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Deutscher Filmpreis
The German Film Award (), also known as Lola after its prize statuette, is the national film award of Germany. It is presented at an annual ceremony honouring cinematic achievements in the German film industry. Besides being the most important film award in Germany, it is also the most highly endowed German cultural award, with cash prizes in its current 20 categories totalling nearly three million euros. From 1951 to 2004 it was awarded by a commission, but since 2005 the award has been organized by the German Film Academy ( Deutsche Filmakademie). The Federal Commissioner for Cultural and Media Affairs has been responsible for the administration of the prize since 1999. The awards ceremony is traditionally held in Berlin. History The award was created in 1951 by the Federal Ministry of the Interior and was first given out during the Berlin Film Festival. A practice that was kept for the upcoming decades. Since 1999 it is commissioned by the Federal Government Commissioner ...
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Deutsche Filmakademie
The Deutsche Filmakademie is an independently run organization with a focus on filmmaking in Germany. It was founded in 2003 in Berlin as a way to provide native filmmakers a forum for discussion and a way to promote the reputation of German cinema through publications, presentations, discussions, and regular promotion of the subject in schools. Since 2005, the winners of the Deutscher Filmpreis (colloquially known as the Lolas) are elected by the members of the Deutsche Filmakademie. The academy is financed by membership dues of full members, honorary members, associate members, and friends. Full members must be recommended by at least two filmmakers who have applied for full membership and have been accepted. All winners of the Deutscher Filmpreis automatically get a full membership. Honorary members are appointed for their contributions to German film. Supporting members are companies and legal persons from the film industry. Friends are other filmmakers who want to support t ...
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Der Blaue Engel
''The Blue Angel'' (german: Der blaue Engel) is a 1930 German musical comedy-drama film directed by Josef von Sternberg, and starring Marlene Dietrich, Emil Jannings and Kurt Gerron. Written by Carl Zuckmayer, Karl Vollmöller and Robert Liebmann – with uncredited contributions by Sternberg – it is based on Heinrich Mann's 1905 novel ''Professor Unrat'' (''Professor Filth'') and set in an unspecified northern German port city. ''The Blue Angel'' presents the tragic transformation of a respectable professor to a cabaret clown and his descent into madness. The film is the first feature-length German full-talkie and brought Dietrich international fame. In addition, it introduced her signature song, Friedrich Hollaender and Robert Liebmann's "Falling in Love Again (Can't Help It)". It is considered to be a classic of German cinema. The film was shot simultaneously in German- and English- language versions, although the latter version was thought lost for many years. The Germa ...
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Jury
A jury is a sworn body of people (jurors) convened to hear evidence and render an impartiality, impartial verdict (a Question of fact, finding of fact on a question) officially submitted to them by a court, or to set a sentence (law), penalty or Judgment (law), judgment. Juries developed in England during the Middle Ages and are a hallmark of the English common law system. As such, they are used by the United Kingdom, the United States, Canada, Ireland, Australia, and other countries whose legal systems were derived from the British Empire. But most other countries use variations of the European Civil law (legal system), civil law or Islamic sharia, sharia law systems, in which juries are not generally used. Most trial juries are "petit juries", and usually consist of twelve people. Historically, a larger jury known as a grand jury was used to investigate potential crimes and render indictments against suspects. All common law countries except the United States and Liberia hav ...
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Film Score
A film score is original music written specifically to accompany a film. The score comprises a number of orchestral, instrumental, or choral pieces called cues, which are timed to begin and end at specific points during the film in order to enhance the dramatic narrative and the emotional impact of the scene in question. Scores are written by one or more composers under the guidance of or in collaboration with the film's director or producer and are then most often performed by an ensemble of musicians – usually including an orchestra (most likely a symphony orchestra) or band, instrumental soloists, and choir or vocalists – known as playback singers – and recorded by a sound engineer. The term is less frequently applied to music written for other media such as live theatre, television and radio programs, and video game, and said music is typically referred to as either the soundtrack or incidental music. Film scores encompass an enormous variety of styles ...
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Art Direction
Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style(s) to use, and when to use motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the collective imagination while resolving conflicting agendas and inconsistencies bet ...
