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Despise You
Despise You are an American powerviolence band from Inglewood, California, formed in 1994. The group is noted for helping influencing the powerviolence movement and for their bleak lyrics about topics such as gang violence, misanthropy, and self-hate. The band was known for being mysterious during their initial run; they often used pseudonyms in their liner notes and they never played live shows until their reformation in 2007. They have been described as "the angriest band in the world" by some. Biography Guitarist Phil Vera first met vocalist/guitarist Chris Elder back when they hosted an underground death metal/black metal-themed radio show called "Hour of the Goat" on KXLU from 1992-1994. The duo would then recruit bassist and vocalist Lulu Hernandez as well as drummer Rob Alaniz. Hernandez was only 16 when she joined the band. From 1995 to 1996, the group issued a few split 7-inch and compilation tracks through labels such as Pessimiser (which Elder owned and operated) and S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inglewood, California
Inglewood is a city in southwestern Los Angeles County, California, in the Los Angeles metropolitan area. As of the 2020 U.S. Census, the city had a population of 107,762. It was incorporated on February 14, 1908. The city is in the South Bay region of Los Angeles County, near Los Angeles International Airport. History The earliest residents of what is now Inglewood were Native Americans who used the Aguaje de Centinela natural springs in today's Edward Vincent Jr. Park (known for most of its history as Centinela Park). Local historian Gladys Waddingham wrote that these springs took the name Centinela from the hills that rose gradually around them, and which allowed ranchers to watch over their herds," (thus the name ''centinelas ''or sentinels). Spanish era The original settlers of Los Angeles in 1781, one of whom was Spanish soldier Jose Manuel Orchado Machado, "a 23-year-old muleteer from Los Alamos in Sinaloa". These settlers, she wrote, were ordered by the offic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Powerviolence
Powerviolence (sometimes written as power violence) is an extremely dissonant and fast subgenre of hardcore punk which is closely related to thrashcore and grindcore. In contrast with grindcore, which is a "crossover" idiom containing musical aspects of heavy metal, powerviolence is just an augmentation of the most challenging qualities of hardcore punk. Like its predecessors, it is usually socio-politically charged and iconoclastic. History Siege are considered the pioneers of powerviolence. Additionally, Infest have received credit for having an early impact on the genre. The microgenre solidified into its commonly recognized form in the early 1990s. This is best exemplified by bands such as Man Is the Bastard, Crossed Out, Neanderthal, No Comment and Capitalist Casualties. Powerviolence groups took inspiration from Siege, Hüsker Dü, SSD, Deep Wound, Neon Christ, Hirax, Impact Unit, Dirty Rotten Imbeciles, Negative FX and Corrosion of Conformity. Spazz vocalist and bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hardcore Punk
Hardcore punk (also known as simply hardcore) is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Punk rock in California, Southern California which arose as a reaction against the still predominant History of the hippie movement, hippie cultural climate of the time. It was also inspired by Washington D.C. and New York City, New York punk rock and early proto-punk. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of Rock music, mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics." Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Los Angeles, San Francisco, Washington, D.C. hardcore, Washington, D.C., Boston, and New York h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relapse Records
Relapse Records is an American independent record label based in Upper Darby, Pennsylvania. It was founded by Matthew F. Jacobson in 1990. The label features many grindcore, death metal, metalcore and sludge metal artists. History The label was started by Matthew F. Jacobson in August, 1990 in his parents' basement in Aurora, Colorado. The first two releases on the label were 7-inch singles by the bands Velcro Overdose and Face of Decline, closely followed by three death metal bands that would become among the biggest on the label, Deceased, Suffocation, and Incantation. After this, Jacobson became acquainted with William Yurkiewicz Jr., who became his partner in the record label. Yurkiewicz had founded his own record label, which was soon to release albums from the bands General Surgery, Disrupt, Destroy, Misery, and Yurkiewicz's own band Exit-13. The two joined forces to create Relapse Records, aiming to release high-quality, professionally packaged extreme music. In 1991, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slap-a-Ham Records
Slap a Ham Records was an independent label from San Francisco owned and operated by Chris Dodge, bassist of the band Spazz as well as others. The label is generally seen as a highly influential entity within the hardcore punk scene in California during the 1980s and 1990s, for the label issued releases by groups such as Crossed Out, Man Is the Bastard, Capitalist Casualties, among others. It is also considered to have played an important role in the development of powerviolence, a dissonant style of hardcore that is similar to grindcore and thrashcore. The label also issued early releases by well-known groups such as the Melvins and Eyehategod. The label lasted for about 13 years, officially shutting down in 2002. According to Dodge, this was due because of the September 11 attacks; "After the attacks, everyone stopped spending money" and as a result, Slap a Ham faced stagnate commerce, causing Dodge to go into debt. Label roster * 13 * Anarchus * Ancient Chinese Secret * Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spazz (band)
