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Dialogue
Dialogue (sometimes spelled dialog in American English) is a written or spoken conversational exchange between two or more people, and a literary and theatrical form that depicts such an exchange. As a philosophical or didactic device, it is chiefly associated in the West with the Socratic dialogue as developed by Plato, but antecedents are also found in other traditions including Indian literature. Etymology The term dialogue stems from the Greek διάλογος (''dialogos'', conversation); its roots are διά (''dia'': through) and λόγος (''logos'': speech, reason). The first extant author who uses the term is Plato, in whose works it is closely associated with the art of dialectic. Latin took over the word as ''dialogus''. As genre Antiquity and the Middle Ages Dialogue as a genre in the Middle East and Asia dates back to ancient works, such as Sumerian disputations preserved in copies from the late third millennium BC, Rigvedic dialogue hymns and the ''Mahab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plato
Plato ( ; grc-gre, Πλάτων ; 428/427 or 424/423 – 348/347 BC) was a Greek philosopher born in Athens during the Classical period in Ancient Greece. He founded the Platonist school of thought and the Academy, the first institution of higher learning on the European continent. Along with his teacher, Socrates, and his student, Aristotle, Plato is a central figure in the history of Ancient Greek philosophy and the Western and Middle Eastern philosophies descended from it. He has also shaped religion and spirituality. The so-called neoplatonism of his interpreter Plotinus greatly influenced both Christianity (through Church Fathers such as Augustine) and Islamic philosophy (through e.g. Al-Farabi). In modern times, Friedrich Nietzsche diagnosed Western culture as growing in the shadow of Plato (famously calling Christianity "Platonism for the masses"), while Alfred North Whitehead famously said: "the safest general characterization of the European philosophical tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Socratic Dialogue
Socratic dialogue ( grc, Σωκρατικὸς λόγος) is a genre of literary prose developed in Greece at the turn of the fourth century BC. The earliest ones are preserved in the works of Plato and Xenophon and all involve Socrates as the protagonist. These dialogues and subsequent ones in the genre present a discussion of moral and philosophical problems between two or more individuals illustrating the application of the Socratic method. The dialogues may be either dramatic or narrative. While Socrates is often the main participant, his presence in the dialogue is not essential to the genre. Platonic dialogues Most of the Socratic dialogues referred to today are those of Plato. Platonic dialogues defined the literary genre subsequent philosophers used. Plato wrote approximately 35 dialogues, in most of which Socrates is the main character. Strictly speaking, the term refers to works in which Socrates is a character. As a genre, however, other texts are included; Plato's ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apology (Plato)
The ''Apology of Socrates'' ( grc-gre, Ἀπολογία Σωκράτους, ''Apología Sokrátous''; la, Apologia Socratis), written by Plato, is a Socratic dialogue of the speech of legal self-defence which Socrates (469–399 BC) spoke at his trial for impiety and corruption in 399 BC. Specifically, the ''Apology of Socrates'' is a defence against the charges of "corrupting the youth" and "not believing in the gods in whom the city believes, but in other '' daimonia'' that are novel" to Athens (24b). Among the primary sources about the trial and death of the philosopher Socrates, the ''Apology of Socrates'' is the dialogue that depicts the trial, and is one of four Socratic dialogues, along with ''Euthyphro'', ''Phaedo'', and ''Crito'', through which Plato details the final days of the philosopher Socrates. The text of apology The ''Apology of Socrates'', by the philosopher Plato (429–347 BC), was one of many explanatory ''apologia'' about Socrates's legal defense ag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symposium (Xenophon Dialogue)
The ''Symposium'' ( grc-gre, Συμπόσιον) is a Socratic dialogue written by Xenophon in the late 360s B.C. In it, Socrates and a few of his companions attend a symposium (a lighthearted dinner party at which Greek aristocrats could have discussions and enjoy entertainment) hosted by Kallias for the young man Autolykos. Xenophon claims that he was present at the symposium, although this is disputed because he would have been too young to attend. The dramatic date for the ''Symposium'' is 422 B.C. Entertainment at the dinner is provided by the Syracusan and his three performers. Their feats of skill thrill the attendants and serve as points of conversation throughout the dialogue. Much of the discussion centers on what each guest is most proud of. All their answers are playful or paradoxical: Socrates, for one, prides himself on his knowledge of the art of match-making. Major themes of the work include beauty and desire, wisdom, virtue, and laughter which is evoked by Ph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xenophon
Xenophon of Athens (; grc, wikt:Ξενοφῶν, Ξενοφῶν ; – probably 355 or 354 BC) was a Greek military leader, philosopher, and historian, born in Athens. At the age of 30, Xenophon was elected commander of one of the biggest Ancient Greek mercenaries, Greek mercenary armies of the Achaemenid Empire, the Ten Thousand, that marched on and came close to capturing Babylon in 401 BC. As the military historian Theodore Ayrault Dodge wrote, "the centuries since have devised nothing to surpass the genius of this warrior". Xenophon established precedents for many logistical operations, and was among the first to describe strategic flanking maneuvers and feints in combat. Xenophon's ''Anabasis (Xenophon), Anabasis'' recounts his adventures with the Ten Thousand while in the service of Cyrus the Younger, Cyrus's failed campaign to claim the Persian throne from Artaxerxes II of Persia, and the return of Greek mercenaries after Cyrus's death in the Battle of Cunaxa. ''Anabasis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigvedic Dialogue Hymns
