Die Braune Bestie
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Die Braune Bestie
''The Brown Beast'' (german: Die braune Bestie) is a 1914 German silent film directed by Harry Piel and starring Ludwig Trautmann and Hedda Vernon.Thomas p. 119 Cast * Ludwig Trautmann * Hedda Vernon Hedda Vernon (born Hedwig Klara Kemp; 27 October 1888 – 1925) was a German actress, screenwriter, and film producer. She was a prominent star of the early Weimar Republic, and had her own film production company. Early life Hedwig Klara Kemp wa ... References Bibliography * External links * 1914 films Films based on works by Edgar Allan Poe Films of the German Empire Films directed by Harry Piel German silent feature films German black-and-white films 1910s German films {{1910s-Germany-film-stub ...
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Harry Piel
Heinrich Piel (12 July 1892 – 27 March 1963), known professionally as Harry Piel, was a prolific German actor, film director, screenwriter, and film producer who was involved in over 150 films. Piel became a director in 1912, turning out such box-office successes as ''Mann Gegen Mann'' (1928), ''Achtung! - Auto-Diebe!'' (1930) and ''Artisten'' (1935). His last directorial effort was 1953's ''Gesprengte Gitter (Elephant Fury'', a.k.a. ''Panic''), which he also produced, wrote, and starred. Early life After attending elementary school in Benrath and High School in Derendorf, Piel became a cadet in 1909 on a sailing ship, the ''Grand Duchess Elizabeth''. In 1911, however, he finished his cadet hood and moved to Berlin in 1912 where he created the "Art Film Publishing House Company" and made, as a director, screenwriter and producer, his first feature ''Black Blood'' (1912) with Curt Goetz in the lead role. Further films followed, based on adventure and action. Career Piel recei ...
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Jules Greenbaum
Jules Greenbaum (5 January 1867 – 1 November 1924) was a German pioneering film producer. He founded the production companies Deutsche Bioscope, Deutsche Vitascope and Greenbaum-Film and was a dominant figure in German cinema in the years before the First World War. He is also known for his early experiments with sound films around twenty years before the success of ''The Jazz Singer'' made them a more established feature of cinema. Early career and Deutsche Bioscope Greenbaum was born in Berlin in 1867 as Julius Grünbaum. He married Emma Karstein in c1887 and moved to Chicago in the United States, where his first son Georg was born 1 November 1889. He originally worked in the textile industry, but on his return to Berlin in 1895 aged around 42 Greenbaum moved into the newly established film business and founded Deutsche Bioscope (german: Deutsche Bioskop) in 1899. This name has various contemporary spellings, including Bioscope, Bioskope and Bioskop. Greenbaum acquired a camer ...
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Edgar Allan Poe
Edgar Allan Poe (; Edgar Poe; January 19, 1809 – October 7, 1849) was an American writer, poet, editor, and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is widely regarded as a central figure of Romanticism in the United States, and of American literature. Poe was one of the country's earliest practitioners of the short story, and considered to be the inventor of the detective fiction genre, as well as a significant contributor to the emerging genre of science fiction. Poe is the first well-known American writer to earn a living through writing alone, resulting in a financially difficult life and career. Poe was born in Boston, the second child of actors David and Elizabeth "Eliza" Poe. His father abandoned the family in 1810, and when his mother died the following year, Poe was taken in by John and Frances Allan of Richmond, Virginia. They never formally adopted him, but he was with them well ...
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Ludwig Trautmann
Ludwig Trautmann (22 November 1885 – 24 January 1957) was a German stage and film actor. He appeared in more than 60 films between 1912 and 1953. He was a member of the jury at the 1st Berlin International Film Festival. Selected filmography * '' The Priest from Kirchfeld'' (1914) * ''The Brown Beast'' (1914) * '' The ABC of Love'' (1916) * '' The Marriage of Luise Rohrbach'' (1917) * ''Ferdinand Lassalle'' (1918) * ''The Lodging House for Gentleman'' (1922) * '' The Eleven Schill Officers'' (1932) * '' Trenck'' (1932) * ''The Hymn of Leuthen ''The Hymn of Leuthen'' (german: Der Choral von Leuthen) is a 1933 German film depicting Frederick the Great, directed by Carl Froelich starring Otto Gebühr, Olga Tschechowa and Elga Brink. It was part of the cycle of nostalgic Prussian films ...'' (1933) * '' Today Is the Day'' (1933) References External links * 1885 births 1957 deaths German male film actors German male silent film actors Film people from Bavaria ...
