|
Die Meistersinger Von Nürnberg Discography
This is a discography of Richard Wagner's opera ''Die Meistersinger von Nürnberg (; "The Master-Singers of Nuremberg"), WWV 96, is a music drama, or opera, in three acts, by Richard Wagner. It is the longest opera commonly performed, taking nearly four and a half hours, not counting two breaks between acts, and is traditio ...'' which received its premiere at the Königliches Hof- und National-Theater in Munich, on June 21, 1868. List References Operadis discography (89 items), accessed 3 September 2010 {{DEFAULTSORT:Meistersinger Von Nurnberg Discography, Die Opera discographies Meistersinger Discography ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artur Bodanzky
Artur Bodanzky (also written as Artur Bodzansky) (16 December 1877 – 23 November 1939) was an Austrian-American conductor particularly associated with the operas of Wagner. He conducted Enrico Caruso's last performance at the Metropolitan Opera House on Christmas Eve 1920. The son of Jewish merchants, Bodanzky studied the violin and composition with Alexander Zemlinsky Bodanzky then became conducting assistant to Gustav Mahler in Vienna, later going on to jobs in Berlin, the Neues Deutsches Theater in Prague (August 1907), where he was briefly a colleague of Otto Klemperer and Mannheim. In 1915 he emigrated to the United States to work for the Metropolitan Opera, being replaced at Mannheim by Wilhelm Furtwängler. He was head of German repertory at the Met, being accepted by Arturo Toscanini on the recommendation of Ferruccio Busoni. In 1921 he was engaged by the New York Philharmonic as a guest conductor. In 1928, Bodanzky announced his resignation from the Met and was repl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irmgard Seefried
Irmgard Seefried (9 October 191924 November 1988) was a distinguished German soprano who sang opera, sacred music, and lieder. Maria Theresia Irmgard Seefried was born in , near Mindelheim, Bavaria, Germany, the daughter of educated Austrian-born parents. She studied at Augsburg University before making her debut in Aachen as the priestess in Verdi's ''Aida'' in 1940. She began to sing leading parts in 1942 (Agathe in Weber's ''Der Freischütz'' in 1942, and the next year she made her debut at Vienna State Opera with Eva in Wagner's '' Die Meistersinger von Nürnberg'' conducted by Karl Böhm). From then on, she remained with the State Opera until her retirement in 1976. She sang at the Salzburg Festival every year from 1946 to 1964 (except 1955, 1961 and 1962) in operas (Susanna in '' The Marriage of Figaro'', Fiordiligi in '' Così fan tutte'', Zerlina in '' Don Giovanni'', Pamina in ''The Magic Flute'', Marzelline in ''Fidelio'' and the Composer in ''Ariadne auf Naxos'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Abendroth
Hermann Paul Maximilian Abendroth (19 January 1883 – 29 May 1956) was a German conductor. Early life Abendroth was born on 19 January 1883, at Frankfurt, the son of a bookseller. Several other members of the family were artists in diverse disciplines. After finishing his school studies at the '' Frankfort Gymnasium'', Abendroth traveled to Munich and at the wish of his father undertook the first year of an apprenticeship as a book dealer, but he then switched to studying music at the conservatory of Munich, the ''Münchner Konservatorium'', from 1900 to 1903, studying theory and composition with Ludwig Thuille, piano with Anna Hirtzel-Langenham, and developing his conducting skills working with Felix Mottl.Hermann Abendroth at AllMusic Initial career Still an undergraduate, Hermann Abendroth's first stable assignment of conducting was from 1903 to 1904, for the ''Orchestral Society of Munich''. From 1905 to 1911, he moved to Lübeck, highlighting as the ''Kapellmeister'' of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hilde Scheppan
Hilde Scheppan (17 September 1907 – 24 September 1970) was a German operatic soprano and academic teacher. She was engaged for 20 years at the Staatsoper Unter den Linden in Berlin and made guest appearances at the Bayreuth Festival from 1937 to 1958. She performed roles in Wagner's stage works in productions by Heinz Tietjen both in Berlin and Bayreuth. After World War II, she first continued work in Berlin, but then moved to the Staatsoper Stuttgart. She taught as a professor of voice at the Hochschule für Musik Nürnberg and the Musikhochschule München. Life and career Born in Forst in Lusatia, Scheppan studied at the Musikhochschule Berlin, and with Emy von Stetten. From 1934 she belonged to the ensemble of the Staatsoper Unter den Linden in Berlin, first as a chorus singer. The same year, she made her debut as a soloist at the Staatstheater Darmstadt, and became a soloist in Berlin. In 1936 she appeared in the film '' Das Mädchen Irene''. She appeared in some youthf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erich Witte
Erich Witte (19 March 1911 – 30 June 2008) was a German stage actor, operatic tenor and opera director. He was based for almost five decades at the Berlin State Opera, and performed leading roles at major opera houses in Europe and at the Metropolitan opera. He participated in world premieres, including Louise Talma's '' Die Alkestiade'' and Alan Bush's '' Joe Hill''. Life Born in Graudenz, West Prussia, Witte grew up in Bremen from 1920 and first became an actor and répétiteur. At the Bremen conservatory, he then studied singing with the bass-baritone Philipp Kraus. In 1930, at the age of 19, he made his stage debut at the Theater Bremen as Nando in d'Albert's '' Tiefland''. In 1931 he was engaged as an actor at the Stadttheater Bremerhaven, but soon took on singing roles such as Châteauneuf in ''Zar und Zimmermann'' and Jaquino in ''Fidelio''. From 1932 to 1937 he was again in the ensemble of the Bremen theatre. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erich Kunz
