Dialogue About A Dialogue
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Dialogue About A Dialogue
Dialogue (sometimes spelled dialog in American English) is a written or spoken conversational exchange between two or more people, and a literary and theatrical form that depicts such an exchange. As a philosophical or didactic device, it is chiefly associated in the West with the Socratic dialogue as developed by Plato, but antecedents are also found in other traditions including Indian literature. Etymology The term dialogue stems from the Greek διάλογος (''dialogos'', conversation); its roots are διά (''dia'': through) and λόγος (''logos'': speech, reason). The first extant author who uses the term is Plato, in whose works it is closely associated with the art of dialectic. Latin took over the word as ''dialogus''. As genre Antiquity and the Middle Ages Dialogue as a genre in the Middle East and Asia dates back to ancient works, such as Sumerian disputations preserved in copies from the late third millennium BC, Rigvedic dialogue hymns and the ''Mahabhara ...
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Conversation About Cross-Cultural Youth Convention, 1972 (16432965096)
Conversation is interactive communication between two or more people. The development of conversational skills and etiquette is an important part of socialization. The development of conversational skills in a new language is a frequent focus of language teaching and learning. Conversation analysis is a branch of sociology which studies the structure and organization of human interaction, with a more specific focus on conversational interaction. Definition and characterization No generally accepted definition of conversation exists, beyond the fact that a conversation involves at least two people talking together. Consequently, the term is often defined by what it is not. A ritualized exchange such as a mutual greeting is not a conversation, and an interaction that includes a marked status differential (such as a boss giving orders) is also not a conversation. An interaction with a tightly focused topic or purpose is also generally not considered a conversation. Summariz ...
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Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the ''Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the '' Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyāsa. There have been many attempts to unravel its historical growth and c ...
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Dialogue With Trypho
The ''Dialogue with Trypho,'' along with the First and Second Apologies, is a second-century Christian apologetic text, usually agreed to be dated in between AD 155-160. It is seen as documenting the attempts by theologian Justin Martyr to show that Christianity is the new law for all men, and to prove from Scripture that Jesus is the Messiah.''Reading the Old Testament with the Ancient Church: Exploring the Formation of Early Christian Thought''; by Ronald E. Heine (Sep 1, 2007) pages 48-52 The ''Dialogue'' utilizes the literary device of an intellectual conversation between Justin and Trypho, a Jew. The concluding section propounds that the Christians are the true people of God. Identity of Trypho The identity of Trypho as rabbi Tarfon - the Hebrew name 'Tarfon' itself is likely derived from Greek Trifon (Trypho) - has been proposed, but many Jewish scholars do not accept the notion that Justin Martyr's Trypho is Tarfon.Claudia Setzer, ''Jewish Responses to Early Christians'' ...
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Justin Martyr
Justin Martyr ( el, Ἰουστῖνος ὁ μάρτυς, Ioustinos ho martys; c. AD 100 – c. AD 165), also known as Justin the Philosopher, was an early Christian apologist and philosopher. Most of his works are lost, but two apologies and a dialogue did survive. The ''First Apology'', his most well-known text, passionately defends the morality of the Christian life, and provides various ethical and philosophical arguments to convince the Roman emperor, Antoninus, to abandon the persecution of the Church. Further, he also indicates, as St. Augustine would later, regarding the "true religion" that predated Christianity, that the "seeds of Christianity" (manifestations of the Logos acting in history) actually predated Christ's incarnation. This notion allows him to claim many historical Greek philosophers (including Socrates and Plato), in whose works he was well studied, as unknowing Christians. Justin was martyred, along with some of his students, and is venerated as a sa ...
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Christian Apologetics
Christian apologetics ( grc, ἀπολογία, "verbal defense, speech in defense") is a branch of Christian theology that defends Christianity. Christian apologetics has taken many forms over the centuries, starting with Paul the Apostle in the early church and Patristic writers such as Origen, Augustine of Hippo, Justin Martyr and Tertullian, then continuing with writers such as Thomas Aquinas, Duns Scotus, William of Ockham and Anselm of Canterbury during Scholasticism. Blaise Pascal was an active Christian apologist during the 17th century. In the modern period, Christianity was defended through the efforts of many authors such as John Henry Newman, G. K. Chesterton and C. S. Lewis, as well as G. E. M. Anscombe. History Jewish precursors According to Edgar J. Goodspeed in the first century CE Jewish apologetic elements could be seen in works such as The Wisdom of Solomon, Philo's ''On the Contemplative Life'' and more explicitly in Josephus' ''Against Apion''. ...
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Symposium (Xenophon Dialogue)
The ''Symposium'' ( grc-gre, Συμπόσιον) is a Socratic dialogue written by Xenophon in the late 360s B.C. In it, Socrates and a few of his companions attend a symposium (a lighthearted dinner party at which Greek aristocrats could have discussions and enjoy entertainment) hosted by Kallias for the young man Autolykos. Xenophon claims that he was present at the symposium, although this is disputed because he would have been too young to attend. The dramatic date for the ''Symposium'' is 422 B.C. Entertainment at the dinner is provided by the Syracusan and his three performers. Their feats of skill thrill the attendants and serve as points of conversation throughout the dialogue. Much of the discussion centers on what each guest is most proud of. All their answers are playful or paradoxical: Socrates, for one, prides himself on his knowledge of the art of match-making. Major themes of the work include beauty and desire, wisdom, virtue, and laughter which is evoked by Ph ...
