performance positively, but the audience less so, leading to few performances. Karl H ...
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Rudi Stephan
Rudi Stephan (29 July 1887 – 29 September 1915) was a German composer of great promise who was considered one of the leading talents among his generation. He was killed in action during World War I. Life Stephan was born at Worms, Germany, Worms, Grand Duchy of Hesse, the son of the privy councillor and politician who was also the head of the local Richard-Wagner-Verband. Stephan became a composition pupil of Bernhard Sekles at the Hoch Conservatory in Frankfurt, and of Rudolf Louis in Munich, where he settled after completing his studies in 1908. He left only a few works: his liking for pointedly neutral titles along the lines of 'Music for ...' has caused him to be seen as a forerunner of the Neue Sachlichkeit, 'New Objectivity' of the post-war era, but his music is in fact in a hyper-expressive late-romantic music, Romantic idiom which has more plausibly been seen by some as a kind of proto-Expressionism. His father was able to finance the performance of his early works, w ...
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François-Xavier Roth
François-Xavier Paul Roth (born 6 November 1971) is a French conductor, who founded Les Siècles, an orchestra which performs on instruments appropriate to the period of composition of each piece, from the late Baroque and Classical eras to 20th century music. Biography Roth is the son of the organist Daniel Roth—the two share the same first name. His brother Vincent is a violist. Before turning to conducting, he was a flautist. Roth graduated from the Conservatoire National Supérieur de Musique, where his teachers included Alain Marion for flute and János Fürst for conducting.Vincent Agrech. Rencontre: François-Xavier Roth – pour les siècles des siècles. '' Diapason'' No. 674 décembre 2018, 26–30 In 2000, Roth won the Donatella Flick Conducting Competition, which led to a 2-year appointment as Assistant Conductor of the London Symphony Orchestra. He has also served as an assistant conductor to John Eliot Gardiner. In 2003, he founded Les Siècles, an orchestra wh ...
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Richard Breitenfeld
Richard Breitenfeld (13 October 1869 – 16 December 1944) was a German baritone. He was a member of the Frankfurt Opera ensemble and was murdered in the Theresienstadt concentration camp. Breitenfeld was born in Reichenberg (now in the Czech Republic) and made his debut in 1897 as Count Luna in Verdi's ''Il trovatore'' in Cologne. In 1912, he sang the role of the count in Act II of Franz Schreker's ''Der ferne Klang'' in its world premiere at the Frankfurt Opera. The contralto Magda Spiegel, also of the Frankfurt Opera, was murdered in Auschwitz. According to Peter Hugh Reed writing in ''American Record Guide'' (1949), Breitenfeld recorded for Odeon and HMV Sunrise Records and Entertainment, trading as HMV (for His Master's Voice), is a British music and entertainment retailer, currently operating exclusively in the United Kingdom. The first HMV-branded store was opened by the Gramophone Company ... between 1910 and 1914. Richard Breitenfeld has a memorial stone in F ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Walter Schneider (bass)
Walter Schneider (1878–1935) was a German operatic bass. Professional career Born in Bretzenheim, his initial musical ambition was to become a conductor, but in the end he decided on a singing career. His first engagement was at the Cologne Opera in 1903. During the 1904-1905 season he was engaged at the Stadttheater in Aachen. In 1905 he moved to the Frankfurt Opera: he was a member of this opera house for the remainder of his professional career, singing more than 200 roles in over 4000 performances. His repertoire included several major Wagner bass roles (Gurnemanz in ''Parsifal'', King Marke in ''Tristan und Isolde'', Fasolt and Hunding in ''Der Ring des Nibelungen'' a.o.). He sang in several world premiere performances: Schreker's ''Der ferne Klang'' (18 August 1912), '' Das Spielwerk und die Prinzessin'' (15 March 1913) and ''Die Gezeichneten'' (25 April 1918), Delius's '' Fennimore and Gerda'' (21 October 1919), Rudi Stephan's '' Die ersten Menschen'' (1 July 1920), ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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Abel
Abel ''Hábel''; ar, هابيل, Hābīl is a Biblical figure in the Book of Genesis within Abrahamic religions. He was the younger brother of Cain, and the younger son of Adam and Eve, the first couple in Biblical history. He was a shepherd who offered his firstborn flock up to God as an offering. God accepted his offering but not his brother's. Cain then killed Abel out of jealousy. According to Genesis, this was the first murder in the history of mankind. Genesis narrative Interpretations Jewish and Christian interpretations According to the narrative in Genesis, Abel ( ''Hébel'', in pausa ''Hā́ḇel''; grc-x-biblical, Ἅβελ ''Hábel''; ar, هابيل, ''Hābēl'') is Eve's second son. His name in Hebrew is composed of the same three consonants as a root meaning "breath". Julius Wellhausen has proposed that the name is independent of the root. Eberhard Schrader had previously put forward the Akkadian (Old Assyrian dialect) ''ablu'' ("son") as a more li ...
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Cain
Cain ''Káïn''; ar, قابيل/قايين, Qābīl/Qāyīn is a Biblical figure in the Book of Genesis within Abrahamic religions. He is the elder brother of Abel, and the firstborn son of Adam and Eve, the first couple within the Bible. He was a farmer who gave an offering of his crops to God. However, God was not pleased and favored Abel's offering over Cain's. Out of jealousy, Cain killed his brother, for which he was punished by God with the curse and mark of Cain. He had several children, starting with Enoch and including Lamech. The narrative is notably unclear on Cain's motive for murdering his brother, God's reason for rejecting Cain's sacrifice, and details on the identity of Cain's wife. Some traditional interpretations consider Cain to be the originator of evil, violence, or greed. According to Genesis, Cain was the first human born and the first murderer. Genesis narrative Interpretations Jewish and Christian interpretations A question arising early in the ...
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Adam
Adam; el, Ἀδάμ, Adám; la, Adam is the name given in Genesis 1-5 to the first human. Beyond its use as the name of the first man, ''adam'' is also used in the Bible as a pronoun, individually as "a human" and in a collective sense as "mankind". tells of God's creation of the world and its creatures, including ''adam'', meaning humankind; in God forms "Adam", this time meaning a single male human, out of "the dust of the ground", places him in the Garden of Eden, and forms a woman, Eve, as his helpmate; in Adam and Eve eat the fruit of the tree of knowledge and God condemns Adam to labour on the earth for his food and to return to it on his death; deals with the birth of Adam's sons, and lists his descendants from Seth to Noah. The Genesis creation myth was adopted by both Christianity and Islam, and the name of Adam accordingly appears in the Christian scriptures and in the Quran. He also features in subsequent folkloric and mystical elaborations in later Judaism ...
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