Des Dankes Wort Sei Mir Vergönnt, WAB 62
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Des Dankes Wort Sei Mir Vergönnt, WAB 62
' (Let grant me to say a word of thanks), WAB 62, is a song composed by Anton Bruckner Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-Germ ... during his stay in Sankt Florian. History Bruckner composed this song on a text of Ernst Marinelli between 1845 and 1855, during his stay in Sankt Florian. He dedicated the work as thanks to Earl Charles O'Hegerty, the occupant of Tillysburg Castle, near Sankt Florian. It is not known when the song was performed at that time. On 13 May 1996 the work was performed again on the authentic location (Tillysburg Castle).U. Harten, p. 125C. van Zwol, pp. 722-723 The original manuscript of the work is lost, but a copy by Karl Aigner is stored in the archives of the '' Österreichische Nationalbibliothek''. The work is issued in Band XXIII/2, No. ...
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Anton Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several version ...
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F Major
F major (or the key of F) is a major scale based on F, with the pitches F, G, A, B, C, D, and E. Its key signature has one flat. Its relative minor is D minor and its parallel minor is F minor F minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. Its enharmonic equivalent, E-sharp mi .... The F major scale is: : F major is the home key of the English horn, the basset horn, the French horn, horn in F, the trumpet in F and the bass Wagner tuba. Thus, music in F major for these transposing instruments is written in C major. Most of these sound a perfect fifth lower than written, with the exception of the trumpet in F which sounds a fourth higher. (The basset horn also often sounds an octave and a fifth lower.) Notable compositions in F major *Antonio Vivaldi **Twelve Trio Sonatas, Op. 1 (Vivaldi), Trio sonata Op. ...
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Werkverzeichnis Anton Bruckner
Anton Bruckner is best known for his symphonic works; there are 11 symphonies (the last with an unfinished finale), most of them in several versions. He also composed a few other smaller orchestral works (one overture, one march and three 'small orchestral pieces'), and sketched another symphony. Bruckner also composed a considerable amount of choral music. There are 59 religious works, of which there are 17 larger choral works (seven masses, two requiems, one religious cantata, five psalm settings, one ''Te Deum'' hymn and one ''Magnificat'' hymn), 40 smaller choral works (16 hymns, six antiphons, six graduals, three settings of the offertorium, two chorale, two religious elegies, two '' Libera me'', one litany and two other motets), of which a few are in two or three versions, and two '' aequali'' for three trombones. In addition, Bruckner made sketches for two other masses and another requiem. Bruckner also composed 44 ''Weltliche Chorwerke'' (secular choral works), seven ...
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Weltliche Chorwerke (Bruckner)
Throughout almost all his composing life, Anton Bruckner composed about thirty (secular choral works) and seven (mottoes) on German-language texts, the first in 1843 and the last in 1893. Many of these works including the mottoes, often with a patriotic slant, were written for ''Liedertafel'' (men's choral societies), above all ''Frohsinn'' and ''Sängerbund''. Others were composed for private occasions, such as weddings, funerals, birthdays or name-days, being dedicated to friends and acquaintances of the composer. The large majority of these works are set for men's choir, sometimes with soloists. Only two choral works (WAB 64 and WAB 66) and one motto (WAB 95.1) are set for mixed choir. Kronstorf * ''An dem Feste'', WAB 59a, a 20- bar long work, with 5 strophes, in D-flat major for men's choir composed on 19 September 1843 on a text by Alois Knauer. Around his life-end (1893), Bruckner reissued this first as ''Tafellied'', WAB 59c. Sankt Florian * ''Das Lied vom deutsc ...
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German Language
German ( ) is a West Germanic languages, West Germanic language mainly spoken in Central Europe. It is the most widely spoken and Official language, official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Italy, Italian province of South Tyrol. It is also a co-official language of Luxembourg and German-speaking Community of Belgium, Belgium, as well as a national language in Namibia. Outside Germany, it is also spoken by German communities in France (Bas-Rhin), Czech Republic (North Bohemia), Poland (Upper Silesia), Slovakia (Bratislava Region), and Hungary (Sopron). German is most similar to other languages within the West Germanic language branch, including Afrikaans, Dutch language, Dutch, English language, English, the Frisian languages, Low German, Luxembourgish, Scots language, Scots, and Yiddish. It also contains close similarities in vocabulary to some languages in the North Germanic languages, North Germanic group, such as Danish lan ...