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Xenophon
Xenophon of Athens (; grc, wikt:Ξενοφῶν, Ξενοφῶν ; – probably 355 or 354 BC) was a Greek military leader, philosopher, and historian, born in Athens. At the age of 30, Xenophon was elected commander of one of the biggest Ancient Greek mercenaries, Greek mercenary armies of the Achaemenid Empire, the Ten Thousand, that marched on and came close to capturing Babylon in 401 BC. As the military historian Theodore Ayrault Dodge wrote, "the centuries since have devised nothing to surpass the genius of this warrior". Xenophon established precedents for many logistical operations, and was among the first to describe strategic flanking maneuvers and feints in combat. Xenophon's ''Anabasis (Xenophon), Anabasis'' recounts his adventures with the Ten Thousand while in the service of Cyrus the Younger, Cyrus's failed campaign to claim the Persian throne from Artaxerxes II of Persia, and the return of Greek mercenaries after Cyrus's death in the Battle of Cunaxa. ''Anabasis ...
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Epistles (Plato)
The ''Epistles'' (Greek: Ἐπιστολαί; Latin: ''Epistolae'') of Plato are a series of thirteen letters traditionally included in the Platonic corpus. Their authenticity has been the subject of some dispute, and scholarly consensus has shifted back and forth over time. They were "generally accepted as genuine until modern times"; but by the close of the nineteenth century, many philologists (such as Richard Bentley, Christoph Meiners, and Friedrich Ast) believed that none of the letters were actually written by Plato. Now every letter except the First has some defenders of its authenticity. The Twelfth is also widely regarded as a forgery, and the Fifth and Ninth have fewer supporters than the others.Platon, "Lettres", ed. by Luc Brisson, Flammarion, 2004, p. 70. The ''Epistles'' focus mostly on Plato's time in Syracuse and his influence on the political figures Dion and Dionysius. They are generally biographical rather than philosophical, although several, notab ...
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Apology (Plato)
The ''Apology of Socrates'' ( grc-gre, Ἀπολογία Σωκράτους, ''Apología Sokrátous''; la, Apologia Socratis), written by Plato, is a Socratic dialogue of the speech of legal self-defence which Socrates (469–399 BC) spoke at his trial for impiety and corruption in 399 BC. Specifically, the ''Apology of Socrates'' is a defence against the charges of "corrupting the youth" and "not believing in the gods in whom the city believes, but in other '' daimonia'' that are novel" to Athens (24b). Among the primary sources about the trial and death of the philosopher Socrates, the ''Apology of Socrates'' is the dialogue that depicts the trial, and is one of four Socratic dialogues, along with ''Euthyphro'', ''Phaedo'', and ''Crito'', through which Plato details the final days of the philosopher Socrates. The text of apology The ''Apology of Socrates'', by the philosopher Plato (429–347 BC), was one of many explanatory ''apologia'' about Socrates's legal defense ag ...
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Fictional Character
In fiction, a character (or speaker, in poetry) is a person or other being in a narrative (such as a novel, play, radio or television series, music, film, or video game). The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. Derived from the Ancient Greek word , the English word dates from the Restoration, although it became widely used after its appearance in '' Tom Jones'' by Henry Fielding in 1749. From this, the sense of "a part played by an actor" developed.Harrison (1998, 51-2) quotation: (Before this development, the term ''dramatis personae'', naturalized in English from Latin and meaning "masks of the drama," encapsulated the notion of characters from the literal aspect of masks.) Character, particularly when enacted by an actor in the theatre or cinema, involves "the illusion of being a human person". In literature, characters guide readers through their stories, hel ...
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Logical Argument
An argument is a statement or group of statements called premises intended to determine the degree of truth or acceptability of another statement called conclusion. Arguments can be studied from three main perspectives: the logical, the dialectical and the rhetorical perspective. In logic, an argument is usually expressed not in natural language but in a symbolic formal language, and it can be defined as any group of propositions of which one is claimed to follow from the others through deductively valid inferences that preserve truth from the premises to the conclusion. This logical perspective on argument is relevant for scientific fields such as mathematics and computer science. Logic is the study of the forms of reasoning in arguments and the development of standards and criteria to evaluate arguments. Deductive arguments can be valid, and the valid ones can be sound: in a valid argument, premisses necessitate the conclusion, even if one or more of the premises is false ...
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Herodas
The first column of the Herodas papyrus, showing ''Mimiamb'' 1. 1–15. Herodas or Herondas (Greek: or - the name is spelt differently in the few places where he is mentioned), was a Greek poet and the author of short humorous dramatic scenes in verse, probably written in Alexandria during the 3rd century BC.Headlam, ''Herodas'' (Cambridge, 1922) ix. Apart from the intrinsic merit of these pieces, they are interesting in the history of Greek literature as being a new species, illustrating Alexandrian methods. They are called ''Mimiamboi'' (Greek: μιμίαμβοι, "Mime- iambics"), or mimes. Mimes were the Dorian product of South Italy and Sicily, and the most famous of them – from which Plato is said to have studied the drawing of character – were the work of Sophron. These were scenes in popular life, written in the language of the people, vigorous with sexual proverbs such as we get in other reflections of that region – in Petronius and the '' ...
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