The Rigveda contains a number of dialogue hymns ('s) in the form of dialogues, representing the earliest surviving sample of this genre. It can be argued to be an early precursor of Indian classical drama. They are found in the youngest part of the Rigveda ( RV 1 and RV 10), dating to roughly the 12th to 10th centuries BC, with the exception of the older River hymn ( RV 3.33), where the rivers answer in reply to Vishvamitra's prayer. *1.179 Agastya and Lopamudra (5 trishtubhs, 1 brhati) *3.33 Vishvamitra and the Rivers (12 trishtubhs, 1 anushtubh) *10.10: dialogue of Yama and Yami (12 anushtubhs) *10.51 Agni and the gods (9 trishtubhs) *10.86 Indrani, Indra, the "he-ape" Vrshakapi and his wife *10.95: dialogue of Pururavas and Urvashi (18 trishtubhs) *10.183: dialogue between the sacrificer and his wife (3 trishtubhs) See also * Gambler's Lament (a Rigvedic "monologue" hymn) References {{DEFAULTSORT:Rigvedic Dialogue Hymns Dialogue Dialogue (sometimes spelled dialog in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Justin Martyr
Justin Martyr ( el, Ἰουστῖνος ὁ μάρτυς, Ioustinos ho martys; c. AD 100 – c. AD 165), also known as Justin the Philosopher, was an early Christian apologist and philosopher. Most of his works are lost, but two apologies and a dialogue did survive. The ''First Apology'', his most well-known text, passionately defends the morality of the Christian life, and provides various ethical and philosophical arguments to convince the Roman emperor, Antoninus, to abandon the persecution of the Church. Further, he also indicates, as St. Augustine would later, regarding the "true religion" that predated Christianity, that the "seeds of Christianity" (manifestations of the Logos acting in history) actually predated Christ's incarnation. This notion allows him to claim many historical Greek philosophers (including Socrates and Plato), in whose works he was well studied, as unknowing Christians. Justin was martyred, along with some of his students, and is venerated as a sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatrical
Theatre or theater is a collaborative form of performing art that uses live performers, usually actor, actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its theme (arts), themes, stock characters, and plot elements. Theatre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epistles (Plato)
The ''Epistles'' (Greek: Ἐπιστολαί; Latin: ''Epistolae'') of Plato are a series of thirteen letters traditionally included in the Platonic corpus. Their authenticity has been the subject of some dispute, and scholarly consensus has shifted back and forth over time. They were "generally accepted as genuine until modern times"; but by the close of the nineteenth century, many philologists (such as Richard Bentley, Christoph Meiners, and Friedrich Ast) believed that none of the letters were actually written by Plato. Now every letter except the First has some defenders of its authenticity. The Twelfth is also widely regarded as a forgery, and the Fifth and Ninth have fewer supporters than the others.Platon, "Lettres", ed. by Luc Brisson, Flammarion, 2004, p. 70. The ''Epistles'' focus mostly on Plato's time in Syracuse and his influence on the political figures Dion and Dionysius. They are generally biographical rather than philosophical, although several, notab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sophron
Sophron of Syracuse ( grc-gre, Σώφρων ὁ Συρακούσιος, '' fl.'' 430 BC) was a writer of mimes. Sophron was the author of prose dialogues in the Doric dialect, containing both male and female characters, some serious, others humorous in style, and depicting scenes from the daily life of the Sicilian Greeks. Although in prose, they were regarded as poems; in any case they were not intended for stage representation. They were written in pithy and popular language, full of proverbs and colloquialisms. Influence Plato is said to have introduced Sophron's works into Athens and to have made use of them in his dialogues; according to Diogenes Laërtius, they were Plato's constant companions, and he even slept with them under his pillow; the ''Suda'' says of the mimes of Sophron, "Plato the philosopher always read them, so as to be sent into an occasional doze." Some idea of their general character may be gathered from the 2nd and 15th idylls of Theocritus, which are said ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epicharmus
Epicharmus of Kos or Epicharmus Comicus or Epicharmus Comicus Syracusanus ( grc-gre, Ἐπίχαρμος ὁ Κῷος), thought to have lived between c. 550 and c. 460 BC, was a Greek dramatist and philosopher who is often credited with being one of the first comic writers, having originated the Doric or Sicilian comedic form. Literary evidence Most of the information about Epicharmus comes from the writings of Athenaeus, ''Suda'' and Diogenes Laërtius, although fragments and comments come up in a host of other ancient authors as well. The standard edition of his fragments was made by Kaibel (1890) to which there has been various additions and emendments. There have also been some papyrus finds of longer sections of text, but these are often so full of holes that it is difficult to make sense of them. Plato mentions Epicharmus in his dialogue ''Gorgias''Plato, ''Gorgias'' 05e "So that, in Epicharmus's phrase, 'what two men spake erewhile' I may prove I can manage si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the ''Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the '' Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyāsa. There have been many attempts to unravel its historical growth and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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