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Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ba ...
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SATB
SATB is an initialism that describes the scoring of compositions for choirs, and also choirs (or consorts) of instruments. The initials are for the voice types: S for soprano, A for alto, T for tenor and B for bass. Choral music Four-part harmony using soprano, alto, tenor and bass is a common scoring in classical music, including chorales and most Bach cantatas.Shrock, DennisChoral Repertoire''Oxford University Press'', 2009, p. 298, The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir", of Bach's ''Wachet auf, ruft uns die Stimme'', BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. "SATB/SATB" is used when a double choir is required, as in Penderecki's ''Polish Requiem''. or SSATB, with divided sopranos, which is a typical scoring in English church music. A listing for Bach's ''M ...
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Werkverzeichnis Anton Bruckners
Anton Bruckner is best known for his symphonic works; there are 11 symphonies (the last with an unfinished finale), most of them in several versions. He also composed a few other smaller orchestral works (one overture, one march and three 'small orchestral pieces'), and sketched another symphony. Bruckner also composed a considerable amount of choral music. There are 59 religious works, of which there are 17 larger choral works (seven masses, two requiems, one religious cantata, five psalm settings, one ''Te Deum'' hymn and one ''Magnificat'' hymn), 40 smaller choral works (16 hymns, six antiphons, six graduals, three settings of the offertorium, two chorale, two religious elegies, two '' Libera me'', one litany and two other motets), of which a few are in two or three versions, and two '' aequali'' for three trombones. In addition, Bruckner made sketches for two other masses and another requiem. Bruckner also composed 44 ''Weltliche Chorwerke'' (secular choral works), seven ...
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Österreichische Nationalbibliothek
The Austrian National Library (german: Österreichische Nationalbibliothek) is the largest library in Austria, with more than 12 million items in its various collections. The library is located in the Neue Burg Wing of the Hofburg in center of Vienna. Since 2005, some of the collections have been relocated within the Baroque structure of the Palais Mollard-Clary. Founded by the Habsburgs, the library was originally called the Imperial Court Library (german: Kaiserliche Hofbibliothek); the change to the current name occurred in 1920, following the end of the Habsburg Monarchy and the proclamation of the Austrian Republic. The library complex includes four museums, as well as multiple special collections and archives. Middle Ages The institution has its origin in the imperial library of the Middle Ages. During the Medieval period, the Austrian Duke Albert III (1349–1395) moved the books of the Viennese vaults into a library. Albert also arranged for important works from Latin ...
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Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generally u ...
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Humming
A hum is a sound made by producing a wordless tone with the mouth closed, forcing the sound to emerge from the nose. To hum is to produce such a sound, often with a melody. It is also associated with thoughtful absorption, 'hmm'. A hum has a particular timbre (or sound quality), usually a monotone or with slightly varying tones. There are other similar sounds not produced by human singing that are also called hums, as the sound produced by machinery in operation, such as a microwave, or by an insect in flight. The hummingbird was named for the sound that bird makes in flight which sounds like a hum. Mechanics A 'hum' or 'humming' by humans is created by the resonance of air in various parts of passages in the head and throat, in the act of breathing. The 'hum' that a hummingbird creates is also created by resonance: in this case by air resistance against wings in the actions of flying, especially of hovering. Humming in human evolution Joseph Jordania suggested that humm ...
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Uwe Harten
Uwe Harten (born 16 August 1944) is a German musicologist, who works in Austria. Life Born in , Harten grew up in Hamburg, where he was a boy soprano at the Staatsoper. He took over the roles of a child. In Hamburg he also began his studies of musicology and art history, which he continued in Vienna with Erich Schenk. He gained his doctorate with his study of the Viennese Schumann admirer Carl Debrois van Bruyck. He then worked as a dramaturgical assistant at the Vienna Chamber Opera. Furthermore, he assisted Anthony van Hoboken in the production of his Werkverzeichnis of Joseph Haydn. Since 1972 he has been a member of the at the Österreichische Akademie der Wissenschaften. Since 1974 he has been secretary and member of the board of directors of the Denkmäler der Tonkunst in Österreich. In addition Harten worked as an assistant at the since its foundation in 1978. From 1988 to 2000 he was also its deputy scientific director and participated between 1977 and 2000 in ...
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