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Production Design
In film and television, the production designer is the individual responsible for the overall aesthetic of the story. The production design gives the viewers a sense of the time period, the plot location, and character actions and feelings. Working directly with the director, cinematographer, and producer, production designers have a key creative role in the creation of motion pictures and television. The term ''production designer'' was coined by William Cameron Menzies while he was working on the film ''Gone with the Wind''. Production designers are commonly confused with ''art directors'' as the roles have similar responsibilities. Production designers decide the visual concept and deal with the many and varied logistics of filmmaking including, schedules, budgets, and staffing. Art directors manage the process of making the visuals, which is done by concept artists, graphic designers, set designers, costume designers, lighting designers, etc. The production designer and the ...
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Film Editing
Film editing is both a creative and a technical part of the post-production process of filmmaking. The term is derived from the traditional process of working with film stock, film which increasingly involves the use Digital cinema, of digital technology. The film editor works with raw footage, selecting Shot (filming), shots and combining them into Sequence (filmmaking), sequences which create a finished Film, motion picture. Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is often referred to as the "invisible art" because when it is well-practiced, the viewer can become so engaged that they are not aware of the editor's work. On its most fundamental level, film editing is the art, technique and practice of assembling shots into a coherent sequence. The job ...
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Cinematography
Cinematography (from ancient Greek κίνημα, ''kìnema'' "movement" and γράφειν, ''gràphein'' "to write") is the art of motion picture (and more recently, electronic video camera) photography. Cinematographers use a lens to focus reflected light from objects into a real image that is transferred to some image sensor or light-sensitive material inside a movie camera. These exposures are created sequentially and preserved for later processing and viewing as a motion picture. Capturing images with an electronic image sensor produces an electrical charge for each pixel in the image, which is electronically processed and stored in a video file for subsequent processing or display. Images captured with photographic emulsion result in a series of invisible latent images on the film stock, which are chemically " developed" into a visible image. The images on the film stock are projected for viewing the same motion picture. Cinematography finds uses in many fields of ...
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ARD (broadcaster)
ARD is a joint organisation of Germany's regional public-service broadcasters. It was founded in 1950 in West Germany to represent the common interests of the new, decentralised, post-war broadcasting services – in particular the introduction of a joint television network. The ARD has a budget of €6.9 billion, 22,612 employees and is the largest public broadcaster network in the world. The budget comes primarily from a licence fee which every household, company and public institution are required by law to pay. For an ordinary household the fee is currently €18.36 per month. Households living on welfare are exempt from the fee. The fees are not collected directly by the ARD, but by the Beitragsservice (formerly known as Gebühreneinzugszentrale GEZ), a common organisation of the ARD member broadcasters, the second public TV broadcaster ZDF, and Deutschlandradio. ARD maintains and operates a national television network, called '' Das Erste'' ("The First") to differentiate ...
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ProSieben
ProSieben (, ''sieben'' is German for "seven"; often stylized as Pro7) is a German free-to-air television network owned by ProSiebenSat.1 Media. It was launched on 1 January 1989. It is Germany's second-largest privately owned television company. Although ProSieben produces some of its programming itself, it also airs many American imports. On 3 May 2012, the network launched a pay-TV channel called ProSieben Fun. A third channel called ProSieben Maxx started broadcasting on 3 September 2013. The three different feeds of the channel are: ProSieben (for Germany), ProSieben Austria (for Austria), and ProSieben Schweiz (for Switzerland and Liechtenstein). The main difference is that they have different advertisements and news for each target country. The channel uses an English slogan: "We love to entertain you." ProSieben broadcasts from the Astra 1L and 3A satellites and is uplinked by MX1 (now part of SES Video). History 1988–1993 On 13 October 1988, ProSieben T ...
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Run Lola Run
''Run Lola Run'' (german: Lola rennt}, lit. "Lola Runs") is a 1998 German experimental thriller film written and directed by Tom Tykwer. The story follows a woman named Lola (Franka Potente) who needs to obtain 100,000 Deutschmarks in twenty minutes to save the life of her boyfriend Manni (Moritz Bleibtreu). ''Run Lola Run'' screened at the Venice Film Festival, where it competed for the Golden Lion. Following its release, the film received critical acclaim and several accolades, including the Grand Prix of the Belgian Syndicate of Cinema Critics, the Audience Award at the Sundance Film Festival, Best Film at the Seattle International Film Festival, and seven awards at the German Film Awards. It was also selected as the German entry for the Best Foreign Language Film at the 71st Academy Awards, though it was not ultimately nominated. Plot Manni, a bagman responsible for delivering 100,000 Deutschmarks, frantically calls his girlfriend Lola. Manni says that he was riding the U- ...
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