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Hedda Vernon
Hedda Vernon (born Hedwig Klara Kemp; 27 October 1888 – 1925) was a German actress, screenwriter, and film producer. She was a prominent star of the early Weimar Republic, and had her own film production company. Early life Hedwig Klara Kemp was born on 27 October 1888 to Karl Martin Friedrich Kemp (1849–1901), the owner of a brewery, and Pauline Auguste Karoline Kemp (née Koball, 1855–1935), a housewife. She had three brothers and four sisters. Career Vernon was hired in 1912 by the German Bioscope as an actress. She made her screen debut in 1912 in the silent film ''Die Papierspur'' (The Paper Trail), directed by Emil Albes. The following year she acted in the Vitascope films ''Menschen und Masken'' (People and Masks) and '' Menschen und Masken – 2. Teil'' (People and Masks Part 2), directed by Harry Piel. She also worked in other films directed by Piel and collaborated with Max Obal until 1914. Some of her early films are ''The Struggle for the Heritage'' (1912 ...
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Alfons Hepke
Alphons (Latinized ''Alphonsus'', ''Adelphonsus'', or ''Adefonsus'') is a male given name recorded from the 8th century (Alfonso I of Asturias, r. 739–757) in the Christian successor states of the Visigothic kingdom in the Iberian peninsula. In the later medieval period it became a standard name in the Hispanic and Portuguese royal families. It is derived from a Gothic name, or a conflation of several Gothic names; from ''*Aþalfuns'', composed of the elements ''aþal'' "noble" and ''funs'' "eager, brave, ready", and perhaps influenced by names such as ''*Alafuns'', ''*Adefuns'' and ''* Hildefuns''. It is recorded as ''Adefonsus'' in the 9th and 10th century, and as ''Adelfonsus'', ''Adelphonsus'' in the 10th to 11th. The reduced form ''Alfonso'' is recorded in the late 9th century, and the Portuguese form ''Afonso'' from the early 11th. and ''Anfós'' in Catalan from the 12th Century until the 15th. Variants of the name include: ''Alonso'' (Spanish), ''Alfonso'' (Spanis ...
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Intertitles
In films, an intertitle, also known as a title card, is a piece of filmed, printed text edited into the midst of (i.e., ''inter-'') the photographed action at various points. Intertitles used to convey character dialogue are referred to as "dialogue intertitles", and those used to provide related descriptive/narrative material are referred to as "expository intertitles". In modern usage, the terms refer to similar text and logo material inserted at or near the start or end of films and television shows. Silent film era In this era intertitles were mostly called "subtitles" and often had Art Deco motifs. They were a mainstay of silent films once the films became of sufficient length and detail to necessitate dialogue or narration to make sense of the enacted or documented events. ''The British Film Catalogue'' credits the 1898 film ''Our New General Servant'' by Robert W. Paul as the first British film to use intertitles. Film scholar Kamilla Elliott identifies another early use of ...
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Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ...
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1914 Films
The year 1914 in film involved some significant events, including the debut of Cecil B. DeMille as a director.Birchard, Robert S. (2004). ''Cecil B. DeMille's Hollywood''. Lexington, Kentucky: The University Press of Kentucky, p. 1-13, __TOC__ Events * February 2 – Charlie Chaplin's first film, ''Making a Living'' is released. * February 7 – Release of Charlie Chaplin's second film, the Keystone comedy '' Kid Auto Races at Venice'', in which his character of The Tramp is introduced to audiences (although first filmed in ''Mabel's Strange Predicament'', released two days later). * February 8 – Winsor McCay's ''Gertie the Dinosaur'' greatly advances filmed animation movement techniques. * February 10 – Release of the film '' Hearts Adrift''; the name of Mary Pickford, the star, is displayed above the title on movie marquees. * February – Lewis J. Selznick and Arthur Spiegel organize the World Film Corporation, a distributor of independently produced films located in For ...
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Films Based On Works By Edgar Allan Poe
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ...
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Films Of The German Empire
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ...
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Films Directed By Harry Piel
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ...
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