Erich Kunz (20 May 1909 in Vienna – 8 September 1995 in Vienna) was an Austrian operatic baritone, particularly associated with the roles of Papageno and Beckmesser. Life and career Born in Vienna, Kunz was educated at the Vienna Music Academy where he was a student of Theo Lierhammer and Hans Duhan. He made his stage debut in Opava, as Osmin, in 1933. He then sang in Plauen (1936–37) and Breslau (1937–41). In 1936 he was a member of the opera chorus at the Glyndebourne Festival Opera, not returning there again until 1950 when he portrayed Guglielmo in Mozart's '' Così fan tutte''. He made his debut at the Vienna State Opera in 1940, where he quickly established himself as a specialist of Mozart roles such as Figaro, Leporello, Guglielmo, Papageno, roles he also sang at the Salzburg Festival and Aix-en-Provence Festival. He was also renowned for his portrayal of Beckmesser, which he sang at the Bayreuth Festival in 1943 and 1951. In 1947 he performed the roles of L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Suthaus
Ludwig Suthaus (12 December 1906 – 7 September 1971) was a German operatic heldentenor. Life Born in Cologne Suthaus was a stonemason's apprentice when his singing talent was first discovered. He subsequently started his voice studies at the age of seventeen in his hometown of Cologne. His teacher, Julius Lenz, originally mistook him for a baritone, but in 1928 Suthaus debuted as a tenor in Aachen in the role of ''Walther von Stolzing'' in Richard Wagner's ''Die Meistersinger von Nürnberg''. From 1932 to 1941, he was engaged in Stuttgart, but was fired in 1942 because he would not join the Nazi party. Suthaus subsequently got a new contract at the Berlin State Opera. After the war, in 1949, he switched from the State Opera - now based in East Berlin - to the "Städtische Oper" which was based in West Berlin, and remained a member of that company until the end of his career. Since the end of the forties, Suthaus appeared regularly at the Vienna State Opera and as guest at t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Schöffler
Paul Schöffler (15 September 1897 – 21 November 1977) was a German operatic baritone, particularly associated with Mozart, Wagner, and Strauss roles. Born in Dresden, he studied at the Music Conservatory there with Rudolf Schmalmauer and Waldemar Staegemann, and later in Milan with the Italian baritone Mario Sammarco. He was a member of the Semperoper in Dresden from 1925 to 1937, and then joined the Vienna State Opera. He was also a regular at the Bayreuth Festival and the Salzburg Festival, establishing himself in roles such as Figaro, Don Giovanni, Alfonso, The Speaker of the Temple, Pizarro, Holländer, Wolfram, Kurwenal, Hans Sachs, Wotan, Amfortas, Orest, and Barak. He took part in the creation of Gottfried von Einem's ''Dantons Tod'' in 1947, and Richard Strauss's ''Die Liebe der Danae'' in 1952, both in Salzburg. He made guest appearances at the Royal Opera House in London, the Paris Opéra, the Aix-en-Provence Festival, La Scala in Milan, the Teatro Colón in Bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Furtwängler
Gustav Heinrich Ernst Martin Wilhelm Furtwängler ( , , ; 25 January 188630 November 1954) was a German conductor and composer. He is widely regarded as one of the greatest symphonic and operatic conductors of the 20th century. He was a major influence for many later conductors, and his name is often mentioned when discussing their interpretative styles. Furtwängler was principal conductor of the Berlin Philharmonic between 1922 and 1945, and from 1952 until 1954. He was also principal conductor of the Gewandhaus Orchestra (1922–26), and was a guest conductor of other major orchestras including the Vienna Philharmonic. Although not an adherent of Nazism, he was the leading conductor to remain in Germany during the Nazi regime. Despite his open opposition to antisemitism and the ubiquity of Nazi symbolism, the regime did not seek to suppress him, at Joseph Goebbels' insistence, for propaganda reasons. This situation caused lasting controversy, and the extent to which his pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bayreuth Festival Orchestra
The Bayreuth Festival Orchestra is a seasonal German orchestra based at the Bayreuth Festspielhaus for the annual summer festival Bayreuth Festival. It is reconstituted each season in order to perform Richard Wagner's ''Der Ring des Nibelungen'' and other of his stage works, as envisaged by the composer and festival founder. The festival occurs annually, although in some years it was cancelled because of war or other reasons. Although otherwise entirely devoted to the works of Wagner, the inaugural festival in 1876 was opened with a performance of Beethoven's Choral Symphony, and this practice has often been followed subsequently. It has become something of a tradition since Wilhelm Furtwängler reintroduced it in the 1930s. The Bayreuth Festival Orchestra does not have a permanent membership but each year the festival organisers recruit leading musicians from other German orchestras, depending on their availability. Some musicians always arrange their schedules so as to be availa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josef Greindl
Josef Greindl (23 December 1912 - 16 April 1993) was a German operatic bass, remembered mainly for his performances of Wagnerian roles at Bayreuth beginning in 1943. Josef Greindl was born in Munich and studied at the Munich Music Academy with Paul Bender. His opera debut was in 1936, as Hunding in Wagner's ''Die Walküre'' in the State Theatre in Krefeld. In 1944, Adolf Hitler included him in the Gottbegnadeten list ("God-gifted list" or "Important Artist Exempt List" of artists considered crucial to Nazi culture), which exempted him from the requirement to serve in the German military. He played the part of King Marke in the 1952 Furtwängler recording of ''Tristan und Isolde''. This vintage recording often appears in critics list of the top 100 greatest recordings, since Kirsten Flagstad was also in the cast. He sang at the Metropolitan Opera in 1952–3. He sang in Wieland Wagner's last ''Ring''. In 1973, he became a professor at the Vienna Hochschule and later died in that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Irmgard Seefried")
_1947_OeNB_659776.jpg "Click for more on -> Paul Schöffler")