Spazz was an American powerviolence band active between 1992 and 2000. The trio released numerous records within this time, many of which are now highly collectible due to their relative rarity. The band's releases often showcased their unusual sense of humour: absurdly long and nonsensical song titles, audio samples from B movies and kung fu films between songs and the occasional use of hip hop beats as well as saxophones, banjos and other instruments rarely associated with hardcore punk. All three of the members shared vocal duties, usually changing in sequence from line to line. The group would typically play at all ages venues. 2015 saw the release of a tribute LP to Spazz by Scottish record label Mind Ripper Collective titled "Spazzin' To The Oldies - A Tribute To Spazz". In 2016, it was announced that Tankcrimes will reissue the out-of-print Spazz albums ''Sweatin' To The Oldies'' and ''Sweatin' 3: Skatin', Satan & Katon''. After Spazz Spazz vocalist and bassist Chris Do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Powerviolence
Powerviolence (sometimes written as power violence) is an extremely dissonant and fast subgenre of hardcore punk which is closely related to thrashcore and grindcore. In contrast with grindcore, which is a "crossover" idiom containing musical aspects of heavy metal, powerviolence is just an augmentation of the most challenging qualities of hardcore punk. Like its predecessors, it is usually socio-politically charged and iconoclastic. History Siege are considered the pioneers of powerviolence. Additionally, Infest have received credit for having an early impact on the genre. The microgenre solidified into its commonly recognized form in the early 1990s. This is best exemplified by bands such as Man Is the Bastard, Crossed Out, Neanderthal, No Comment and Capitalist Casualties. Powerviolence groups took inspiration from Siege, Hüsker Dü, SSD, Deep Wound, Neon Christ, Hirax, Impact Unit, Dirty Rotten Imbeciles, Negative FX and Corrosion of Conformity. Spazz vocalist and bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Death Metal
Death metal is an extreme subgenre of heavy metal music. It typically employs heavily distorted and low-tuned guitars, played with techniques such as palm muting and tremolo picking; deep growling vocals; aggressive, powerful drumming, featuring double kick and blast beat techniques; minor keys or atonality; abrupt tempo, key, and time signature changes; and chromatic chord progressions. The lyrical themes of death metal may include slasher film-style violence,Moynihan, Michael, and Dirik Søderlind (1998). Lords of Chaos (2nd ed.). Feral House. , p. 27 political conflict, religion, nature, philosophy, true crime and science fiction. Building from the musical structure of thrash metal and early black metal, death metal emerged during the mid-1980s. Bands such as Venom, Celtic Frost, Slayer, and Kreator were important influences on the genre's creation. Possessed, Death, Necrophagia, Obituary, Autopsy, and Morbid Angel are often considered pioneers of the genre. In t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Metal
Black metal is an extreme metal, extreme subgenre of heavy metal music. Common traits include Tempo#Beats per minute, fast tempos, a Screaming (music)#Black metal, shrieking vocal style, heavily distorted Electric guitar, guitars played with tremolo picking, raw (Lo-fi music, lo-fi) recording, unconventional song structures, and an emphasis on atmosphere. Artists often appear in corpse paint and adopt pseudonyms. During the 1980s, several thrash metal and death metal bands formed a prototype for black metal. This "first wave" included bands such as Venom (band), Venom, Bathory (band), Bathory, Mercyful Fate, Hellhammer and Celtic Frost. A second wave arose in the early 1990s, spearheaded by Norwegian bands such as Mayhem (band), Mayhem, Darkthrone, Burzum, Immortal (band), Immortal, Emperor (band), Emperor, Satyricon (band), Satyricon and Gorgoroth. The early Norwegian black metal scene developed the style of their forebears into a distinct genre. Norwegian-inspired black metal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
KXLU
KXLU (88.9 FM) is a radio station broadcasting out of Loyola Marymount University in southwest Los Angeles, California. It was first on the air in 1957, and in 2007, celebrated its 50th anniversary. It is a non-commercial college radio station that plays many styles of music broadly classified under rock, specialty, fine arts, alternative music and Latin jazz. KXLU has a small, cult following among music fans in the general Los Ángeles metropolitan area. The station's rock programming runs between 2am and 6pm on weekdays and the hosts during this time are predominantly college students. Specialty shows include "Stray Pop" hosted by Stella, "Music For Nimrods" hosted by Reverend Dan, "She Rocks" hosted by McAllister, Biancadonk and Cass Monster, "In a Dream" hosted by Mystic Pete, "The Bomb Shelter" hosted by Uncle Tim, "Livation" hosted by Robert Douglas and Hilary Russell, "The Molotov Cocktail Hour" hosted by Cyrano & Señor Amor, "The Windmills of Your Mind" hosted by Taylo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
And On And On
"And On and On" is a song by American singer Janet Jackson from her second remix album ''Janet Remixed'' (1995). As the B-side to " Any Time, Any Place", "And On and On" peaked at number one on the US ''Billboard'' Hot R&B/Hip-Hop Songs chart and number two on the ''Billboard'' Hot 100. It also reached number one as a B-side on the '' Cash Box'' chart in the summer of 1994. Release "And On and On" was released in May 1994 as an unreleased track on the cassette and CD singles of "Any Time, Any Place". Reception Larry Flick of '' Billboard'' compared "And On and On" to Grace Jones's "Pull Up to the Bumper" and Sly and the Family Stone's "Family Affair". Flick also said he preferred the remix of "And On and On" instead of Jackson's "Throb". Chart performance "And On and On" charted both as a B-side to " Any Time, Any Place" and as a separate single. On '' Billboard'', "Any Time, Any Place" / "And On and On" peaked at number one on the Hot R&B/Hip-Hop Songs and number two on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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